Post your recent film shots!
p.708 #1Post your recent film shots!
As we are in large format: Wista 4x5 field camera, Schneider-Kreuznach 150mm Symmar, Ilford FP4 in Kodak HC110 dilution H; Epson V700 scan.
Wista4x5-SchneiderSymmar150-FP4 by Paul Gabel, on Flickr
Wista4x5-SchneiderSymmar150-FP4 by Paul Gabel, on Flickr
Jun 04, 2018 at 05:23 PM
p.708 #4Post your recent film shots!
kwoodard wrote:
A trumpet lily on Fuji Provia. Chamonix 045-F1 field camera, forgotten which lens.
https://farm2.staticflickr.com/1750/42511089342_78d8f1f498_c.jpgTrumpet lily, Mercer Arboretum by Kenny Johnson, on Flickr
KennyWow, thats beautiful!
Indeed.
Kenj8246 wrote
^ Love this.A trumpet lily on Fuji Provia. Chamonix 045-F1 field camera, forgotten which lens.
https://farm2.staticflickr.com/1750/42511089342_78d8f1f498_c.jpgTrumpet lily, Mercer Arboretum by Kenny Johnson, on Flickr
Kenny
Indeed.
Jun 04, 2018 at 06:32 PM
p.708 #6Post your recent film shots!
FM3A 50/1.2 AIS Portra 400 by edward karaa, on Flickr
FM3A 50/1.2 AIS Portra 400 by edward karaa, on FlickrJun 04, 2018 at 10:44 PM
p.708 #7Post your recent film shots!
FM3A 50/1.2 AIS Portra 400 by edward karaa, on Flickr
FM3A 50/1.2 AIS Portra 400 by edward karaa, on FlickrJun 05, 2018 at 02:45 AM
p.708 #8Post your recent film shots!
Paul Gabel wrote:
As we are in large format: Wista 4x5 field camera, Schneider-Kreuznach 150mm Symmar, Ilford FP4 in Kodak HC110 dilution H; Epson V700 scan.
Wonderful LF shot, Paul. Such depth on the subjects!
Kenny
As we are in large format: Wista 4x5 field camera, Schneider-Kreuznach 150mm Symmar, Ilford FP4 in Kodak HC110 dilution H; Epson V700 scan.
Wonderful LF shot, Paul. Such depth on the subjects!
Kenny
Jun 05, 2018 at 06:43 AM
p.708 #9Post your recent film shots!
Desmolicious wrote:
Leica M-A. 7Artisans 50 1.1, Kodak ProImage 100, D850 scan
There is a horizontal scratch that the lab did to my entire roll that also goes through this image, but it is harder to tell.
They apologized, refunded my $ and gave me a roll of Portra 160 to make up for it.
I love this type of photo. Great textures and grit! Plus, it's a motorcycle! (I'm assuming your screen name is a nod to Ducati? I've owned and loved a few Duc's myself...)
That stinks about the scratch! I'd be pretty upset.
That said, I've taken the plunge and ordered an Arista Rapid E-6 kit from FFP, as well as a larger Paterson "3" tank so I can develop 2 rolls of 120 at the same time. (I have the smaller "2" tank, but that only fits 1x 120) I'm enjoying the Hasselblad so much, I think I will be shooting it quite a bit in the future!
Leica M-A. 7Artisans 50 1.1, Kodak ProImage 100, D850 scan
There is a horizontal scratch that the lab did to my entire roll that also goes through this image, but it is harder to tell.
They apologized, refunded my $ and gave me a roll of Portra 160 to make up for it.
I love this type of photo. Great textures and grit! Plus, it's a motorcycle! (I'm assuming your screen name is a nod to Ducati? I've owned and loved a few Duc's myself...)
That stinks about the scratch! I'd be pretty upset.
