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Archive 2008 · D3 v 1Ds3 at ISO 12800

  
 
andrewd01
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p.3 #1 · D3 v 1Ds3 at ISO 12800


Just found a great web site to explain the diffraction issue. http://www.cambridgeincolour.com/tutorials/diffraction-photography.htm
It has a calculator so you can work out the aperture at which the sensor becomes diffraction limited (assuming perfect lens). It is clear why 11-12MP is a sweet spot for full frame cameras (1Ds, 5D, D3), these can shoot down to f11 without being diffraction limited.

The 1Ds3 can only shoot down to f8 before becoming diffraction limited. This explains why it is a great camera for studio work, but less than perfect if you like to shoot landscapes with the hyperfocal technique, like this excellent image: https://www.fredmiranda.com/forum/topic/675528


For a laugh put in the specs of the new 50D with 1.6 crop sensor. Can't even shoot f8! I won't be getting one of those!





Edited on Sep 01, 2008 at 03:35 PM



Sep 01, 2008 at 03:29 PM
msauk
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p.3 #2 · D3 v 1Ds3 at ISO 12800


maybe it's me but I like the look of raw files then jpeg files when using my super high ISO on my D3.

There seems to be not as much noise in a raw file?



Sep 01, 2008 at 06:06 PM
Tim Ashton
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p.3 #3 · D3 v 1Ds3 at ISO 12800


Hey Richard,
I will watch with intersest for your results, but seriously their are many who have seen your previous comments in Nikon v Canon discussions who have every right to be suspicious of your motives; so people like J MacF have every right to question your bone fides.
As I said, we will all watch with interest. may be we have misjudged you.
Tim



Sep 01, 2008 at 06:39 PM
brainiac
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p.3 #4 · D3 v 1Ds3 at ISO 12800


firewireguy wrote:
I think DPReview are right on this one...
What you want to test is noise on a per pixel basis so you need to have a 100% crop.


Like I said, some people understand this issue, and some just don't. Per pixel noise does not give you an indication of image noise. To compare image noise you need to take into account the number of pixels. It's the amount of noise in your image that matters, not the amount of noise per pixel.



Sep 01, 2008 at 06:58 PM
brainiac
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p.3 #5 · D3 v 1Ds3 at ISO 12800


andrewd01 wrote:
Just found a great web site to explain the diffraction issue. http://www.cambridgeincolour.com/tutorials/diffraction-photography.htm
It has a calculator so you can work out the aperture at which the sensor becomes diffraction limited (assuming perfect lens). It is clear why 11-12MP is a sweet spot for full frame cameras (1Ds, 5D, D3), these can shoot down to f11 without being diffraction limited.

The 1Ds3 can only shoot down to f8 before becoming diffraction limited. This explains why it is a great camera for studio work, but less than perfect if you like to shoot landscapes with the hyperfocal technique, like this excellent image: https://www.fredmiranda.com/forum/topic/675528

For
...Show more

Once again, confusion reigns. You can shoot f8, and if you do, your results will be no less sharp than with a lower megapixel camera. In fact, if the other camera sees no diffraction limit at f8 by some margin, then your results will probably be slightly sharper.

In other words, for a sparse and dense sensor of the same size using a particular lens near the diffraction limit, the dense one will always produce at least as much detail as the sparse sensor, and often more.

So there are three possibilities:
a) the diffraction limit is limiting sharpness on both the sparse sensor and the dense one, in which case the two images will be equally sharp.
b) the diffraction limit is limiting sharpness on the dense sensor, but not the sparse one, in which case the dense one is sharper than the sparse one, but not as much sharper as it could be.
c) the diffraction limit is limiting sharpness on neither sensor, in which case the dense sensor will give its maximum detail advantage over the sparse one.

You could regard the boundaries between these three cases as two more special cases, but they fit the scheme.

Edited on Sep 01, 2008 at 07:09 PM



Sep 01, 2008 at 07:08 PM
brainiac
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p.3 #6 · D3 v 1Ds3 at ISO 12800


firewireguy wrote:
Otherwise resizing an image becomes totally reliant on whatever interpolation software you choose to use, which has nothing to do with the camera.


Yes, I uprezzed a picture of a unicorn using bicubic, and the result was a picture of a pantomime dromedary!



Sep 01, 2008 at 07:15 PM
Rodolfo Paiz
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p.3 #7 · D3 v 1Ds3 at ISO 12800


brainiac wrote:
Some people can see why this is true, and others can't.


