John_T Offline Upload & Sell: On
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Of course there is another point. If your camera has a 1.6 crop, the 50 in a sense is an 80, which is a little long sometimes. If you shoot wide open at f/1.4 with the inherent narrow DOF, you add to that the slightly long handle of 80mm and then to that a shutter speed less than 1/80s, you've got ideal conditions for shake and/or subject movement giving you motion blur that even so slight can look like soft or OOF. Eh?
If you raise your ISO to keep your shutter speed up you are back in the game. Do the simple monitor/TV focus test, and if the lens (camera?) pass, the finger is pointing at you. 
These are factors that make fast primes hell for some people and heaven for those who master them. The 50 f/1.4 is the absolute classic lens and the revolving point for all others. Learn to use it well and all others will be much easier. ...except maybe the 85L... or the...
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