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Archive 2010 · Anyone ever heard of Noktor?

  
 
mawz
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p.1 #1 · Anyone ever heard of Noktor?


Apparently they're launching some micro-4/3rds primes, starting with a 50/0.95 on March 1.

http://43rumors.com/ft5-hot-new-noktor-hyperprime-lens-50mm-f0-95-for-microfourthirds/

Looks like they're a new company.



Feb 14, 2010 at 08:51 AM
thrice
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p.1 #2 · Anyone ever heard of Noktor?


Lookin good! The only think they need now is a fast 17. The 25mm Summilux isn't m4/3 is it?


Feb 14, 2010 at 08:54 AM
mawz
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p.1 #3 · Anyone ever heard of Noktor?


thrice wrote:
Lookin good! The only think they need now is a fast 17. The 25mm Summilux isn't m4/3 is it?


Yeah, while I'm fond of my m.Zuiko 17, I really could use an extra 1-2 stops out of it, especially considering it's not very good wide open.

Sadly, the 25 Summilux is not m43. It's also on the large side, I'm pretty sure you could stick a G1 inside the lens barrel.



Feb 14, 2010 at 08:57 AM
Jman13
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p.1 #4 · Anyone ever heard of Noktor?


Looks less than 100% certain, but would be awesome if it is released at a good price.


Feb 14, 2010 at 09:34 AM
aeolist
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p.1 #5 · Anyone ever heard of Noktor?


i think somebody is making a practical joke, but we'll see

oi oi, from the comments on the link, http://forums.dpreview.com/forums/read.asp?forum=1041&message=34532897

Edited on Feb 14, 2010 at 09:46 AM · View previous versions



Feb 14, 2010 at 09:42 AM
Makten
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p.1 #6 · Anyone ever heard of Noktor?


I don't see the idea with a fast 50 mm lens for these cameras. It won't be small, and smallness is what MFT that is good for. A 17/1.0 would be more convenient.


Feb 14, 2010 at 09:44 AM
justruss
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p.1 #7 · Anyone ever heard of Noktor?


Makten wrote:
I don't see the idea with a fast 50 mm lens for these cameras. It won't be small, and smallness is what MFT that is good for. A 17/1.0 would be more convenient.


Yeah, I'm not sure I understand a fast 50 for these either. Fast and wide, to me, makes more sense for a small, low-profile, light camera. If I could get a 24mm or 35mm equivalent (35mm FF) f/1.4 lens on m3/4-- it would make for a wonderful street-scene setup or backup to 5Dx

R



Feb 14, 2010 at 11:47 AM
Jman13
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p.1 #8 · Anyone ever heard of Noktor?


The nice thing about fast and 50mm = a good solid portrait lens for the system that has similar DOF characteristics to a full frame camera. A 50 f/0.95, if sharp wide open, would allow DOF similar to a 100mm f/1.9 on full frame, which is really nice for such a compact setup. When I shoot portraits with my E-P1 (which, granted, is not nearly as often as with my 1Ds II), I use my Nokton 40 f/1.4, or, if I'm actually using my E-P1 as a studio backup, my Rokkor 50mm f/1.4 with MD to m4/3 adapter...it's a great portrait lens on the E-P1.


Feb 14, 2010 at 12:01 PM
systemlayers
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p.1 #9 · Anyone ever heard of Noktor?


Now they only need to make a 25 0.95, the only option for one of those is the ridiculously overpriced c mount lenses that have nice colour but vignette and have swirly bokeh.
(the angeniuex 25 0.95 is going for around 1600 on ebay).

Also from what i've read technically the f/stop on m 4/3 doesn't actually multiply like the focal length since you're only taking the middle of the image circle of the lens it's not quite double.. i may be mistaken.
Still i find very fast glass on m 4/3 exciting and that the "lack of dof" an advantage because you still get the extra light but also extra dof, different than a full frame yes but we already knew this when buying the system.



Feb 14, 2010 at 12:58 PM
Makten
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p.1 #10 · Anyone ever heard of Noktor?