Absent clear evidence of obtuse behavior, it is best to assume that all reasonable people can see something if it's true. Statements like the one above give me the impression that anyone who disagrees will be brushed off as being "one of those who can't." Emperor's new clothes, and all that.

brainiac wrote:
Imagine you print a picture at 16x24 and at 24x36. You then cut out a square inch of print from each, and hand the two crops to a judge. She will say that the cropped square inch from the more enlarged print has worse (more visually intrusive) noise than the crop from the smaller enlargement. The noise will be bigger. The less enlarged crop will clearly be the noise winner. But it's the same file.


If you're trying to make any kind of scientific and fact-based analysis, numbers become essential. Don't just bandy about generalities, it confuses the issue. So in order to understand you better, and to ensure that I am looking at the same "facts" as you are, let me see if I can put numbers to this example of yours.

For ease of use, I'm going to use round numbers. So I'll assume that your picture above is actually 4800x7200 pixels in size, so that the 16x24 print is at 300 dpi and the 24x36 print is at 200 dpi. No interpolation or software manipulation involved. If that is indeed what you meant to say, then of course the smaller print is going to look better, since it's got better resolution (defined as number of pixels per unit of distance, in this case PPI). Any noise will be reduced in size, and every line, curve, and detail captured will seem to be of higher quality as well, because for that print it really is.

If, however, you make prints of similar images from two different cameras, and print both at 300 dpi without any image manipulation, then I think cutting that one-square-inch piece from each print is entirely fair. The camera with more MP has the ability to make larger prints without image resizing, and that is an advantage in and of itself. But it is separate from the camera's noise signature, which is inherently pixel-based.

At this point, I am of the opinion that either your theory is wrong, or your explanation is woefully inadequate. A picture of "the Queen's head on a postage stamp", as you put it, will favor the camera with the most MP (not the least, as you said) because the Queen's head was photographed with more pixels and is thus printed at higher resolution if it's printed at the same size. And, the laws of physics still say that a larger photosite will more accurately capture light, which is why the D3 has better noise performance than the D300: equal number of pixels (roughly), but each pixel is bigger and fatter and therefore does better.

brainiac wrote:
Meanwhile, I am criticised for being unscientific, or biased.

The good thing is that you're looking to validate your views based on empirical evidence and facts. Honestly, though, the bad thing is that it soulds like you're way too convinced that your method is correct and valid... and sometimes the problem is not in the answer, but in how we asked the question. Do some constructive self-examination... can all those people really be totally wrong, and you're the only guy who sees the light? Or is there a flaw in your paradigm somewhere, and there really is something to criticize in your methodology or philosophy? Note that I'm not saying "maybe you're wrong," because this is not that simple. It's almost impossible to be 100% wrong or 100% right, which makes ego-less self-evaluation all the more critical.

Please feel free to continue the discussion and explain your reasoning further... I'm listening. At this point, what you've said gives me the impression that your reasoning is not valid and your conclusions are therefore incorrect. But I'm only telling you what I think now; again, if you feel that I have misunderstood or that there is more to say, I'm listening.



Sep 01, 2008 at 07:22 PM
Rodolfo Paiz
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p.3 #8 · D3 v 1Ds3 at ISO 12800


firewireguy wrote:
I think DPReview are right on this one...
What you want to test is noise on a per pixel basis so you need to have a 100% crop.


brainiac wrote:
Like I said, some people understand this issue, and some just don't. Per pixel noise does not give you an indication of image noise. To compare image noise you need to take into account the number of pixels. It's the amount of noise in your image that matters, not the amount of noise per pixel.


See my above comment on the damage it does to your credibility when people who disagree with you are shrugged off as those who "just don't get it."

You have not even attempted to argue, discuss, or dialogue about WHY you think noise-per-image is the correct metric over noise-per-pixel or noise-per-inch. You have simply stated it, and repeated it, and added that you're right but some people don't understand it. That line of argument has zero... repeat, zero... validity.

Now, let's try this again: why do you believe that the total amount of noise in the image is the most significant metric, as opposed to noise-per-pixel or noise-per-square-inch or some other equal measure of area? And please provide details: are you assuming equal resolution in the print? Or native resolution? Or what?

You're never going to convince people by smugly repeating that you hold the Truth in your hand and are unarguably right. If you don't care to convince anyone, and just want to feel secure in your "knowledge", then fine... you're entitled to do that if you wish. But if you are actually having a conversation intended to communicate your beliefs, you're doing a very poor job of it.

If this conversation is to be productive, please leave the righteous superiority out of it, and argue your views concretely and clearly.



