donrisi Offline Image Upload: Off
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liamh wrote:
In a case like this I'd like to think the choreographer wouldn't have a leg to stand on - however she posed it - but I know a commercials director who lost a lot of money (over $1,000,000) trying win a similar copyright case here in the UK. Basically, it came down to who was the boss on the shoot. If you paid the instructor to do her job and told her what you were after, you are the boss and it's your copyright, but if not, then she's in a strong position.
I'm not an IP attorney, but I believe in the US that's not the case. If it were, then the moment an "Art Director" walked into the studio, the photographer's right to claim the copyright on the photos being shot would go out the window. It's only in a specific instance, called "Work for Hire," where the creator of the work (photo, dance, architecture, whatever) gives up their right to claim copyright on the art work can someone else claim it.
In this case, the only thing on the positive side for the OP is the fact that while the teacher may be able to legally block the OP from displaying the photos, the OP can do the same to the teacher. Turnabout is fair play.
Don
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