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p.1 #12 · Did I mention the Nikon 14-24G? | |
marcwilson wrote:
Mark,
purely out of interest, if the above list of lenses is you travelling light...just what is your full lens set up at the moment?
In flux. Actually, in the bath this morning (Ah! the joys of OCD!) I finally decided that unless Sony fumbles the ball really badly – or unless the 5D II lifts the 1Ds III sensor – I'm leaning heavily towards a Canon-Sony switch.
Currently, the 'Canon' full frame lineup consists of the 14-24G covering the wide end (with 180° support from the Zeiss 16mm fisheye), then the (apparently uncommonly superb sample of the) Canon 24L, Zeiss 28/2.8, Canon 24-105L (walkaround), Zeiss 35-70, Zeiss 50/1.4, Canon 50 Macro, Canon 85L II, Canon 70-200/4 IS, Canon 300/4 IS.
For movements, I've got the Mirex Tilt/Shift adaptor with the Mamiya 24mm fisheye, modified Olympus 35PC, Mamiya 55/2.8, Mamiya 80mm Macro. I'm toying with swapping the 80 Macro for an 80/1.9 + 120 Macro, but it's not really necessary: the 80mm is just as sharp, works great on a short tube for 1:1 and has a little extra DOF. Tilt movements with a Macro lens is a must for me. This whole set can, of course be used, – with AF confirmation – on the Sony flagship, so no worries about the lack of native shift lenses.
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