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p.4 #9 · DPreview of 50D is flawed ..please read | |
bushwacker wrote:
astrolucida wrote:
Also, mathematically, the diffraction kicks in at f7 with the 50D.
You meant diffraction depends on 50d's sensor? so i were to use the same lens on 40D or 450D ... 40D might have it f/9 and 450D will have f11?
Precisely stated, diffraction depends on the optics - nothing else. However, as we sample the image with pixels, the important question is when we start seeing the effects of diffraction in the images. The smaller the pixel is, the sooner we get to the limit, which depends on the f ratio.
Yes, you are quite right that with different cameras the limit is at a different point. I've calculated the f ratio where the Airy disc equals four pixels. Airy disc is the smallest possible "dot" that theoretically perfect optics can produce. Four pixels, because of the RGBG matrix. For one pixel, the limit is half the value below.
40D has f8.7 as the limit, 450D f7.7, 30D f9.6, 1DIII f10.8 and 5D f12.2!
The new 1DsIII and 5D II both have f9.6, having equal pixel size to the 30D.
Remember, though, that no real optics is perfect. When you stop a lens down, it will become sharper. Until the diffraction kicks in - then no matter how good the lens is, the image will become blurry. In my experience one stop over the diffraction limit is only visible under perfect test conditions and only when flip-comparing two equal framings. Two stops and a discernible eye can see it in a single image at 100%. Three stops and then its already obvious at 100% (but not at 50%, so it depends on how big you print).
This all is good to know when you try to get out the maximum sharpness from your equipment and when your photographic goal allows a range of f stops.
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