The Blue Moon Camera review of Ilford SFX 200 starts this way: "One of our staff used to joke that combining a Holga with a red filter and a roll of Ilford SFX was like shooting fish in a barrel - you couldn't miss." Based on that I bought a roll, put a red filter on my Holga, and went out this morning to shoot it.
bjhurley wrote:
The Blue Moon Camera review of Ilford SFX 200 starts this way: "One of our staff used to joke that combining a Holga with a red filter and a roll of Ilford SFX was like shooting fish in a barrel - you couldn't miss." Based on that I bought a roll, put a red filter on my Holga, and went out this morning to shoot it.
bjhurley wrote:
The Blue Moon Camera review of Ilford SFX 200 starts this way: "One of our staff used to joke that combining a Holga with a red filter and a roll of Ilford SFX was like shooting fish in a barrel - you couldn't miss." Based on that I bought a roll, put a red filter on my Holga, and went out this morning to shoot it.
bjhurley wrote:
The Blue Moon Camera review of Ilford SFX 200 starts this way: "One of our staff used to joke that combining a Holga with a red filter and a roll of Ilford SFX was like shooting fish in a barrel - you couldn't miss." Based on that I bought a roll, put a red filter on my Holga, and went out this morning to shoot it.
bjhurley wrote:
The Blue Moon Camera review of Ilford SFX 200 starts this way: "One of our staff used to joke that combining a Holga with a red filter and a roll of Ilford SFX was like shooting fish in a barrel - you couldn't miss." Based on that I bought a roll, put a red filter on my Holga, and went out this morning to shoot it.
I live on the other side of town from Blue Moon. It's about 14 miles over surface streets and I bought a few things from them years ago but haven't been there in years. It's nice to see that Brad, who lives about three thousand miles away, is getting inspiration from them.
I do have a 46mm red filter.
I've been experimenting with double exposures in my pinhole camera, using a piece of textured washi paper as the first exposure. Taking advantage of the pinhole cameras near-infinite depth of field, I taped a piece of washi paper to the window and pushed the camera very close (less than a centimeter) to fill the frame with its colour and texture. Then I shot a second exposure of a scene in nature. I've done this in B&W already a few times but tried it in colour with a roll of slightly expired Ektar in my Reality So Subtle 6x6F.