That said, I've taken the plunge and ordered an Arista Rapid E-6 kit from FFP, as well as a larger Paterson "3" tank so I can develop 2 rolls of 120 at the same time. (I have the smaller "2" tank, but that only fits 1x 120) I'm enjoying the Hasselblad so much, I think I will be shooting it quite a bit in the future!
Jun 05, 2018 at 07:38 AM
p.708 #10Post your recent film shots!
Activatedfx wrote:
There is a horizontal scratch that the lab did to my entire roll that also goes through this image, but it is harder to tell.
They apologized, refunded my $ and gave me a roll of Portra 160 to make up for it.I love this type of photo. Great textures and grit! Plus, it's a motorcycle! (I'm assuming your screen name is a nod to Ducati? I've owned and loved a few Duc's myself...)
That stinks about the scratch! I'd be pretty upset.
That said, I've taken the plunge and ordered an Arista Rapid E-6 kit from FFP, as well as a larger Paterson "3" tank so I can develop 2 rolls of 120 at the same time. (I have the smaller "2" tank, but that only fits 1x 120) I'm enjoying the Hasselblad so much, I think I will be shooting it quite...Show more →
Yeah, it's all about the Ducatis!
The scratch does blow but this was really just a fun test roll, nothing serious on it so I'm not upset. This is really unusual for my lab and they acted appropriately to make things right.
I've been shooting a lot of 35mm film lately, as I have a lot of it and it's great for snapping. But man, when I shoot 120 I always wonder why I use 35! Nothing like a larger negative.
I've never tried a Blad, as I use Rolleis, Mamiyas and Fujis for MF. So can't justify it....
Desmolicious wrote
Leica M-A. 7Artisans 50 1.1, Kodak ProImage 100, D850 scanThere is a horizontal scratch that the lab did to my entire roll that also goes through this image, but it is harder to tell.
They apologized, refunded my $ and gave me a roll of Portra 160 to make up for it.
That stinks about the scratch! I'd be pretty upset.
That said, I've taken the plunge and ordered an Arista Rapid E-6 kit from FFP, as well as a larger Paterson "3" tank so I can develop 2 rolls of 120 at the same time. (I have the smaller "2" tank, but that only fits 1x 120) I'm enjoying the Hasselblad so much, I think I will be shooting it quite...Show more →
Yeah, it's all about the Ducatis!
The scratch does blow but this was really just a fun test roll, nothing serious on it so I'm not upset. This is really unusual for my lab and they acted appropriately to make things right.
I've been shooting a lot of 35mm film lately, as I have a lot of it and it's great for snapping. But man, when I shoot 120 I always wonder why I use 35! Nothing like a larger negative.
I've never tried a Blad, as I use Rolleis, Mamiyas and Fujis for MF. So can't justify it....
Jun 05, 2018 at 08:33 AM
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p.708 #11Post your recent film shots!
p.s. if anyone in LA is looking for the Nikon ES-2 film copier set, I have a new unused one. I waited and waited and waited for this, then got 2 at the same time from different shops. I can return it for full refund ($140), but am giving the opportunity for someone in the LA area to pick it up for that price, so they can get it immediately and save on tax.
https://www.adorama.com/inkes2.html
https://www.adorama.com/inkes2.html
Jun 05, 2018 at 08:38 AM
p.708 #12Post your recent film shots!
You should see the scratches I get on my film! Luckily most can be automatically removed during scanning.
Some more Portra 400:
FM3A 50/1.2 AIS Portra 400 by edward karaa, on Flickr
FM3A 50/1.2 AIS Portra 400 by edward karaa, on Flickr
FM3A 50/1.2 AIS Portra 400 by edward karaa, on Flickr
Some more Portra 400:
FM3A 50/1.2 AIS Portra 400 by edward karaa, on FlickrFM3A 50/1.2 AIS Portra 400 by edward karaa, on FlickrFM3A 50/1.2 AIS Portra 400 by edward karaa, on FlickrJun 05, 2018 at 08:39 AM
p.708 #13Post your recent film shots!
