Walked out of BACKROOMS and immediately got on my knock off Todd Hido business 😅 That web series/movie feels very inspired by Hido's work, though I'm not sure Kane Parsons even knows who Todd Hido is.
Can't remember what these were shot at. They were either an 1/8 or a 1/15th of a second, handheld, on Cinestill 800T wide open on a Voigtlander 35mm F1/.5.
I keep going back to the picture of Daisy and how the enhanced grain gives it the look of a painting by the pointillism painter Geroges Seurat. The grain adds a lot to the photo and makes it look like a work on fabric.
