Leica M/X/T/S/Q/CL/SL Picture Thread
p.1422 #1Leica M/X/T/S/Q/CL/SL Picture Thread
Couple of images from a Beers & Cameras event last night at a local brewery.
M246 & Heliar 50/2
IPA basking in it's glory
Kegs and Tap
M246 & Heliar 50/2
IPA basking in it's glory
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Kegs and Tap
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Mar 17, 2017 at 07:11 AM
p.1422 #2Leica M/X/T/S/Q/CL/SL Picture Thread
Nice images, Guys.
Rigid Cron M240
Rigid Cron M240
Mar 17, 2017 at 11:04 AM
p.1422 #3Leica M/X/T/S/Q/CL/SL Picture Thread
A couple abstracts at the SF MOMA - Leica MP / UC-Hexanon 35mm / Tri-X
San Francisco Explorations by Abram Goglanian, on Flickr
San Francisco Explorations by Abram Goglanian, on Flickr
San Francisco Explorations by Abram Goglanian, on FlickrSan Francisco Explorations by Abram Goglanian, on FlickrMar 17, 2017 at 12:26 PM
p.1422 #4Leica M/X/T/S/Q/CL/SL Picture Thread
Sun And Ice by Werner Utsch, on Flickr
S006, Super-Elmar S 24/3.5
Pano 3 shots, vertical, tripod
Mar 17, 2017 at 12:55 PM
p.1422 #5Leica M/X/T/S/Q/CL/SL Picture Thread
One of my first images taken with the M10 — I've only taken six so far, and have been using Auto-ISO, auto-exposure and Multi-field exposure mode, just because I didn't have that on the M9 or the MM.
Leica M10 | Summicron 35v4 | ISO 200 | f/5.6 | 1/180 sec
Paris
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http://www.burnmagazine.org/essays/2016/05/mitch-alland-alone-in-bangkok/%22]Alone in Bangkok essay on BURN Magazine[/URL]
Leica M10 | Summicron 35v4 | ISO 200 | f/5.6 | 1/180 sec
Paris
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http://www.burnmagazine.org/essays/2016/05/mitch-alland-alone-in-bangkok/%22]Alone in Bangkok essay on BURN Magazine[/URL]
Mar 17, 2017 at 05:42 PM
p.1422 #8Leica M/X/T/S/Q/CL/SL Picture Thread
This guy kept me hydrated the other night.... 
50lux ASPH
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50lux ASPH
Mar 17, 2017 at 08:56 PM
p.1422 #9Leica M/X/T/S/Q/CL/SL Picture Thread
Here is a color picture with the M10 shot at ISO 3200. After shooting only six images my impression remains as I wrote in the M10 thread, when I was relating the conclusions of a friend who is a professional photographer with great color sense:
The impression I have of the M10 is that operationally it’s night and day from the M9, and feels like the Leica M that we all wanted when the M8 was released. From a friend that has had one for a week, I get the impression that with a few adjustments in Lightroom one can get pretty close to the M9 look — though he thinks that there is still something inexplicably special about that look. He feels that, compared to the M9, the M10 sensor is almost too good, in that it can have something of a homogenizing effect. The M9 was a challenge, especially in low light, but sometimes challenges pay off in better images, like using film. Probably with the M10 one may have to "rough up" the image somewhat. The M10 B&W conversions look very good, though it seems that the MM is better, but again, depending on post-processing, it could really be splitting hairs.
I can add that, for B&W, I'm happy to have the M10 rather than the MM because, using Silver Efex 2, I can easily rough up the files to get the high contrast look that I'm usually after. For color, I liked to shoot the M9 at ISO 640 because the digital noise was a lot like film grain and I generally liked the colors, except for the "electric blues" that needed toning down, particularly in night shots. With the M10 I haven't yet figured out the best way for me to rough up the files, although I get the feeling that high contrast color may be more flexibly done that with the M9.
Leica M10 | Summicron 35v4 | ISO 3200 | f/5.6 | 1/45 sec
Paris
_______________
http://www.burnmagazine.org/essays/2016/05/mitch-alland-alone-in-bangkok/%22]Alone in Bangkok essay on BURN Magazine[/URL]
The impression I have of the M10 is that operationally it’s night and day from the M9, and feels like the Leica M that we all wanted when the M8 was released. From a friend that has had one for a week, I get the impression that with a few adjustments in Lightroom one can get pretty close to the M9 look — though he thinks that there is still something inexplicably special about that look. He feels that, compared to the M9, the M10 sensor is almost too good, in that it can have something of a homogenizing effect. The M9 was a challenge, especially in low light, but sometimes challenges pay off in better images, like using film. Probably with the M10 one may have to "rough up" the image somewhat. The M10 B&W conversions look very good, though it seems that the MM is better, but again, depending on post-processing, it could really be splitting hairs.
