fredmiranda.com Login

Post your recent film shots!

  
 
_jim_
Offline
Details
p.1437 #1Post your recent film shots!
madNbad wrote:
_jim_ wroteWhat's you all's scanning set-up? Here's mine (as photographed with Zeiss Ikon ZM, Leica 35mm f/1.4 Summilux ASPH 11874, Ilford HP5+ @1600, Xtol stock).

https://live.staticflickr.com/65535/54333593916_1bc651e417_b.jpgScanning Set-Up by Jim Fischer, on Flickr

https://live.staticflickr.com/65535/54334009145_34a39bdcf5_b.jpgScanning Set-Up by Jim Fischer, on Flickr

https://live.staticflickr.com/65535/54333822828_37e89cf567_b.jpgScanning Set-Up by Jim Fischer, on Flickr

Copy Stand: Cosmo Copy Stand 'Mini'
3-way Head: Neewer 3-Way Head
'Light table': Raleno Video Light
Film holder: Essential Film Holder
Camera: Sony A7RII
Lens: Micro-Nikkor 105mm f/2.8 ai-s

Because I live on a busy street with lots of bus and heavy truck traffic my house vibrates quite a bit. I have experimented with creating shock absorbing pads (made from washing machine pads layered between sheets of shock absorbing gel) that I place between my work surface (bathroom sink) and counter top (salvaged Ikea countertop piece) so that it's floating (kind of). Sadly, I still can't shoot at base ISO and get consistently sharp results (because of the vibrating house), but I can usually get good results locking the camera at ISO 200.
Look for a piece of rubber floor mat like the ones for cooks to stand on in restaurant kitchens. They're heavy, fairly thick and made to be slip resistant. It might help with absorbing some of the vibrations.
For a couple of years in the mid 1990's we rented an apartment in the Ambassador on the corner of SW 6th and Madison. Being on the Transit Mall, the constant stream of busses would shake the building. It must be a lot worse with the Max trains rumbling past.


Ah, yes! I forgot! In addition to buses and trucks going by, I am also on the streetcar line...so, lots of rumbles...
Feb 18, 2025 at 02:43 PM
bjhurley
Offline
Details
p.1437 #2Post your recent film shots!
A blizzard of blizzard photos, taken on Sunday in Montréal. Fuji Work Record with Ilford XP2 400. We got about 67 centimeters (26 inches) on top of the snow that was already there from a storm a few days before. It's going to take a long time to dig out.

Blizzard in Montréal, rue St-Denis by Brad Hurley, on Flickr

Blizzard in Monttéal, ave. Duluth by Brad Hurley, on Flickr

Blizzard in Monttéal, boul. Henri-Bourassa by Brad Hurley, on Flickr

Blizzard in Montréal, boul. Henri-Bourassa by Brad Hurley, on Flickr

Blizzard in Monttéal, boul. Gouin by Brad Hurley, on Flickr

Blizzard in Monttéal, rue St-Denis by Brad Hurley, on Flickr

Blizzard in Monttéal, boul Henri-Bourassa by Brad Hurley, on Flickr

Blizzard in Montréal, boul. Gouin by Brad Hurley, on Flickr

Feb 18, 2025 at 04:50 PM
Desmolicious
Online
Details
p.1437 #3Post your recent film shots!
madNbad wrote:
Desmolicious wroteBaby Blue Holga, Lomo 400

https://live.staticflickr.com/65535/54336311588_c6827be3d2_c.jpg
Keep handing her film.


Out of all my gear (that she has so far used), her favourite cameras are the Holga, Reto UW&Slim and the Leica 1F.
Hmmm.
Feb 18, 2025 at 04:55 PM
bjhurley
Offline
Details
p.1437 #5Post your recent film shots!
Desmolicious wrote:
Excellent shots. Man that Fuji Work Record…


Isn't it an amazing camera?! I was grateful to have a weatherproof camera during the storm. And the flash was fun for catching snowflakes.

