Post your recent film shots!
p.1426 #1Post your recent film shots!
Nikon FM3a, Fomapan 400, Tokina 28-70 2.6-2.8 (the Angénieux design, known for its softness wide open).
Bouquet by Brad Hurley, on Flickr
Bouquet by Brad Hurley, on FlickrFeb 02, 2025 at 04:26 PM
p.1426 #2Post your recent film shots!
Mono Lake Tufa State Natural Reserve, South Tufa.
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.
2024.04.18 Roll #356-08730-positive.jpg by dourbalistar, on Flickr
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.
2024.04.18 Roll #356-08730-positive.jpg by dourbalistar, on Flickr
Feb 02, 2025 at 08:00 PM
p.1426 #3Post your recent film shots!
2nd roll of Candido 400 , some weird halation here
Contax 139Q + Candido 400
Contax 139Q + Candido 400
Feb 03, 2025 at 10:21 AM
p.1426 #5Post your recent film shots!
zi464 wrote:
2nd roll of Candido 400 , some weird halation here
That's pretty typical of the remjet-removed Vision 3 films sold by respoolers -- removing the remjet (antihalation layer) causes that halation, and also sometimes light leaks are introduced during the respooling process. The only one of those films I like is the 800T; I've had a couple of good rolls without light leaks and got some decent images.
2nd roll of Candido 400 , some weird halation here
That's pretty typical of the remjet-removed Vision 3 films sold by respoolers -- removing the remjet (antihalation layer) causes that halation, and also sometimes light leaks are introduced during the respooling process. The only one of those films I like is the 800T; I've had a couple of good rolls without light leaks and got some decent images.
Feb 03, 2025 at 11:56 AM
p.1426 #6Post your recent film shots!
bjhurley wrote:
That's pretty typical of the remjet-removed Vision 3 films sold by respoolers -- removing the remjet (antihalation layer) causes that halation, and also sometimes light leaks are introduced during the respooling process. The only one of those films I like is the 800T; I've had a couple of good rolls without light leaks and got some decent images.
The 1st roll I shared in previous pages the halation was there but was okay. The 2nd roll .....
The Candido 400 is selling around $12-13. There is no reason I buy this again over Ultramax and Fuji 400.
Do you have some photos of 800T ?
zi464 wrote
2nd roll of Candido 400 , some weird halation hereThe 1st roll I shared in previous pages the halation was there but was okay. The 2nd roll .....
The Candido 400 is selling around $12-13. There is no reason I buy this again over Ultramax and Fuji 400.
Do you have some photos of 800T ?
Feb 03, 2025 at 12:28 PM
p.1426 #7Post your recent film shots!
bjhurley wrote:
That's pretty typical of the remjet-removed Vision 3 films sold by respoolers -- removing the remjet (antihalation layer) causes that halation, and also sometimes light leaks are introduced during the respooling process. The only one of those films I like is the 800T; I've had a couple of good rolls without light leaks and got some decent images.
If it is the 800T from Cinestill it's probably because Cinestill gets it directly from Kodak without the remjet and spools it themselves.
zi464 wrote
2nd roll of Candido 400 , some weird halation hereIf it is the 800T from Cinestill it's probably because Cinestill gets it directly from Kodak without the remjet and spools it themselves.
Feb 03, 2025 at 12:40 PM
p.1426 #8Post your recent film shots!
zi464 wrote:
Do you have some photos of 800T ?
After my bad experience with Cinestill I buy 800T from Reflx Lab. No light leaks, all looks good. People buy this film for the halation around light sources, especially in night-time shots, but in daylight conditions it's not too extreme.
The actual Vision 3 film stocks with remjet are much cheaper, but ECN-2 processing is more expensive (unless you do it yourself) so the cost ends up being similar.
A few examples of Reflx Lab 800T:
The reflecting pool by Brad Hurley, on Flickr
Holiday lights, Montréal by Brad Hurley, on Flickr
Laurier et St-Denis by Brad Hurley, on Flickr
Métro by Brad Hurley, on Flickr
Waiting in the lobby by Brad Hurley, on Flickr
World Famous depuis 1929 by Brad Hurley, on Flickr
Do you have some photos of 800T ?
After my bad experience with Cinestill I buy 800T from Reflx Lab. No light leaks, all looks good. People buy this film for the halation around light sources, especially in night-time shots, but in daylight conditions it's not too extreme.
The actual Vision 3 film stocks with remjet are much cheaper, but ECN-2 processing is more expensive (unless you do it yourself) so the cost ends up being similar.
A few examples of Reflx Lab 800T:
The reflecting pool by Brad Hurley, on FlickrHoliday lights, Montréal by Brad Hurley, on FlickrLaurier et St-Denis by Brad Hurley, on FlickrMétro by Brad Hurley, on FlickrWaiting in the lobby by Brad Hurley, on FlickrWorld Famous depuis 1929 by Brad Hurley, on FlickrFeb 03, 2025 at 01:20 PM
p.1426 #9Post your recent film shots!
I took out the 4x5 for the first time in eh...18 years. (I'm sorry 4x5, I know you've been lonely.) It was a flood of memories to open up the backpack and see all that gear so neatly packed in a backpack I sewed by hand. Anyway, this is the last test before developing film which I believe is from Glacier in 2007. it gave me a chance to run through the process of shooting again and using a tank I made out of plumbing supplies that I mentioned in another post.
Tmax, D-23, Wisner 4x5, 150 Rodenstock.
I'm really happy with how even the sky turned out. In the past, I've had problems with streaks using hangers. Tray processing is difficult to get perfectly even if you look closely.
