DSLR scan into LR/NLP. Specifically D610, 60mm 2.8D Micro doing 1:1 and a Viltrox high CRT light source. The worst part about my scan setup is the film holders "fray" the edges of the frame.
My observations are pretty consistent with everyone else. Strange base color that looks like HP5, lots of grain but surprisingly sharp, lovely greens and punchy reds, plenty contrasty. Kodak Gold like skin tones, not much latitude so not the film for guess metering. Highlights in particular aren't what we are used to with most print film.
ottokbre wrote:
DSLR scan into LR/NLP. Specifically D610, 60mm 2.8D Micro doing 1:1 and a Viltrox high CRT light source. The worst part about my scan setup is the film holders "fray" the edges of the frame.
My observations are pretty consistent with everyone else. Strange base color that looks like HP5, lots of grain but surprisingly sharp, lovely greens and punchy reds, plenty contrasty. Kodak Gold like skin tones, not much latitude so not the film for guess metering. Highlights in particular aren't what we are used to with most print film.
ottokbre wrote:
DSLR scan into LR/NLP. Specifically D610, 60mm 2.8D Micro doing 1:1 and a Viltrox high CRT light source. The worst part about my scan setup is the film holders "fray" the edges of the frame.
My observations are pretty consistent with everyone else. Strange base color that looks like HP5, lots of grain but surprisingly sharp, lovely greens and punchy reds, plenty contrasty. Kodak Gold like skin tones, not much latitude so not the film for guess metering. Highlights in particular aren't what we are used to with most print film.
I like it. And frankly quite amazing that this is the first time they've done colour film and the v2 already looks this good.
It's just going to get better as they improve it as they learn.