I also like XP2 in winter, because the grain on that film is in the midtones and shadows, not the highlights, so the snow rarely looks grainy.
Feb 18, 2025 at 05:02 PM
Desmolicious
Online
Details
p.1437 #6Post your recent film shots!
Interestingly while Dr G shot Lomo 400 in Baby Blue, I shot HP5 in my Holga on the same walk. My results looked underexposed which was really weird given that it was a bright sunny day etc.
So I cross my arms, make a sulky ‘harumph’ sound and check my stash in the freezer for clues - perhaps this was way old?
Nah… the issue was it actually was Ortho 50! I forgot I had that and all the boxes look kinda the same so I thought I was loading HP5…
Feb 18, 2025 at 05:13 PM
_jim_
Offline
Details
p.1437 #7Post your recent film shots!
Desmolicious wrote:
Interestingly while Dr G shot Lomo 400 in Baby Blue, I shot HP5 in my Holga on the same walk. My results looked underexposed which was really weird given that it was a bright sunny day etc.
So I cross my arms, make a sulky ‘harumph’ sound and check my stash in the freezer for clues - perhaps this was way old?
Nah… the issue was it actually was Ortho 50! I forgot I had that and all the boxes look kinda the same so I thought I was loading HP5…


See - isn't that joy of film?! That after all this time you can still make a goof in a new way?! It's been a couple years since I've really bungled something, so I figure another event is around the corner. Can't wait.
Feb 18, 2025 at 06:17 PM
bjhurley
Offline
Details
p.1437 #9Post your recent film shots!
Desmolicious wrote:
Nah… the issue was it actually was Ortho 50! I forgot I had that and all the boxes look kinda the same so I thought I was loading HP5…


I made a similar mistake today when I picked up what I thought was a container of guacamole from my favorite Mexican artisan grocery store, to be consumed with their homemade tortilla chips at a party tonight, but it turned out to be an extremely spicy green sauce instead. I was the only one whose taste buds were shot enough to be able to eat it.
Feb 18, 2025 at 06:54 PM
bjhurley
Offline
Details
p.1437 #10Post your recent film shots!
A few more Fuji Work Record shots with XP2 400, shot while waiting for some pinhole camera photos to finish exposing.

Vieux-Port de Montréal by Brad Hurley, on Flickr

Looking west from Vieux-Port by Brad Hurley, on Flickr

Downtown Montréal from the Vieux-Port by Brad Hurley, on Flickr
Feb 18, 2025 at 07:35 PM
 


Search in Used Dept. 

Desmolicious
Online
Details
p.1437 #11Post your recent film shots!
_jim_ wrote:
Desmolicious wroteInterestingly while Dr G shot Lomo 400 in Baby Blue, I shot HP5 in my Holga on the same walk. My results looked underexposed which was really weird given that it was a bright sunny day etc.
So I cross my arms, make a sulky ‘harumph’ sound and check my stash in the freezer for clues - perhaps this was way old?
Nah… the issue was it actually was Ortho 50! I forgot I had that and all the boxes look kinda the same so I thought I was loading HP5…
See - isn't that joy of film?! That after all this time you can still make a goof in a new way?! It's been a couple years since I've really bungled something, so I figure another event is around the corner. Can't wait.


To be fair, I was using my Holga so if I didn't say anything people would have assumed the results were cr@p because I was using the Holga...
Feb 18, 2025 at 08:27 PM
Desmolicious
Online
Details
p.1437 #12Post your recent film shots!
Holga GCFN 120, Ilford Ortho 80 but I thought I was shooting HP5...







And a Holga selfie, or as I like to call them, a Helfie

Feb 18, 2025 at 08:36 PM
Desmolicious
Online
Details
p.1437 #13Post your recent film shots!
Dr G's first multiple exposure. Intentional I am sure.