Jman13 wrote:
The nice thing about fast and 50mm = a good solid portrait lens for the system that has similar DOF characteristics to a full frame camera. A 50 f/0.95, if sharp wide open, would allow DOF similar to a 100mm f/1.9 on full frame, which is really nice for such a compact setup. When I shoot portraits with my E-P1 (which, granted, is not nearly as often as with my 1Ds II), I use my Nokton 40 f/1.4, or, if I'm actually using my E-P1 as a studio backup, my Rokkor 50mm f/1.4 with MD to m4/3 adapter...it's a great
...Show more

A 50/0.95 won't be small, since it needs an entrance pupil of 50/0.95 mm, meaning a front lens element of at least that size. Expect a 0.5 kilo chunk o glass.

systemlayers wrote:
Also from what i've read technically the f/stop on m 4/3 doesn't actually multiply like the focal length since you're only taking the middle of the image circle of the lens it's not quite double.. i may be mistaken.
Still i find very fast glass on m 4/3 exciting and that the "lack of dof" an advantage because you still get the extra light but also extra dof, different than a full frame yes but we already knew this when buying the system.


There's no DOF advantage. At a particular DOF, any system will collect the same amount of light per time. It's just a matter of how you spread it over the sensor area.



Feb 14, 2010 at 02:10 PM
Jman13
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p.1 #11 · Anyone ever heard of Noktor?


Of course there's a DOF advantage. No, the exposure will not change, but DOF most certainly will. For an identically framed image, m4/3 will have twice the DOf at the same aperture as full frame, as you will either be twice as far away or using a focal length half as long. (I.e, you'll be using a 50mm instead of a 100mm at the same aperture.)

So, a 50mm f/1.4 on m4/3 acts as a 100mm f/2.8 on full frame in terms of angle of view and depth of field. Exposure will be the same as a 100 f/1.4, of course.



Feb 14, 2010 at 03:57 PM
Makten
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p.1 #12 · Anyone ever heard of Noktor?


Jman13 wrote:
Of course there's a DOF advantage. No, the exposure will not change, but DOF most certainly will. For an identically framed image, m4/3 will have twice the DOf at the same aperture as full frame, as you will either be twice as far away or using a focal length half as long. (I.e, you'll be using a 50mm instead of a 100mm at the same aperture.)

So, a 50mm f/1.4 on m4/3 acts as a 100mm f/2.8 on full frame in terms of angle of view and depth of field. Exposure will be the same as a 100 f/1.4, of
...Show more

No, there's no advantage, have never been and will never be. You have, as so many others, failed to understand that a larger sensor collects more light at a given aperture. To remain the same exposure, the smaller sensor needs higher signal amplification, which means that ISO speeds are NOT equivalent on different formats.

50/0.95 @ ISO 100 on MFT is equivalent to 100/1.9 @ ISO 400 on FF. You will collect the same amount of photons over time and have the same DOF. The noise levels will be equal if the sensors are equally good per area.

There's no free lunch.



Feb 14, 2010 at 04:10 PM
jasoncallen
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p.1 #13 · Anyone ever heard of Noktor?


Without an adequate viewfinder or focus confirmation indicator, I would imagine most people would get quite frustrated taking stills with an f/0.95 lens on m4/3.

I could see this being quite practical for HD video use, however... Stanley Kubrik used f/0.7 lenses to film scenes entirely by CANDLELIGHT in the movie "Barry Lyndon."



Feb 14, 2010 at 04:14 PM
Jonas B
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p.1 #14 · Anyone ever heard of Noktor?


jasoncallen wrote:
Without an adequate viewfinder or focus confirmation indicator, I would imagine most people would get quite frustrated taking stills with an f/0.95 lens on m4/3.


Well, the G1 viewfinder is the same size as the 5DMkII viewfinder. When pressing the enlarge button any optical viewfinder lags behind. Now that is for focusing accuracy. There are other pros and cons as well of course, but the G1/GH1 and the E-P2 doesn't need any whimsy focus confirmation aids.



