In the case of the 80/2.8 N I understand that it is the 50/1.8 equivalent of the 35mm world but the 150 is almost double the FL, just half stop slower and is still incredibly cheap. I was always taught that TANSTAAFL and have seen it to be true in many cases. Question is, what am I missing?
A means ULD glass, like the 120/4 A macro vs a true "APO" white (in MF 645) lens like the 200mm, 300mm and 500mm APOs.
People often refer to the 150/2.8 A and 120/4 A as "APO" and while they do an excellent job at CA control, they are not technically an APO lens - at least as Mamiya (vs 1001 armchair experts) defines it. Owning the 150/2.8A - I'd agree with JC - it is a VERY nice hunk of glass.
The 150/3.5 is a brilliant lens for what it's designed for. Which is portraiture. The A 150/2.8 is definitely sharper (as well as a 20 year newer design)
mawz wrote:
The 150/3.5 is a brilliant lens for what it's designed for. Which is portraiture. The A 150/2.8 is definitely sharper (as well as a 20 year newer design)