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p.1 #9 · Neutral Fill Discovered! | |
Harry T wrote:
Just read the blog post, does seem like a revelation to him. 
I read the post weeks ago, when he posted it, and I took it in a completely different way than Chuck did: rather than using the technique to champion flat, uninteresting lighting, Hobby was throwing it out there as a way to create dramatic, interesting, highly-dimensional portraiture. By bringing the fill as much as 4+ stops under the main exposure all you're doing is barely lifting the shadows into the realm of lowlights, giving you a depth and richness that isn't usually associated with "fill light" at all.
Yes, I understand that the technique is valid either way, but I do believe that the context and example/illustration images matter. You show me a dead, lifeless, flat photo to validate a technique and I'm not running to try it. You show me an interesting, sophisticated, nuanced image and I'm all ears.
Besides, the technique obviously wasn't news to Hobby...I think that Hobby thought it would be news to his (legion of) readers.
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