Tmax, D-23, Wisner 4x5, 150 Rodenstock.
I'm really happy with how even the sky turned out. In the past, I've had problems with streaks using hangers. Tray processing is difficult to get perfectly even if you look closely.
Feb 03, 2025 at 07:41 PM
p.1426 #10Post your recent film shots!
Nishiki Market
Leica MP
Cinestill 800T
Leica MP
Cinestill 800T
Feb 03, 2025 at 07:57 PM
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p.1426 #11Post your recent film shots!
Dropping down the Bear Creek Cutoff Trail (#28E26), before the trail meets Bear Creek, Sierra National Forest.
https://www.trailforks.com/trails/bear-creek-cutoff
RETO Ultra Wide & Slim, Fujifilm Fujicolor Superia X-TRA 400.
2024.09.20 Roll #363-000036880006.jpg by dourbalistar, on Flickr
Edited on Feb 04, 2025 at 11:13 PM · View previous versions
https://www.trailforks.com/trails/bear-creek-cutoff
RETO Ultra Wide & Slim, Fujifilm Fujicolor Superia X-TRA 400.
2024.09.20 Roll #363-000036880006.jpg by dourbalistar, on Flickr
Edited on Feb 04, 2025 at 11:13 PM · View previous versions
Feb 03, 2025 at 08:00 PM
p.1426 #12Post your recent film shots!
Nikon F2, WLF, 24 2.8 AI-S, Harman Phoenix @ iso 100.
Phoenix really should be shot at iso 100, not the 'recommended' 200. It gets murky and very grainy at 200 - signs of underexposure.
This film is also much better in 120 format vs 35mm, as it is grainy and basically unsharp - something that medium format film hides really well compared to the smaller 35mm format.
It also needs a proper Phoenix specific profile when scanned! All those weird/horrible colours are from incorrect scanning profiles by the lab tech. This is what it looks like with a Phoenix specific profile (via negativelabpro):
Would I buy this film again? Not in 35mm as for me it is too grainy and unsharp. But in 120? Sure.
Phoenix really should be shot at iso 100, not the 'recommended' 200. It gets murky and very grainy at 200 - signs of underexposure.
This film is also much better in 120 format vs 35mm, as it is grainy and basically unsharp - something that medium format film hides really well compared to the smaller 35mm format.
It also needs a proper Phoenix specific profile when scanned! All those weird/horrible colours are from incorrect scanning profiles by the lab tech. This is what it looks like with a Phoenix specific profile (via negativelabpro):
Would I buy this film again? Not in 35mm as for me it is too grainy and unsharp. But in 120? Sure.
Feb 03, 2025 at 08:43 PM
p.1426 #14Post your recent film shots!
Desmolicious wrote:
Nikon F2, WLF, 24 2.8 AI-S, Harman Phoenix @ iso 100.
Phoenix really should be shot at iso 100, not the 'recommended' 200. It gets murky and very grainy at 200 - signs of underexposure.
This film is also much better in 120 format vs 35mm, as it is grainy and basically unsharp - something that medium format film hides really well compared to the smaller 35mm format.
It also needs a proper Phoenix specific profile when scanned! All those weird/horrible colours are from incorrect scanning profiles by the lab tech. This is what it looks like with a Phoenix specific profile (via...Show more →
You found my Dart! This one has a whole lot less rust.
Nikon F2, WLF, 24 2.8 AI-S, Harman Phoenix @ iso 100.
Phoenix really should be shot at iso 100, not the 'recommended' 200. It gets murky and very grainy at 200 - signs of underexposure.
This film is also much better in 120 format vs 35mm, as it is grainy and basically unsharp - something that medium format film hides really well compared to the smaller 35mm format.
It also needs a proper Phoenix specific profile when scanned! All those weird/horrible colours are from incorrect scanning profiles by the lab tech. This is what it looks like with a Phoenix specific profile (via...Show more →
You found my Dart! This one has a whole lot less rust.
Feb 03, 2025 at 09:11 PM
p.1426 #17Post your recent film shots!
I shot this on E-100 but it didn't work. I'm happy with the B&W conversion though. Rodeo Beach in the Marin Headlands.
M3, 50mm C Sonnar, E-100
M3, 50mm C Sonnar, E-100
Feb 04, 2025 at 11:32 AM
p.1426 #19Post your recent film shots!
Keahi08 wrote:
I shot this on E-100 but it didn't work. I'm happy with the B&W conversion though. Rodeo Beach in the Marin Headlands.
That looks fantastic!
I shot this on E-100 but it didn't work. I'm happy with the B&W conversion though. Rodeo Beach in the Marin Headlands.
That looks fantastic!
Feb 04, 2025 at 01:19 PM
p.1426 #20Post your recent film shots!
Desmolicious wrote:
Nikon F2, WLF, 24 2.8 AI-S, Harman Phoenix @ 100
"You know how to hot-wire, right?"
https://live.staticflickr.com/65535/54306226897_86609b0ff6_b.jpg
https://live.staticflickr.com/65535/54306226902_830189e506_b.jpg
Did that Caddy actually fit in one parking space?
Nikon F2, WLF, 24 2.8 AI-S, Harman Phoenix @ 100
"You know how to hot-wire, right?"
https://live.staticflickr.com/65535/54306226897_86609b0ff6_b.jpg
https://live.staticflickr.com/65535/54306226902_830189e506_b.jpg
Did that Caddy actually fit in one parking space?
Feb 04, 2025 at 01:26 PM