Sep 01, 2008 at 07:29 PM
nikt
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p.3 #9 · D3 v 1Ds3 at ISO 12800


What's the real benefit of doing the 'tests'? It's a pissing competition. Is there supposed to be a clear 'winner'. What is a 'winner' anyway. A picture you have to stare at for 5 minutes to see which one is better. Objectively test and subjectively judge!

How do we know the lenses are the best in that group for each camera? The 16-9 website says the 24mm lens from Canon is great. I've not found one that gives the same results he gets.

Maybe hold off a bit and see what Sony does with the A900 24MP camera they keep talk about release some day. Then we can weight the criteria.... such as cost.



Sep 01, 2008 at 07:58 PM
crewshin
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p.3 #10 · D3 v 1Ds3 at ISO 12800


I hate how people in this forum literally jump on someone for asking a question like this. Relax guys.

I'd love to see results from a simple test like this... just for the sake of curiosity. Not fanboyism.


edit: Whoops. Sorry guys I didn't see the second page

Edited on Sep 01, 2008 at 08:01 PM



Sep 01, 2008 at 08:00 PM
brainiac
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p.3 #11 · D3 v 1Ds3 at ISO 12800


Rodolfo Paiz wrote:
Absent clear evidence of obtuse behavior, it is best to assume that all reasonable people can see something if it's true.


You lost me with your first sentence, I am afraid. Here's a true proposition which I don't think we can assume reasonable people can just see the truth of:
"Any effectively generated theory capable of expressing elementary arithmetic cannot be both consistent and complete. In particular, for any consistent, effectively generated formal theory that proves certain basic arithmetic truths, there is an arithmetical statement that is true, but not provable in the theory."

An extreme example, perhaps, but it illustrates the fact that there are many true propositions whose truth is not immediately obvious. When I say some people can see that comparing image noise via 100% crops at differing magnifications is misleading, and some can't, I don't mean to call anyone obtuse. I just think some people can see that it's true, and some can't. Some people can sing in tune and some people can cross their eyes. I don't think any more explanation of why it's unfair to compare 100% crops from a 12 and 21 megapixel camera will achieve very much. I've said how I'm going to do my comparison, and why. I don't think it needs justifying any further. Let's leave it there.

Edited on Sep 01, 2008 at 08:12 PM



Sep 01, 2008 at 08:06 PM
brainiac
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p.3 #12 · D3 v 1Ds3 at ISO 12800


nikt wrote:
What's the real benefit of doing the 'tests'? It's a pissing competition. Is there supposed to be a clear 'winner'. What is a 'winner' anyway. A picture you have to stare at for 5 minutes to see which one is better.


The point of doing the test is to find out how much better at high iso a D3 is compared to 1Ds3. It interests me because I have to shoot at high iso a lot. There will be a clear winner, almost certainly the D3. But the extent of its advantage may be interesting to high iso photographers. I think it will take a few seconds to see the differences, not 5 minutes. I will post the crops so that people can make their own minds up. I may offer my opinion, but the crops ought to speak for themselves.



Sep 01, 2008 at 08:19 PM
nikt
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p.3 #13 · D3 v 1Ds3 at ISO 12800


Richard, are you saying you can't decide whether or not to keep you 1ds III or get a D3. Whatever the motives, you're not going to buy a D3 based on some amount of perceived difference in noise characteristics.

The tests has no purpose. I've seen the long running thread on the Canon forum that says
"1DS III King of High ISO". You said it there and repeated it here; "maybe the D3 is just the prince of high ISO". The conclusion is already drawn Richard.

I'll give you a conclusion. The Canon 1DS MK III camera at ISO 6400 takes the best photo I've EVER seen from a 21MP SLR camera.



Sep 01, 2008 at 09:43 PM
James R
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p.3 #14 · D3 v 1Ds3 at ISO 12800


crewshin wrote:
I hate how people in this forum literally jump on someone for asking a question like this. Relax guys.

I'd love to see results from a simple test like this... just for the sake of curiosity. Not fanboyism.

edit: Whoops. Sorry guys I didn't see the second page


I hate how people don't read the whole thread before posting..





Sep 01, 2008 at 09:52 PM
firewireguy
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p.3 #15 · D3 v 1Ds3 at ISO 12800


brainiac wrote:
Yes, I uprezzed a picture of a unicorn using bicubic, and the result was a picture of a pantomime dromedary!


Why bicubic and not bilinear or nearest-neighbour interpolation? You see what I mean? Your result is now based on an arbitrary choice of software algorithm that has nothing at all to do with the cameras being tested.

