Beautiful work everyone! My favorite place to stop on this site. A few from a roll of expired 2005 consumer Kodak B&W400 c-41 process, shot @ 100 on an Olympus XA, souped in tetenal, scanned on a Kodak pakon 135+, levels adjustment/sharpening in LR5.
selfie, analog style
another selfie, we will call it the missile selfie
my personal favorite, a doe and her twin fawns. Good long shutter drag driving by slowly.
No they aren't. It is the weirdest thing. These and a bunch of old cigarette vending machines are just collecting dust. Been in this old furniture store for at least a year on the town square. Prior they were in a smaller building. Guess some guy needs a place to store his collection and show it off.
Jon Buffington wrote:
No they aren't. It is the weirdest thing. These and a bunch of old cigarette vending machines are just collecting dust. Been in this old furniture store for at least a year on the town square. Prior they were in a smaller building. Guess some guy needs a place to store his collection and show it off.
Just sold my A7 today. My only digital cameras right now are ricoh GR and a old nex 5n that I use with legacy lenses.
If someone told me a couple of years ago -when I had like 6 or 7 digitals- that I would be converting today to analogue almost exclusively I would have laughed a lot 8p
My first time on the film thread. Just received a mint Leica M7 and have ready messed up one roll and failed to correctly thread the second roll. But I think I now have the hang of putting film in the camera and it is time to start shooting. These are just a few simple images from Cal Tech in Pasadena, I am learning how to meter and deal with shadows and highlights.
One questionI have is when do you choose to shoot film instead of using the digital camera?
The Heliopan RG715 filters cuts 5 stops (as per instructions) but actual compensation is dependent on sensitivity of the film and the amount of IR light in the region. In Namibia and South Africa, an EI of 6 (6 stop compensation) or EI of 12 (5 stop compensation) is plenty.
Just figure out the the developing time and exposure index for visible light first, and then start determining the best IR exposure index. It's simply the best way to get to know the film since IR light is not always very consistent.
Oh dear, I have just three rolls of Rollei 400 IR film and am now wondering how on earth I'm going to shoot it without wasting it all. Best start reading up!
taemo - Thanks for the comment. This was a low rez of 4mb, I have just left a new roll and asked for large rez in order to see a little more detail and DR.
R.Young wrote:
Oh dear, I have just three rolls of Rollei 400 IR film and am now wondering how on earth I'm going to shoot it without wasting it all. Best start reading up!
I think then just wait for your filter and shoot at an EI of 12 and bracket one stop over (EI 6).
As a habit I order 20 rolls minimum of a new film I want to test.
Nice! I use an RZ67 and Super Sidekick also, mostly shooting my boys too. RZ is great for that, esp. with prism and motor drive, able to capture fast action almost as well as with AF 35mm camera.
I kinda wish the upper right corner was more squared up but otherwise great composition!
Andrew Welsh wrote:
My boys climbing.
Portra 400, home developed (Phototherm sidekick), Mamiya RZ67, Epson v700 scan.
