Post your recent film shots!
p.1430 #3Post your recent film shots!
I have a backlog of film from 2007-08 era. I developed the Tmax in D-23 with good results (technically anyway). Efke 25 was "supposed" to have the same development time and temp (within 30 seconds), according to the massive development chart. Not close. Two very thin negatives.
I did a deep dive on google and came up with a guess for Efke 25 and pryocat HD time, temp and agitation. I'm happy with the guess. (15 min, 70F, 2 min initial agitation, and 20 seconds agitation at 6 and 10 min).
I'll try 13 min next since the neg was a bit dark.
I did a deep dive on google and came up with a guess for Efke 25 and pryocat HD time, temp and agitation. I'm happy with the guess. (15 min, 70F, 2 min initial agitation, and 20 seconds agitation at 6 and 10 min).
I'll try 13 min next since the neg was a bit dark.
Feb 08, 2025 at 11:05 AM
p.1430 #5Post your recent film shots!
OregonSun wrote:
Pan F+
Kiev 6C
Carl Zeiss Jena Flektogon 50mm f/4
https://live.staticflickr.com/65535/54310063553_d0ba8b5459_c.jpg
https://live.staticflickr.com/65535/54308936707_e674430e91_c.jpg
https://live.staticflickr.com/65535/54308936672_28d8f96fcc_c.jpg
These look they would have been tricky to meter. Did you spot meter or just assume x stops over to account for all the white in the scene?
Pan F+
Kiev 6C
Carl Zeiss Jena Flektogon 50mm f/4
https://live.staticflickr.com/65535/54310063553_d0ba8b5459_c.jpg
https://live.staticflickr.com/65535/54308936707_e674430e91_c.jpg
https://live.staticflickr.com/65535/54308936672_28d8f96fcc_c.jpg
These look they would have been tricky to meter. Did you spot meter or just assume x stops over to account for all the white in the scene?
Feb 08, 2025 at 11:40 AM
p.1430 #6Post your recent film shots!
fjablo wrote:
Kiev 6C
Carl Zeiss Jena Flektogon 50mm f/4
https://live.staticflickr.com/65535/54310063553_d0ba8b5459_c.jpg
https://live.staticflickr.com/65535/54308936707_e674430e91_c.jpg
https://live.staticflickr.com/65535/54308936672_28d8f96fcc_c.jpgThese look they would have been tricky to meter. Did you spot meter or just assume x stops over to account for all the white in the scene?
Handheld incident meter, which is what I use most of the time anyway.
OregonSun wrote
Pan F+Kiev 6C
Carl Zeiss Jena Flektogon 50mm f/4
https://live.staticflickr.com/65535/54310063553_d0ba8b5459_c.jpg
https://live.staticflickr.com/65535/54308936707_e674430e91_c.jpg
https://live.staticflickr.com/65535/54308936672_28d8f96fcc_c.jpg
Handheld incident meter, which is what I use most of the time anyway.
Feb 08, 2025 at 12:40 PM
p.1430 #7Post your recent film shots!
Rolleiflex 3.5F shot with new to me Rolleiflex Tele with Rolleinar 1. Mixed results from first roll so I picked the best one.
Feb 08, 2025 at 02:48 PM
p.1430 #9Post your recent film shots!
To pro mist or not? I played around testing out a new lens and also seeing what BPM filters look like on film. Most of the images with the filters had quite subtle effects, but this one in particular had the most effect due to the windows and backlighting. Also quickly compared the two lenses.
M7 + 250D
1st 24 Summilux + 1/2 BPM
2nd 24 Summilux + no filter
3rd 28 Summilux + 1/4 BPM
4th 28 Summilux + no filter
M7 + 250D
1st 24 Summilux + 1/2 BPM
2nd 24 Summilux + no filter
3rd 28 Summilux + 1/4 BPM
4th 28 Summilux + no filter
Feb 08, 2025 at 04:37 PM
p.1430 #10Post your recent film shots!
OregonSun wrote:
Pan F+
Kiev 6C
Carl Zeiss Jena Flektogon 50mm f/4
https://live.staticflickr.com/65535/54310063553_d0ba8b5459_c.jpg
https://live.staticflickr.com/65535/54308936707_e674430e91_c.jpg
https://live.staticflickr.com/65535/54308936672_28d8f96fcc_c.jpg
Beautiful!
Pan F+
Kiev 6C
Carl Zeiss Jena Flektogon 50mm f/4
https://live.staticflickr.com/65535/54310063553_d0ba8b5459_c.jpg
https://live.staticflickr.com/65535/54308936707_e674430e91_c.jpg
https://live.staticflickr.com/65535/54308936672_28d8f96fcc_c.jpg
Beautiful!
Feb 08, 2025 at 04:38 PM
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p.1430 #11Post your recent film shots!
lifeandmylens wrote:
To pro mist or not? I played around testing out a new lens and also seeing what BPM filters look like on film. Most of the images with the filters had quite subtle effects, but this one in particular had the most effect due to the windows and backlighting. Also quickly compared the two lenses.
M7 + 250D
1st 24 Summilux + 1/2 BPM
2nd 24 Summilux + no filter
3rd 28 Summilux + 1/4 BPM
4th 28 Summilux + no filter
Back when dinosaurs ruled the earth, we would cut up an old nylon stocking and attach it to the lens with a rubber band for a similar effect.
Looks good. Could you post a few with one of the super fast 50's?
To pro mist or not? I played around testing out a new lens and also seeing what BPM filters look like on film. Most of the images with the filters had quite subtle effects, but this one in particular had the most effect due to the windows and backlighting. Also quickly compared the two lenses.