However, your reply leaves me thinking that you're just a pathetic troll who doesn't deserve the time of day.



Sep 02, 2008 at 01:31 AM
Tim Ashton
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p.3 #16 · D3 v 1Ds3 at ISO 12800


Every body settle down
The test exists on digital outback photo, cameras and gear. go to http://handbook.outbackphoto.com/section_cameras_gear/index.html
They havnt done them side by side but they have their own tests and as far as I can see every one should be darned pleased with whichever side they own or support
As Nikt says the 1Ds3 at ISO 6400 takes the best photo EVER seen from a 21MP SLR camera.





Sep 02, 2008 at 06:07 AM
AdamHoej
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p.3 #17 · D3 v 1Ds3 at ISO 12800


1ds + ISO 12800 ?!??! How?


Sep 02, 2008 at 06:09 AM
brainiac
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p.3 #18 · D3 v 1Ds3 at ISO 12800


nikt wrote:
Richard, are you saying you can't decide whether or not to keep you 1ds III or get a D3. Whatever the motives, you're not going to buy a D3 based on some amount of perceived difference in noise characteristics.


I may well buy a D700, if it gives me a stop or more over Canon's best. I am not interested in brands, I'm interested in doing my job. I used to use Nikon in the past (and Contax and Rollei and Hasselblad and Pentax and Mamiya and Bronica), and I have no aversion to running two systems. Switching altogether would be expensive for me, and I have no way of knowing who will lead in high iso in the future. Running one body for high ISO and another for less demanding situations wouldn't worry me at all.

> ...You said it there and repeated it here; "maybe the D3 is just the prince of high ISO". The conclusion is already drawn Richard.

Did you speed read over the word 'maybe'? Read it again: 'maybe'. The conclusion is not drawn at all, because no review site has done a fair comparison. I really don't see why I should be abused for asking someone to meet me for a beer and a specific gear comparison.

Edited by brainiac on Sep 02, 2008 at 12:19 PM GMT

Edited on Sep 02, 2008 at 07:19 AM



Sep 02, 2008 at 07:15 AM
Marc Kurth
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p.3 #19 · D3 v 1Ds3 at ISO 12800


AJ Nadershahi wrote:
Part of the problem for me with previous comparisons (and why I haven't really bought into them fully as very valid tests), is due to resizing either the DsIII or the D3 files so they match the same resolution.

Take both files and print them to a standard size, say 16x20 and 24x36 with no post processing or resizing of the files other than allowing the RIP software to handle it as best for the printer. As we all know, viewing on screen doesn't always translate the same as final print. And after all, isn't the concern final print
...Show more


I couldn't agree more.



Sep 02, 2008 at 07:19 AM
brainiac
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p.3 #20 · D3 v 1Ds3 at ISO 12800


firewireguy wrote:
Why bicubic and not bilinear or nearest-neighbour interpolation? You see what I mean?


Nearest-neighbour and bilinear only give an accurate uprezzing if you multiply the baselength by an integer. A scaling from 12 to 21 megapixels is not multiplying the baselength by an integer. But I'll tell you what we can do: I will also uprez the D3 file to 48 megapixels (baselength x 2) using nearest neighbour, so that the 48 megapixel file is identical to the original. In mathematical terms that means the file hasn't really been uprezzed. I will then use bicubic to uprez the 1Ds3 file to 48 megapixels (since that's not an integer multiplication of baselength). That way we can preserve the larger file's detail without 'compromising' the lower megapixel file when we uprez. My experience is that it makes no difference to detail and noise. Interpolation does not turn a unicorn into a pantomime dromedary.

> Your result is now based on an arbitrary choice of software algorithm that has nothing at all to do with the cameras being tested.

It is not an arbitrary choice of software algorithm, it is the most accurate way to uprez that mathematics can provide. It has practically no effect on the file's detail. As I said earlier, I will also show crops of the 21 megapixel file downrezzed to 12. That certainly does have an effect on the file's detail, namely it trashes 9 megapixels of it. Which camera stands to suffer more by these comparisons, the one which undergoes a practically lossless uprezzing, or the one which undergoes the subtraction of 9 megapixels of detail? Your response is precisely why I made it clear that I would post both methods of comparison. What I will not do is compare equal sized excerpts from different magnification of image, because that method is a reliably inaccurate method of comparison.

Edited by brainiac on Sep 02, 2008 at 12:39 PM GMT

Edited on Sep 02, 2008 at 07:39 AM



Sep 02, 2008 at 07:35 AM
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