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p.1 #5 · Leica Macro-Elmarit-R 60mm on Canon | |
ACElkins wrote:
Ayler,
I use the Leica 100mm Apo Macro Elmarit for most of my flat artwork copy work, and the Leica 60mm Macro Elmarit for those occasions where the artwork is large and I cannot back up enough to use the 100mm lens. Both lenses have an excellent flat field at artwork reproduction ratios, sweet spot on both lenses are from F:5.6 to F:9.5. Although the 60mm is not classified as Apochromatic, you have to do some serious pixel peeping to see the difference bettween the 2 lenses.
I don't know what camera you are using for your artwork reproduction, but after using the Live View on my 1DsM3 for critical focus I don't know how I got along without it! The Live View is quite amazing for this type of work, and eliminates any error with Autofocus Calibrations ( Can't use that with the Leicas anyway ) or errors in the placement of the focusing screen when manualy focusing.
That's reassuring! I'll be using it with a 5D MKII and a 5D MKI. I did some overhead capture work of typescript from WW1 where there's text in the bottom layer that has been covered by a glued piece of paper with amendments, and where you want to see the text from both layers and the EF100mm Macro came up short in the corners, although centre all the way up to centre edges was excellent. Because the text sometimes runs all the way to the paper margins and corners, it's paramount that I get even sharpness or else I need to crop. I'll also be doing lantern slides and glass plate negs and need as much resolution as I can get from the 21MP of the MKII, evenness and a flat field (can't afford to crop because corners are soft!).
Thanks!
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