Feb 14, 2010 at 04:22 PM
systemlayers
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p.1 #15 · Anyone ever heard of Noktor?


Well all i'm trying to say is that m 4/3 is a different system, obviously not suitable for shallow dof and your options lie in more expensive systems elsewhere...
Even a 0.95 is not a complete solution.
This 0.95 will be a useful telephoto for low light, and i'd love to try it out and not worry about how much dof i'm getting if i can get nice pictures.



Feb 14, 2010 at 04:27 PM
Jonas B
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p.1 #16 · Anyone ever heard of Noktor?


Makten wrote:
(...)
There's no free lunch.


Very right.

One can also add that a 50/0.95 won't be as a good wide open as FF 100/2 lenses usually are.
On the top of all this I don't really believe in this "Noktor" thing. I'll have to see it first. For now it seems as this is the Senko 50/0.95, that the specifications at "Noktor's" site are wrong and, well, a company showing images at Twitter and releasing their products without a way to contact them just look shady, or faking, or. Ah come on, surprise me!

/Jonas



Feb 14, 2010 at 04:32 PM
Jman13
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p.1 #17 · Anyone ever heard of Noktor?


Makten wrote:
No, there's no advantage, have never been and will never be. You have, as so many others, failed to understand that a larger sensor collects more light at a given aperture. To remain the same exposure, the smaller sensor needs higher signal amplification, which means that ISO speeds are NOT equivalent on different formats.

50/0.95 @ ISO 100 on MFT is equivalent to 100/1.9 @ ISO 400 on FF. You will collect the same amount of photons over time and have the same DOF. The noise levels will be equal if the sensors are equally good per area.

There's no free lunch.



You are confusing things and mixing up truth and falsehood. Sure, a larger sensor collects more total light, after that, you're wrong. The smaller sensor does NOT require higher signal amplification. Exposure settings are based on Light per unit AREA, not total light. (Your shutter speed is not dependent of sensor size...just ISO and f/stop.) Each sensel does not give a flying poop about what happens elsewhere on the sensor...that is exposure values are the same regardless of format. Now, TOTAL exposure is different, but that has nothing to do with the ISO. ISO is the relative sensitivity of the pixels, and for the same f/stop, the same intensity of light is hitting the sensor, regardless of format. So, for each area of the sensor, the same amount of light is being used to make the exposure. Now, when you are PRINTING, it makes a difference, becuase you're enlarging a smaller area to the same size print, so any noise on the smaller sensor is likewise magnified.

But to say that amplification is different is false. You're confusing that with the magnification of the sensor on print, which is, of course, different.

To put it another way, if you took a film negative, at ISO 100, and cropped out the center, the ISO of the film wouldn't change, as it refers to the sensitivity of the grains to light, not the total amount of light collected by the frame.

Also, everything I said was true...the DOF of a 50mm f/1.4 will be the same on m4/3 as an identically framed 100 f/2.8 on full frame.

And since when does DOF depend on exposure? It depends on the size of the aperture opening and the distance of focus.



Feb 14, 2010 at 04:44 PM
Makten
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p.1 #18 · Anyone ever heard of Noktor?


Jman13 wrote:
You are confusing things and mixing up truth and falsehood. Sure, a larger sensor collects more total light, after that, you're wrong. The smaller sensor does NOT require higher signal amplification.


Yes it does. Fewer photons per pixel requires higher gain and gives more noise.

Exposure settings are based on Light per unit AREA, not total light.

Exactly, and a smaller area gives less information. Therefore ISO 100 on MFT is not equivalent to ISO 100 on FF.

(Your shutter speed is not dependent of sensor size...just ISO and f/stop.) Each sensel does not give a flying poop about what happens elsewhere on the sensor...that is exposure values are the same regardless of format. Now, TOTAL exposure is different, but that has nothing to do with the ISO. ISO is the relative sensitivity of the pixels, and for the same f/stop, the same intensity of light is hitting the sensor, regardless of format. So, for each area of the sensor, the same amount of light is being used to make the exposure.

