Leica M/X/T/S/Q/CL/SL Picture Thread
Nov 05, 2017 at 03:56 AM
p.1538 #4Leica M/X/T/S/Q/CL/SL Picture Thread
M10 | Summaron-M 1:5.6/28 | ISO 6400 | f/5.6 | 1/180 sec
Bangkok
_________________
Alone in Bangkok essay on BURN Magazine
Bangkok
_________________
Alone in Bangkok essay on BURN Magazine
Nov 05, 2017 at 06:06 PM
p.1538 #5Leica M/X/T/S/Q/CL/SL Picture Thread
Let me guess your weight!
28cron Tri-X 400
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28cron Tri-X 400
Nov 05, 2017 at 09:16 PM
p.1538 #7Leica M/X/T/S/Q/CL/SL Picture Thread
M7 ZM 50/2 Portra 800 by edward karaa, on FlickrNov 06, 2017 at 11:11 AM
p.1538 #8Leica M/X/T/S/Q/CL/SL Picture Thread
M7 ZM 50/2 Portra 800 by edward karaa, on FlickrNov 06, 2017 at 11:12 AM
p.1538 #9Leica M/X/T/S/Q/CL/SL Picture Thread
Roman Stands by Werner Utsch, on Flickr
Monochrom, Summicron 90/2.0
Nov 06, 2017 at 12:57 PM
p.1538 #10Leica M/X/T/S/Q/CL/SL Picture Thread
M7 ZM 50/2 Portra 800 by edward karaa, on FlickrNov 06, 2017 at 01:17 PM
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p.1538 #11Leica M/X/T/S/Q/CL/SL Picture Thread
Here is one with 90 APO stitched version:
Nov 06, 2017 at 04:18 PM
p.1538 #12Leica M/X/T/S/Q/CL/SL Picture Thread
I've said this before but I really like the contrast/color of the ZM35D in low light situations.
ZM35D
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ZM35D
Nov 06, 2017 at 09:46 PM
p.1538 #13Leica M/X/T/S/Q/CL/SL Picture Thread
Gary Clennan wrote:
I've said this before but I really like the contrast/color of the ZM35D in low light situations.
Fully agreed Gary. The lack of spherical aberrations makes it an ideal lens for low light shooting wide open.
I've said this before but I really like the contrast/color of the ZM35D in low light situations.
Fully agreed Gary. The lack of spherical aberrations makes it an ideal lens for low light shooting wide open.
Nov 07, 2017 at 03:50 AM
p.1538 #14Leica M/X/T/S/Q/CL/SL Picture Thread
Peking duck anyone? 
M7 ZM 50/2 Portra 800 by edward karaa, on Flickr
M7 ZM 50/2 Portra 800 by edward karaa, on Flickr
M7 ZM 50/2 Portra 800 by edward karaa, on FlickrM7 ZM 50/2 Portra 800 by edward karaa, on FlickrNov 07, 2017 at 03:51 AM
p.1538 #15Leica M/X/T/S/Q/CL/SL Picture Thread
Chinatown
M7 ZM 50/2 Portra 800 by edward karaa, on Flickr
M7 ZM 50/2 Portra 800 by edward karaa, on FlickrNov 07, 2017 at 03:59 AM
p.1538 #16Leica M/X/T/S/Q/CL/SL Picture Thread
airfrogusmc wrote:
http://www.pbase.com/airfrogusmc/image/166490207.jpg
Allen - one of your very best IMHO!
...I've got lots more pages to catch up on here.
http://www.pbase.com/airfrogusmc/image/166490207.jpg
Allen - one of your very best IMHO!
...I've got lots more pages to catch up on here.
Nov 07, 2017 at 05:33 AM
p.1538 #17Leica M/X/T/S/Q/CL/SL Picture Thread
Wow - I've just gone through about 10 pages...still the best photo forum experience going!
Lots of likes added.
I've been shooting a lot lately but not always with the M240.
These first two are from today. I bought a C/Y (Zeiss) 35-70 to Leitax it for use with a Pentax K-1, however it's a whole lot less risky to leave it in native format and use it with LV on the M240.
Bee at work by David M, on Flickr
Bee at work by David M, on Flickr
Lots of likes added.
I've been shooting a lot lately but not always with the M240.
These first two are from today. I bought a C/Y (Zeiss) 35-70 to Leitax it for use with a Pentax K-1, however it's a whole lot less risky to leave it in native format and use it with LV on the M240.
Bee at work by David M, on FlickrBee at work by David M, on FlickrNov 07, 2017 at 07:10 AM
p.1538 #18Leica M/X/T/S/Q/CL/SL Picture Thread
More with the C/Y 35-70 on M240
Gazania (low key) by David M, on Flickr
Gazanias by David M, on Flickr
Gazania (low key) by David M, on FlickrGazanias by David M, on FlickrNov 07, 2017 at 07:21 AM
p.1538 #19Leica M/X/T/S/Q/CL/SL Picture Thread
That portfolio by Constantine Manos is excellent. Voyeurisitic but also detached!
Nov 07, 2017 at 07:46 AM
p.1538 #20Leica M/X/T/S/Q/CL/SL Picture Thread
Did you notice the glow around the fluorescent lights in the image I posted earlier? It’s a characteristic of the Summaron- 28 mm. That made me start thinking about an edgier version — below is a higher contrast treatment of this shot, which just comes short of blowing out the sky. I hesitated posting it because it departs from reality: the sky was luminous but dull.
Do you know the Portuguese photographer. Paulo Nozolino? I remembered the introductory description to his Arles workshop, which has the following first sentence:
This workshop is not for digital photoshop liars, reportage, landscape or portrait photographers, conceptual artists or career seekers. It is a workshop for the unsure, the poets, the dreamers, all of those who feel they don’t fit in the system!
That made me think whether the picture below is a digital lie, but it's as much a lie as an equally high contrast print from film would be — and Nozolino does that all the time. Seems to me that he simply doesn't like digital. BTW, it's difficult to get a sense of his work because he's gutsy enough not to even have a website. His prints are very dark and even the Steidl book Far Cry doesn't do him justice. If one can't see the original prints the best way to get a feeling for his work is through some youtube videos of a couple of his exhibitions.
As for the version below, I'm beginning to like it — it isolates the subject more than the the earlier, in line with what this image is about.
M10 | Summaron-M 1:5.6/28 | ISO 6400 | f/5.6 | 1/180 sec
Bangkok
_________________
Alone in Bangkok essay on BURN Magazine
Do you know the Portuguese photographer. Paulo Nozolino? I remembered the introductory description to his Arles workshop, which has the following first sentence:
This workshop is not for digital photoshop liars, reportage, landscape or portrait photographers, conceptual artists or career seekers. It is a workshop for the unsure, the poets, the dreamers, all of those who feel they don’t fit in the system!
That made me think whether the picture below is a digital lie, but it's as much a lie as an equally high contrast print from film would be — and Nozolino does that all the time. Seems to me that he simply doesn't like digital. BTW, it's difficult to get a sense of his work because he's gutsy enough not to even have a website. His prints are very dark and even the Steidl book Far Cry doesn't do him justice. If one can't see the original prints the best way to get a feeling for his work is through some youtube videos of a couple of his exhibitions.
As for the version below, I'm beginning to like it — it isolates the subject more than the the earlier, in line with what this image is about.
M10 | Summaron-M 1:5.6/28 | ISO 6400 | f/5.6 | 1/180 sec
Bangkok
_________________
Alone in Bangkok essay on BURN Magazine
Nov 07, 2017 at 09:34 AM