M7 + 250D
1st 24 Summilux + 1/2 BPM
2nd 24 Summilux + no filter
3rd 28 Summilux + 1/4 BPM
4th 28 Summilux + no filter
Back when dinosaurs ruled the earth, we would cut up an old nylon stocking and attach it to the lens with a rubber band for a similar effect.
Looks good. Could you post a few with one of the super fast 50's?
Feb 08, 2025 at 05:00 PM
p.1430 #12Post your recent film shots!
Ondu 6x6 pinhole camera, Kodak Gold
Bouquet through a pinhole by Brad Hurley, on Flickr
Le Tour du Port du Montréal by Brad Hurley, on Flickr
Bouquet through a pinhole by Brad Hurley, on FlickrLe Tour du Port du Montréal by Brad Hurley, on FlickrFeb 08, 2025 at 05:00 PM
p.1430 #13Post your recent film shots!
Bishop, California.
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.
2024.03.30 Roll #352-08634-positive.jpg by dourbalistar, on Flickr
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.
2024.03.30 Roll #352-08634-positive.jpg by dourbalistar, on Flickr
Feb 08, 2025 at 07:00 PM
p.1430 #15Post your recent film shots!
bjhurley wrote:
Ondu 6x6 pinhole camera, Kodak Gold
https://live.staticflickr.com/65535/54315389219_e9f3f0b7ac_c.jpgBouquet through a pinhole by Brad Hurley, on Flickr
https://live.staticflickr.com/65535/54315401053_900de60407_c.jpgLe Tour du Port du Montréal by Brad Hurley, on Flickr
Great colors!
Ondu 6x6 pinhole camera, Kodak Gold
https://live.staticflickr.com/65535/54315389219_e9f3f0b7ac_c.jpgBouquet through a pinhole by Brad Hurley, on Flickr
https://live.staticflickr.com/65535/54315401053_900de60407_c.jpgLe Tour du Port du Montréal by Brad Hurley, on Flickr
Great colors!
Feb 08, 2025 at 07:10 PM
p.1430 #16Post your recent film shots!
N80, 50mm 1.4G, Kodak Tri-X at 400, XTOL, V800 scanned then Silverfast. Artsy shot of louvered window covering at the Palmer Museum of Art on the Penn State Campus last month. This was edited a fair bit.
Feb 08, 2025 at 07:21 PM
p.1430 #17Post your recent film shots!
lifeandmylens wrote:
Great colors!
It's amazing how Gold deepens and saturates when given long exposure times. I corrected for reciprocity failure. I've noticed a similar deep saturation with Ektar when shooting long exposures with the pinhole camera.
Unfortunately my camera appears to be scratching film. I've been noticing it for the past few rolls, so before I shot this one I used a rocket blower on the inside and a soft brush on every surface (including the back) that might come in contact with the film, but no dice; it's still full of scratches.
Great colors!
It's amazing how Gold deepens and saturates when given long exposure times. I corrected for reciprocity failure. I've noticed a similar deep saturation with Ektar when shooting long exposures with the pinhole camera.
Unfortunately my camera appears to be scratching film. I've been noticing it for the past few rolls, so before I shot this one I used a rocket blower on the inside and a soft brush on every surface (including the back) that might come in contact with the film, but no dice; it's still full of scratches.
Feb 08, 2025 at 07:26 PM
p.1430 #18Post your recent film shots!
bjhurley wrote:
lifeandmylens wrote
Great colors!Unfortunately my camera appears to be scratching film. I've been noticing it for the past few rolls, so before I shot this one I used a rocket blower on the inside and a soft brush on every surface (including the back) that might come in contact with the film, but no dice; it's still full of scratches.
Bummer about the scratches, but at least you didn't pay 6k for it.
Feb 08, 2025 at 08:19 PM
p.1430 #19Post your recent film shots!
lifeandmylens wrote:
To pro mist or not? I played around testing out a new lens and also seeing what BPM filters look like on film. Most of the images with the filters had quite subtle effects, but this one in particular had the most effect due to the windows and backlighting. Also quickly compared the two lenses.
M7 + 250D
1st 24 Summilux + 1/2 BPM
2nd 24 Summilux + no filter
3rd 28 Summilux + 1/4 BPM
4th 28 Summilux + no filter
For me, mist filters are digital-only use, and this post gives me similar feelings. I feel as if it is too much on film, and on digital it adds just enough to be closer to film, which I like.
To pro mist or not? I played around testing out a new lens and also seeing what BPM filters look like on film. Most of the images with the filters had quite subtle effects, but this one in particular had the most effect due to the windows and backlighting. Also quickly compared the two lenses.
M7 + 250D
1st 24 Summilux + 1/2 BPM
2nd 24 Summilux + no filter
3rd 28 Summilux + 1/4 BPM
4th 28 Summilux + no filter
For me, mist filters are digital-only use, and this post gives me similar feelings. I feel as if it is too much on film, and on digital it adds just enough to be closer to film, which I like.
Feb 08, 2025 at 10:36 PM
p.1430 #20Post your recent film shots!
Berlin by Ineound, auf Flickr
Back in to home development of films! Very happy with the first roll, which I nervously souped last night. Toughest part was to get the water temperature right
Shooting the Canon vs. the Leica or Pentax feels a bit strange, almost to digital / easy. But every shot is spot on - exposure and focus...
HC110 Dilution B 20° for 12.5min
Canon EOS 300 | 50mm F1.8 STM | Kodak 5222 Iso 800 | HC110
Feb 09, 2025 at 12:37 AM