This is what I tried to say. A smaller sensor is not equivalent to a larger sensor because of the different areas.

Now, when you are PRINTING, it makes a difference, becuase you're enlarging a smaller area to the same size print, so any noise on the smaller sensor is likewise magnified.

It makes a difference as soon as you look at the picture, whether printed or on your screen.

But to say that amplification is different is false. You're confusing that with the magnification of the sensor on print, which is, of course, different.

It's not false if both sensors have the same number of pixels.

To put it another way, if you took a film negative, at ISO 100, and cropped out the center, the ISO of the film wouldn't change, as it refers to the sensitivity of the grains to light, not the total amount of light collected by the frame.

Exactly. And in the same way, the larger the film, the higher ISO speed you can use without visible grain. You collect more photons and get more information to build your picture with.

Also, everything I said was true...the DOF of a 50mm f/1.4 will be the same on m4/3 as an identically framed 100 f/2.8 on full frame.

And since when does DOF depend on exposure? It depends on the size of the aperture opening and the distance of focus.


I'm sorry, but you seem to have no clue of what you are talking about. If there's no difference, why don't you just buy a point and shoot with a tiny sensor and an f/2 lens? Maybe you think it's just a coincidence that cameras with large sensors have lower noise?

I'm soooo tired of this stupid myth. I really hope no one buys it. Good night.



Feb 14, 2010 at 04:55 PM
Jman13
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p.1 #19 · Anyone ever heard of Noktor?


You have no idea what you are talking about, and you're not reading what I'm saying.

First: Light per unit area, for instance, light per square millimeter, is the same for the same f-stop. That is, the same INTENSITY of light is hitting the sensor at any area. THIS is what ISO sensitivity cares about, and what exposure cares about. It has nothing to do with the total exposure, which is the INTENSITY x the area. This, of course, differs per format.

You are saying that an individual pixel receives less light because there is less total area of the sensor. This is flat out false, and I don't know how you can try and argue this. Sure, the whole sensor receives less light, but that's not what exposure is calculated on...it's light intensity. The total light argument is why smaller sensors are more noisy, but has nothing to do with exposure values.

Second: I said "APERTURE SIZE." Not f-stop. A 50mm f/1.4 and a 100mm f/2.8 have the EXACT same size aperture. Identical. (Not necessarily the actual aperture mechanism, but the smallest effective diameter of the light path) A 50mm f/1.4 on m4/3 and a 100 f/2.8 on full frame will be focused at the same distance for the same framing....therefore, identical focus distance, identical aperture size, same DOF. I can do a controlled test to prove this to you if you'd like.

Then, your stuipd P/S argument is EXACTLY my point....an f/2 lens on a point and shoot for the same framing as an f/2 lens on full frame will require a lens with a focal lengh about 6x shorter! Point and shoots have focal lengths of, say 6-14mm. A 6mm lens at f/2 has an aperture of 3mm. A 50mm lens with an f/2 aperture has an actual aperture size of 25mm. A 100mm lens with an f/2 aperture has an actual aperture size of 50mm.

DOF depends on Aperture size (which is a combination of focal length and f/stop) and focus distance.



Feb 14, 2010 at 05:05 PM
Makten
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p.1 #20 · Anyone ever heard of Noktor?


Jman13 wrote:
You have no idea what you are talking about, and you're not reading what I'm saying.

First: Light per unit area, for instance, light per square millimeter, is the same for the same f-stop. That is, the same INTENSITY of light is hitting the sensor at any area. THIS is what ISO sensitivity cares about, and what exposure cares about. It has nothing to do with the total exposure, which is the INTENSITY x the area. This, of course, differs per format.

You are saying that an individual pixel receives less light because there is less total area of the sensor.
...Show more

I have no idea of what you are trying to get to. There is no DOF advantage with a smaller sensor. PERIOD. Please, don't fool people with this nonsense.



Feb 14, 2010 at 05:09 PM
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