Timm Offline Image Upload: Off
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I'm guessing here, but it seems to me that the camera is seeing a huge range of contrast, with the bright overcast skies and darker landscape. Since the camera has no idea of what your subject matter is, it is assuming that fill-flash will help to lower the range of contrast by bringing the foregorund exposure up. Which, of course, it won't be able to do, unless your entire foreground is within less than 100 ft of the lens, and at a fairly uniform distance.
The proper solution for this problem is a graduated neutral-density filter (GND), a rectangular filter that has a fairly abrubt change from grey to clear that you can move in front of your lens to tone the sky down while keeping the foreground exposure up.
The alternative is to take several exposures, manually, from a tripod. One for the sky, exposed +1.5-2stops above the spot-meter reading off the brightest part, one a grey-card exposure for the average of the foreground, and maybe one more in-between. Scan the film, spend five minutes getting the pictures aligned, then use PhotoShop to combine them. Expect to spend several hours on your first try; after that it speeds up to only about an hour per composite.
I've done this with slides, I do it frequently with digita, but if I were shooting film, I think I'd get a GND!
Timm
Edited on Aug 24, 2005 at 09:38 AM
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