Gary Clennan wrote:
Seems to be you are getting pretty good colors at night from the SL Edward. How would you compare the general color output to the M240?
Thank you Gary! I think I'm starting to get the hang of its color balance settings, which can be quite weird combinations that don't make sense in kelvin values. As for the color palette, I notice often a high electric blue saturation, but in general, the colors are more "modern", more pleasing, more lively (in the same way as my ex-Sony A7 but with a different balance) but under some lighting conditions, it can be as finicky as an M9. Luckily, it also produces very special monochrome conversions, more pleasing than the M240 in my opinion.