lenticular11 wrote:
Amazing sunset shot Dustin. My phone had not loaded that correctly first time, so it displayed as a bland maroon panel with absolutely no detail!
Thank you!
here is another one. I am getting the vuescan software dialed in. I am really digging the color shifts. And most of the post processing on my film scans are done in vuescan, crazy enough. This one i had to desaturate in photoshop.
Taken with same setup as last upload - Expired Velvia, Nikon 24-70 2.8D, Nikon F65 and scanned with Coolscan V. As i am experimenting with the settings, i have found using two passes and multi-exposure setting to be the most useful.
This was taken Thanksgiving weekend somewhere in Capitol Reef National Park.
Not to taint our lovely thread but I figured some of you might be interested whom bulk load your own film. Freestyle has some super deals on Kodak bulk rolls with instant rebates. $76 for TMX and TriX and $80 for tmy2. After New Years January deal.
Thanks for the tip Jon! Does anyone by chance have any 120 64T film (Ektachrome or Fujichrome) they would be willing to sell? I am working on a project and my slim supply will be running out soon. Let me know!
Found a new old stock Kodak No. 2 cable release for my Medalist cameras. Shot these two on the tripod. That a 70 year old lens can do this still pleases me no end.
kwoodard wrote:
My great-great uncle helped design the Dolly camera, namely the lens. Worked with Zeiss and Schneider back in the early 40’s and after the war.
Thank you for your comment. The lens is amazing sharp for it's age. From what I gather this was the best lens for the Dolly Super Sport. Very well made camera.
I had someone look at the shutter and bellows but only the shutter was cleaned and adjusted. I then sent the camera to England to have new bellows installed. The leather is mostly intact except for one tiny corner.
