Post your recent film shots!
p.856 #2Post your recent film shots!
Got my 40mm CF back from CLA and having a great time with it.
Hasselblad 503cxi on Delta 100 in HC-110
Hasselblad 503cxi on Delta 100 in HC-110
May 14, 2021 at 03:36 PM
p.856 #3Post your recent film shots!
Leica M5, Canon 50mm f/1.5 LTM, Ultrafine eXtreme 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.
2021.02.13 Roll #270-06007-positive.jpg by dourbalistar, on Flickr
2021.02.13 Roll #270-06007-positive.jpg by dourbalistar, on Flickr
May 14, 2021 at 07:02 PM
p.856 #5Post your recent film shots!
Desmolicious wrote:
Pentax Auto110, 24mm 2.8, Fuji Superia 200 expired 2000.
https://live.staticflickr.com/65535/51179507986_6e4c2d39a4_o.jpg
What are you waiting for?
Pentax Auto110, 24mm 2.8, Fuji Superia 200 expired 2000.
https://live.staticflickr.com/65535/51179507986_6e4c2d39a4_o.jpg
What are you waiting for?
May 14, 2021 at 09:32 PM
p.856 #6Post your recent film shots!
helimat wrote:
Guess 110 film from 1989 that who knows how it was 'stored' was a bridge too far...Sh*tty news! Sorry to hear that, was looking forward to seeing the results.
67 + 75/2.8 + Ektar 100 I may be coming from the wrong place, seeing as how I scrolled up on this pic before discovering anything above drift wood, but know that was enough for me to click hells yes. What? Sorry.
Desmolicious wrote
Developed one film - nada, zilch nothing. Blank...Guess 110 film from 1989 that who knows how it was 'stored' was a bridge too far...
67 + 75/2.8 + Ektar 100 I may be coming from the wrong place, seeing as how I scrolled up on this pic before discovering anything above drift wood, but know that was enough for me to click hells yes. What? Sorry.
May 14, 2021 at 09:37 PM
p.856 #7Post your recent film shots!
d.s. wrote:
67 + 75/2.8 + Ektar 100 I may be coming from the wrong place, seeing as how I scrolled up on this pic before discovering anything above drift wood, but know that was enough for me to click hells yes. What? Sorry.
I have to be honest... I don't 100% follow.
Xpan + 45/4 + Portra 400
67 + 75/2.8 + Ektar 100 I may be coming from the wrong place, seeing as how I scrolled up on this pic before discovering anything above drift wood, but know that was enough for me to click hells yes. What? Sorry.
I have to be honest... I don't 100% follow.
Xpan + 45/4 + Portra 400
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May 15, 2021 at 10:06 AM
p.856 #9Post your recent film shots!
Yeah. My brain was off. I like the way the legs intersect with the wood. Kinda like a picture within a picture.
helimat wrote:
I may be coming from the wrong place, seeing as how I scrolled up on this pic before discovering anything above drift wood, but know that was enough for me to click hells yes. What? Sorry.
I have to be honest... I don't 100% follow.
Xpan + 45/4 + Portra 400
helimat wrote:
d.s. wrote
67 + 75/2.8 + Ektar 100I have to be honest... I don't 100% follow.
Xpan + 45/4 + Portra 400
May 15, 2021 at 01:07 PM
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p.856 #11Post your recent film shots!
Hun - your processing on the delta400 looks quite good. I've been playing around with Ilford Delta and PanF lately and really like the way it's been looking in HC110 (63+1). Wondering what you're using as a developer (or if you send to a lab)?
May 15, 2021 at 07:31 PM
p.856 #12Post your recent film shots!
shopping wrote:
Hun - your processing on the delta400 looks quite good. I've been playing around with Ilford Delta and PanF lately and really like the way it's been looking in HC110 (63+1). Wondering what you're using as a developer (or if you send to a lab)?
Thanks.
I do photo lithography at work (semiconductor industry), so if I developed my own film at home it would remind me too much of work, and so I just send it out to a lab (though I do my own scans).
Hun - your processing on the delta400 looks quite good. I've been playing around with Ilford Delta and PanF lately and really like the way it's been looking in HC110 (63+1). Wondering what you're using as a developer (or if you send to a lab)?