Baby Blue, Lomo 400

Feb 18, 2025 at 08:43 PM
OregonSun
Online
Details
p.1437 #14Post your recent film shots!
Desmolicious wrote:
Interestingly while Dr G shot Lomo 400 in Baby Blue, I shot HP5 in my Holga on the same walk. My results looked underexposed which was really weird given that it was a bright sunny day etc.
So I cross my arms, make a sulky ‘harumph’ sound and check my stash in the freezer for clues - perhaps this was way old?
Nah… the issue was it actually was Ortho 50! I forgot I had that and all the boxes look kinda the same so I thought I was loading HP5…


Ortho 50? Do you mean Orto 50? Or maybe Ortho Plus 80?
Feb 18, 2025 at 08:44 PM
Desmolicious
Online
Details
p.1437 #15Post your recent film shots!
OregonSun wrote:
Desmolicious wroteInterestingly while Dr G shot Lomo 400 in Baby Blue, I shot HP5 in my Holga on the same walk. My results looked underexposed which was really weird given that it was a bright sunny day etc.
So I cross my arms, make a sulky ‘harumph’ sound and check my stash in the freezer for clues - perhaps this was way old?
Nah… the issue was it actually was Ortho 50! I forgot I had that and all the boxes look kinda the same so I thought I was loading HP5…
Ortho 50? Do you mean Orto 50? Or maybe Ortho Plus 80?


You are correct, it was 80.
Feb 18, 2025 at 08:47 PM
rji2goleez
Offline
Details
p.1437 #16Post your recent film shots!
Back to the scanning question. I use Blackscale Lab's Molo setup. I can scan both 35mm and 120 with separate masks for each. Comes with a bunch of tubes of different sizes and stepup rings to attached the lens. Uses a Cinestill light source which tucks neatly into the film holder so there's no extraneous light, only the negative getting light. It's a pull through system similar to the Valoi so I can scan a roll of 36 in about 1-2 minutes. I use my Sony A1 and a Laowa 90/2.8 macro.




Feb 19, 2025 at 07:30 AM
grantgoodes
Offline
Details
p.1437 #17Post your recent film shots!
rji2goleez wrote:
Back to the scanning question. I use Blackscale Lab's Molo setup. I can scan both 35mm and 120 with separate masks for each. Comes with a bunch of tubes of different sizes and stepup rings to attached the lens. Uses a Cinestill light source which tucks neatly into the film holder so there's no extraneous light, only the negative getting light. It's a pull through system similar to the Valoi so I can scan a roll of 36 in about 1-2 minutes. I use my Sony A1 and a Laowa 90/2.8 macro.


Yes, I have been looking at the Molo setup, mostly for my MF negatives (Plaubel Makina 670), but also 35mm. I note that their website says the Molo only comes with 35mm, 6x6, and 6x9 masks. Is there no 6x7 mask? Seems like an oversight!

Edited on Feb 19, 2025 at 10:35 AM · View previous versions
Feb 19, 2025 at 07:56 AM
rji2goleez
Offline
Details
p.1437 #18Post your recent film shots!
grantgoodes wrote:
rji2goleez wroteBack to the scanning question. I use Blackscale Lab's Molo setup. I can scan both 35mm and 120 with separate masks for each. Comes with a bunch of tubes of different sizes and stepup rings to attached the lens. Uses a Cinestill light source which tucks neatly into the film holder so there's no extraneous light, only the negative getting light. It's a pull through system similar to the Valoi so I can scan a roll of 36 in about 1-2 minutes. I use my Sony A1 and a Laowa 90/2.8 macro.
Yes, I have been looking at the Molo setup, mostly for my MF negatives, but also 35mm. I note that their website says the Molo only comes with 35mm, 6x6, and 6x9 masks. Is there no 6x7 mask? Seems like an oversight!


According to Dmitry of Blackscale Labs, you would use the 6x9 mask to scan 6x7 negatives. Obviously, there will be stray light on the sides and I don't know how much the scans will be affected. Reach out to Dmitry on the Blackscale Labs website. He responds rather quickly to inquiries and questions. He even worked with me to produce a 35mm X-Pan mask that sits over the 6x9.
Feb 19, 2025 at 08:36 AM
zi464
Offline
Details
p.1437 #19Post your recent film shots!
Yashica T5 + Protra 400











































Feb 19, 2025 at 10:18 AM
Manos-t
Offline
Details
p.1437 #20Post your recent film shots!
From a recent trip to Morocco!
Shot with Nikon FE/ 28 f2.8 AI-S / Kodak Gold 200.



Feb 19, 2025 at 10:32 AM


FM ForumsFilm Is Not Dead ForumJoin Upload & Sell
  
 

You are not logged inLog inRegister