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p.1 #7 · fractional ISO's on Mark II | |
TVRguy wrote:
I have a question - does using ISOs that are not full stop increments degrade image quality?
i.e. ISO 500, 1250, etc. - do they look any worse than the ISOs that fall on the powers of two (100,200,400,800, etc.)
For all Canon consumer-level digital SLRs, the hardware can only amplify signals at 1-stop intervals. ISO 100, 200, 400,... etc. All intermediate ISO values are done through software extrapolation, by shifting the RAW values forwards or backwards. So ISO 125 would be just ISO 100 RAW values pushed up 1/3 stop. ISO 160 would be ISO 200 RAW values pushed down 1/3 stop. This is true for all Digital Rebels and 20D/30D/40D series cameras. Intermediate ISO values are essentially worthless if you shoot RAW. You might as well shoot in 1-stop intervals and digitally adjust exposure during RAW conversion.
On most Nikon digital SLRs, all regular and intermediate ISO values are done through hardware amplification only. The amplifiers will actually process the incoming signals for ISO 200, 250, 320, 400..., etc. So there's no disadvantage to choosing intermediate ISO values at all.
On higher-end Canon models like the 5D, 1D, and 1Ds series, amplification is done through hardware as well. But it's done in two stages. The first stage amplifiers will bump up the signal to the nearest 1-stop interval (100, 200, 400, 800, etc). If you shot with intermediate ISO values, then the signal would then be passed through a 2nd stage amplifier to reach the intermediate values. Amplifiers are one of the biggest sources of read noise in sensors. The use of a second amplifier introduces quite a bit more noise than a single-stage amplifier would've done (like Nikon's). And so intermediate ISO values are still noisier than you would've expected.
In fact, the noise added from the 2nd stage amplifier is such that the 5D/1D/1Ds series may as well have done the intermediate ISO values through software extrapolation. In terms of signal-to-noise ratio, there's no practical difference. But at least they won't clip the highlights 1/3 stop early --- something that happens when shooting the consumer models at ISO 160, 320, 640, 1250.
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