Desmolicious wrote:
There is a horizontal scratch that the lab did to my entire roll that also goes through this image, but it is harder to tell.
They apologized, refunded my $ and gave me a roll of Portra 160 to make up for it.I love this type of photo. Great textures and grit! Plus, it's a motorcycle! (I'm assuming your screen name is a nod to Ducati? I've owned and loved a few Duc's myself...)
That stinks about the scratch! I'd be pretty upset.
That said, I've taken the plunge and ordered an Arista Rapid E-6 kit from FFP, as well as a larger Paterson "3" tank so I can develop 2 rolls of 120 at the same time. (I have the smaller "2" tank, but that only fits 1x 120) I'm enjoying the Hasselblad so much, I think I will be shooting it quite a bit in the future!Yeah, it's all about the Ducatis!
The scratch does blow but this was really just a fun test roll, nothing serious on it so I'm not upset. This is really unusual for my lab and they acted appropriately to make things right.
I've been shooting a lot of 35mm film lately, as I have a lot of it and it's great for snapping. But man, when I shoot 120 I always wonder why I use 35! Nothing like a larger negative.
I've never tried a Blad, as I use Rolleis, Mamiyas and Fujis for MF. So can't justify it....
I spent 7 years crawling back to financial health after my divorce, and when I was finally back in the black, I treated myself to the M7 I had been lusting after. Then a mint 500 C/M came up at an irresistible price, and now the M7 basically sits on a shelf... the 'Blad is so much more fun! And those 6x6 chromes are freakin' gorgeous.
Activatedfx wrote
Desmolicious wrote
Leica M-A. 7Artisans 50 1.1, Kodak ProImage 100, D850 scanThere is a horizontal scratch that the lab did to my entire roll that also goes through this image, but it is harder to tell.
They apologized, refunded my $ and gave me a roll of Portra 160 to make up for it.
That stinks about the scratch! I'd be pretty upset.
That said, I've taken the plunge and ordered an Arista Rapid E-6 kit from FFP, as well as a larger Paterson "3" tank so I can develop 2 rolls of 120 at the same time. (I have the smaller "2" tank, but that only fits 1x 120) I'm enjoying the Hasselblad so much, I think I will be shooting it quite a bit in the future!
The scratch does blow but this was really just a fun test roll, nothing serious on it so I'm not upset. This is really unusual for my lab and they acted appropriately to make things right.
I've been shooting a lot of 35mm film lately, as I have a lot of it and it's great for snapping. But man, when I shoot 120 I always wonder why I use 35! Nothing like a larger negative.
I've never tried a Blad, as I use Rolleis, Mamiyas and Fujis for MF. So can't justify it....
I spent 7 years crawling back to financial health after my divorce, and when I was finally back in the black, I treated myself to the M7 I had been lusting after. Then a mint 500 C/M came up at an irresistible price, and now the M7 basically sits on a shelf... the 'Blad is so much more fun! And those 6x6 chromes are freakin' gorgeous.
Jun 05, 2018 at 08:50 AM
p.708 #14Post your recent film shots!
Desmolicious wrote:
Leica M-A. 7Artisans 50 1.1, Kodak ProImage 100, D850 scan
There is a horizontal scratch that the lab did to my entire roll that also goes through this image, but it is harder to tell.
They apologized, refunded my $ and gave me a roll of Portra 160 to make up for it.
Pretty darned good customer service, especially the apology.
Leica M-A. 7Artisans 50 1.1, Kodak ProImage 100, D850 scan
There is a horizontal scratch that the lab did to my entire roll that also goes through this image, but it is harder to tell.
They apologized, refunded my $ and gave me a roll of Portra 160 to make up for it.
Pretty darned good customer service, especially the apology.
Jun 05, 2018 at 09:58 AM
p.708 #15Post your recent film shots!
