helimat wrote:
Sh*tty news! Sorry to hear that, was looking forward to seeing the results.
67 + 75/2.8 + Ektar 100 I may be coming from the wrong place, seeing as how I scrolled up on this pic before discovering anything above drift wood, but know that was enough for me to click hells yes. What? Sorry.
I may be coming from the wrong place, seeing as how I scrolled up on this pic before discovering anything above drift wood, but know that was enough for me to click hells yes. What? Sorry.
Hun - your processing on the delta400 looks quite good. I've been playing around with Ilford Delta and PanF lately and really like the way it's been looking in HC110 (63+1). Wondering what you're using as a developer (or if you send to a lab)?
shopping wrote:
Hun - your processing on the delta400 looks quite good. I've been playing around with Ilford Delta and PanF lately and really like the way it's been looking in HC110 (63+1). Wondering what you're using as a developer (or if you send to a lab)?
Thanks.
I do photo lithography at work (semiconductor industry), so if I developed my own film at home it would remind me too much of work, and so I just send it out to a lab (though I do my own scans).
Very cool! I couldn't get past Circuits I in college. Hopefully the semiconductor shortage isn't affecting you too much.
Your photos are great - keep them coming.
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes. Three individual black and white frames shot through Tiffen #25 Red, #58 Green, and #47 Blue filters, respectively, then combined using GIMP to create a trichrome color image.
dourbalistar wrote:
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes. Three individual black and white frames shot through Tiffen #25 Red, #58 Green, and #47 Blue filters, respectively, then combined using GIMP to create a trichrome color image.
I admire your efforts!
Also curious how harder or easier it is to color balance the stack, compared to the color negative scans?
Also curious how harder or easier it is to color balance the stack, compared to the color negative scans?
Thank you,
SergeyT
Thank you, SergeyT! I don't develop or digitize my own color negatives (yet, maybe one day), so I don't really have anything to compare with. However, I do take the stacked trichrome from GIMP into Lightroom for some final post processing. Occasionally there is some pesky color cast that I can't quite get rid of, but usually it's not too difficult to color balance. Since I primarily use B&W film, I'm not very good at color post processing. I just try to get it to a point that looks natural to my eye, without worrying too much 100% color accuracy or consistency.