I can add that, for B&W, I'm happy to have the M10 rather than the MM because, using Silver Efex 2, I can easily rough up the files to get the high contrast look that I'm usually after. For color, I liked to shoot the M9 at ISO 640 because the digital noise was a lot like film grain and I generally liked the colors, except for the "electric blues" that needed toning down, particularly in night shots. With the M10 I haven't yet figured out the best way for me to rough up the files, although I get the feeling that high contrast color may be more flexibly done that with the M9.
Leica M10 | Summicron 35v4 | ISO 3200 | f/5.6 | 1/45 sec
Paris
_______________
http://www.burnmagazine.org/essays/2016/05/mitch-alland-alone-in-bangkok/%22]Alone in Bangkok essay on BURN Magazine[/URL]
Mar 18, 2017 at 02:20 AM
p.1422 #10Leica M/X/T/S/Q/CL/SL Picture Thread
San Francisco Explorations by Abram Goglanian, on FlickrAnother from the SF MOMA. This is in the Cloud Cities exhibit by Tomás Saraceno which is super cool to see in person.
MP / UC-Hexanon / Tri-x
Mar 18, 2017 at 11:56 AM
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p.1422 #11Leica M/X/T/S/Q/CL/SL Picture Thread
Leica M10 | Summicron 35v4 | ISO 100 | f/5.6 | 1/180 sec
Paris
_______________
http://www.burnmagazine.org/essays/2016/05/mitch-alland-alone-in-bangkok/%22]Alone in Bangkok essay on BURN Magazine[/URL]
Paris
_______________
http://www.burnmagazine.org/essays/2016/05/mitch-alland-alone-in-bangkok/%22]Alone in Bangkok essay on BURN Magazine[/URL]
Mar 18, 2017 at 10:56 PM
p.1422 #12Leica M/X/T/S/Q/CL/SL Picture Thread
Leica M10 with VC21/4 and ZM35/1.4
Stavros Niarchos Foundation Cultural Center by Nicholas T, on Flickr
Stavros Niarchos Foundation Cultural Center by Nicholas T, on Flickr
Stavros Niarchos Foundation Cultural Center by Nicholas T, on FlickrStavros Niarchos Foundation Cultural Center by Nicholas T, on FlickrMar 19, 2017 at 04:32 AM
p.1422 #14Leica M/X/T/S/Q/CL/SL Picture Thread
Warm and cold. M9 and .95 Noctilux
Mar 19, 2017 at 09:31 AM
ZM35/2p.1422 #16Leica M/X/T/S/Q/CL/SL Picture Thread
Leica SL w/ Vario-Elmarit 24-90
Mar 19, 2017 at 01:52 PM
p.1422 #17Leica M/X/T/S/Q/CL/SL Picture Thread
Testing out Zeiss C Biogon 21/4.5 on the M246. I was a bit sceptical about this lens, since there is so limited information about how it would perform on a full frame camera. I have seen several reports saying that it was good on the M Monochrom, but what one person regard as "good" is highly dependant on how that person use the lens.
My first impression is that its a highly usable lens, and considering its size and second hand price, I am quite impressed by the image quality. It has very strong central and midfield resolution, but tend to loose contrast and resolution towards the edges. Vignetting is a big issue, and the custom profile provided by Lightroom is definitely not sufficient. But making your own to handle the vignetting is still fairly simple, but you are still left with the loss of contrast in the most affected areas. The lens has excellent coatings, and there is very little flaring (even without the lens hood). Distortion is not visible at all, meaning that the lens works very well for architectural shots. I will have to test the lens more before concluding, but I have to say that I have been positively surprised today.
Zeiss C Biogon 21/4.5 - The Bridge by Ole Kjennerud
Zeiss C Biogon 21/4.5 - Barcode by Ole Kjennerud
All the best,
Ole
My first impression is that its a highly usable lens, and considering its size and second hand price, I am quite impressed by the image quality. It has very strong central and midfield resolution, but tend to loose contrast and resolution towards the edges. Vignetting is a big issue, and the custom profile provided by Lightroom is definitely not sufficient. But making your own to handle the vignetting is still fairly simple, but you are still left with the loss of contrast in the most affected areas. The lens has excellent coatings, and there is very little flaring (even without the lens hood). Distortion is not visible at all, meaning that the lens works very well for architectural shots. I will have to test the lens more before concluding, but I have to say that I have been positively surprised today.
All the best,
Ole
Mar 19, 2017 at 02:58 PM
p.1422 #18Leica M/X/T/S/Q/CL/SL Picture Thread
Arenes Des Arles IV by Werner Utsch, on Flickr
Monochrome, Elmarit M 28/2.8, Orange Filter
Edited on Mar 21, 2017 at 02:17 AM · View previous versions
Mar 19, 2017 at 04:51 PM