Came across a very old box of file folders in my studio and re-discovered a lot of images I thought were lost, including this portrait of my very good friend Bonnie Hawthorne, shot some time in the mid '80's for an article in Monterey Life Magazine. Shot on a Cambo view camera with a Super Angulon 90mm f/8 on Tri-X (read the notch code) and scanned today. Why the hell did I shoot this on 4X5? I think I probably didn't have a medium format at that point. All I can think of. These days Bonnie is finishing off a documentary film about organic farming in Nebraska.
Bonnie Hawthorne, Monterey, Ca. circa 1985
Bonnie Hawthorne, Monterey, Ca. circa 1985
Jun 05, 2018 at 08:17 PM
p.708 #16Post your recent film shots!
Another image from the same box - from a stack of Polaroid Pos/Neg negs in a 4x5 film box. Another image from the late 1980's of Scott Martin, a musician friend of mine. Not sure why we were shooting the Polaroid film, but it's got a really beautiful tonality and range - some of the best of any black and white film I've ever shot. A little grainier than T-Max but pretty on par with Plux-X. Shot on an RZ and likely a 210 APO lens. I just did Scott's new CD cover and package design, shooting in Austin and Johnson City, Tx. last November. We are all getting a bit older, aren't we.
Scott Martin, Los Angeles, Circa, 1988
Scott Martin, Los Angeles, Circa, 1988
Jun 06, 2018 at 01:52 AM
p.708 #17Post your recent film shots!
A light table and a typewriter and NO PC/Mac. Not things one sees much of these days. <sigh> I like your shots, Peter.
Kenny
<sigh> I like your shots, Peter.Kenny
Jun 06, 2018 at 06:45 AM
p.708 #18Post your recent film shots!
Peter Figen wrote:
Another image from the same box - from a stack of Polaroid Pos/Neg negs in a 4x5 film box. Another image from the late 1980's of Scott Martin, a musician friend of mine. Not sure why we were shooting the Polaroid film, but it's got a really beautiful tonality and range - some of the best of any black and white film I've ever shot. A little grainier than T-Max but pretty on par with Plux-X. Shot on an RZ and likely a 210 APO lens. I just did Scott's new CD cover and package design, shooting in Austin...Show more →
So great to see your older shots on 4x5! I'm sure I'm not the only one that would love to see more from your archives, Peter!
Another image from the same box - from a stack of Polaroid Pos/Neg negs in a 4x5 film box. Another image from the late 1980's of Scott Martin, a musician friend of mine. Not sure why we were shooting the Polaroid film, but it's got a really beautiful tonality and range - some of the best of any black and white film I've ever shot. A little grainier than T-Max but pretty on par with Plux-X. Shot on an RZ and likely a 210 APO lens. I just did Scott's new CD cover and package design, shooting in Austin...Show more →
So great to see your older shots on 4x5! I'm sure I'm not the only one that would love to see more from your archives, Peter!
Jun 06, 2018 at 08:59 AM
p.708 #19Post your recent film shots!
Thanks guys. I'll see what else I can find. Had to take a break from trust administration yesterday, plus it was the one year anniversary of my father's death, so I might have been in a weird mood. There was a time back then when I actually shot a lot of portraits on 4x5. Seems nuts now, but I was ambitious I guess. Or just young and stupid. I really wish that I had shot more on that Polaroid Pos/Neg film. It really has one of the nicest tonal ranges of any film, reminding me of Verichrome Pan or Ektapan. There are two to go look up. Ektapan used to be my absolute favorite black and white sheet film - richest tonal range of them all and a better copy film than Professional Copy Film. The only drawback was that it was slightly grainy - grainier than Tri-X. Dredging up memories...
Jun 06, 2018 at 10:39 AM
p.708 #20Post your recent film shots!
Shucks, Peter, crack open a Corona and let your mind wander....
Kenny
Kenny
Jun 06, 2018 at 01:27 PM