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p.1 #18 · What Lens for the Grand Canyon | |
My experience from both rims of the Canyon would say to include the 16-35 II and the 24-105 for sure. I personally would not send your 16-35 out hoping to get it back in time unless it has serious problems. You did not say what is wrong, but if it is a focus issue, you can likely live with hiding the problem in its depth of field, or using your angle finder for critical manual focus.
I personally would also want a longer lens, but it depends on what you like to do. I really enjoy reaching out and getting detail of canyon walls, and I did enjoy taking a lot of shots of the Condors soaring just off the edge of the South Rim. So if you can manage it, taking the 100-400 along would be nice.
You want a good tripod for the sunrise and sunset shots. And your cable release is a required option. I already mentioned your angle finder, and it can help you focus in dark conditions where your autofocus may not quite lock on. Not sure if you have any graduated neutral density filters, but they can be useful for sunrises and sun sets. If not, bracket over a wide exposure range and try post process combining. The deep canyon in front of you and the light sky above the rim present a very high contrast at sunrise, making it important to be prepared to handle it.
Panoramas are great to take if you get a chance. Without a pano head, it is best to level your tripod well, so be prepared with some form of level it your tripod does not have one built in. And remember manual focus and manual exposure, for consistent shots to look good all as one.
A good polarizer for your 24-105 is well worth the investment. Besides deepening blue sky, the color saturation of the canyon and its greenery can both be enhanced. Once you get past the actual sunrise, include the use of a polarizer, and experiment with seeing its effects through the viewfinder. Do not worry about a polarizer for your 16-35 II with its 82mm front threads, because most really wide shots suffer too much from the variation of the polarizer effects across the width of the frame.
Be very careful near the edge of the canyon, especially when it is not very light. You should have a good small flashlight in your photo bag to be very sure of your surroundings and movements, and it can be helpful to set up your gear in the early hours of the day. Even when it is light, it can be easy to get excited about photo opprotunities and forget you are 2 feet away from a 500 foot fall, so keep that in mind.
Be prepared for wind and rain for yourself and your photo gear. And do not give up on going out if the weather seems poor. You can get some really interesting and exciting shots in mixed weather, and it can add a lot of variety to what might have been just another canyon photo.
Edited on Jun 20, 2008 at 07:21 PM
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