Thanks.
I do photo lithography at work (semiconductor industry), so if I developed my own film at home it would remind me too much of work, and so I just send it out to a lab (though I do my own scans).
May 15, 2021 at 07:45 PM
p.856 #14Post your recent film shots!
Very cool! I couldn't get past Circuits I in college. Hopefully the semiconductor shortage isn't affecting you too much.
Your photos are great - keep them coming.
Your photos are great - keep them coming.
May 16, 2021 at 06:44 AM
p.856 #15Post your recent film shots!
helimat wrote:
Pentax 67 + 105/2.4 + Fuji Pro 800Z
Wow, you really nailed the palette and highlight control in those images.
Pentax 67 + 105/2.4 + Fuji Pro 800Z
Wow, you really nailed the palette and highlight control in those images.
May 16, 2021 at 11:16 AM
p.856 #16Post your recent film shots!
rico wrote:
Wow, you really nailed the palette and highlight control in those images.
Thank you very much. I think 800Z is my favourite colour ISO 800 film ever. Too bad it's been discontinued for 12 years!
67 + 75/2.8 + Fuji Pro 800Z
helimat wrote
Pentax 67 + 105/2.4 + Fuji Pro 800ZThank you very much. I think 800Z is my favourite colour ISO 800 film ever. Too bad it's been discontinued for 12 years!
67 + 75/2.8 + Fuji Pro 800Z
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May 16, 2021 at 11:53 AM
p.856 #18Post your recent film shots!
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes. Three individual black and white frames shot through Tiffen #25 Red, #58 Green, and #47 Blue filters, respectively, then combined using GIMP to create a trichrome color image.
2021.02.06 Roll #268-05939-positive-trichrome.jpg by dourbalistar, on Flickr
2021.02.06 Roll #268-05939-positive-trichrome.jpg by dourbalistar, on Flickr
May 16, 2021 at 10:21 PM
p.856 #19Post your recent film shots!
dourbalistar wrote:
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes. Three individual black and white frames shot through Tiffen #25 Red, #58 Green, and #47 Blue filters, respectively, then combined using GIMP to create a trichrome color image.
I admire your efforts!
Also curious how harder or easier it is to color balance the stack, compared to the color negative scans?
Thank you,
SergeyT
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes. Three individual black and white frames shot through Tiffen #25 Red, #58 Green, and #47 Blue filters, respectively, then combined using GIMP to create a trichrome color image.
I admire your efforts!
Also curious how harder or easier it is to color balance the stack, compared to the color negative scans?
Thank you,
SergeyT
May 17, 2021 at 09:50 PM
p.856 #20Post your recent film shots!
SergeyT wrote:
I admire your efforts!
Also curious how harder or easier it is to color balance the stack, compared to the color negative scans?
Thank you,
SergeyT
Thank you, SergeyT! I don't develop or digitize my own color negatives (yet, maybe one day), so I don't really have anything to compare with. However, I do take the stacked trichrome from GIMP into Lightroom for some final post processing. Occasionally there is some pesky color cast that I can't quite get rid of, but usually it's not too difficult to color balance. Since I primarily use B&W film, I'm not very good at color post processing. I just try to get it to a point that looks natural to my eye, without worrying too much 100% color accuracy or consistency.
dourbalistar wrote
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes. Three individual black and white frames shot through Tiffen #25 Red, #58 Green, and #47 Blue filters, respectively, then combined using GIMP to create a trichrome color image.Also curious how harder or easier it is to color balance the stack, compared to the color negative scans?
Thank you,
SergeyT
Thank you, SergeyT! I don't develop or digitize my own color negatives (yet, maybe one day), so I don't really have anything to compare with. However, I do take the stacked trichrome from GIMP into Lightroom for some final post processing. Occasionally there is some pesky color cast that I can't quite get rid of, but usually it's not too difficult to color balance. Since I primarily use B&W film, I'm not very good at color post processing. I just try to get it to a point that looks natural to my eye, without worrying too much 100% color accuracy or consistency.
May 18, 2021 at 12:45 AM