Light looks like it’s too bright to shoot this wide open at ISO 400, did you use an ND filter or just overexpose and deal with the denser negative in scanning?
Yes, the weather was sunny and bright. That’s why I chose to use the F4 which has a fast shutter speed of 1/8000th. So no ND filter was used.
Sometimes I’ll choose the camera to use for the light conditions to match up with the film I have around instead of the more normal way of selecting a film for the light conditions!
fjablo wrote:
Cool portraits!
Light looks like it’s too bright to shoot this wide open at ISO 400, did you use an ND filter or just overexpose and deal with the denser negative in scanning?
From the same role as the post above: Tri-X, Canon 3000N. First one with the Canon 50mm 1.8ii, the other two with the OM 28mm 2.8 if I remember correctly..
Desmolicious wrote:
it's why I stopped buying their stuff. Nice pic tho!
Dubblefilm actually charges you for light-leaked film. Intentionally that is.
Yup. Literally the last roll of Cinestill in my possession and what a way to go out. It's the same pattern on the entire roll of film. Magenta on the top. Cyan spotted throughout. I wish Alaris would just make Kodak 50 or something because I really enjoy this film. Ektar has too much contrast for me.
The 28mm Summilux-M has a tendency to flare with bright sunlight close by, as you can see in the third photo. I've gotten out of the habit of using the hood after getting the finishing ring from Leica, but maybe it's time to start using it again, particularly in bright sunshine like that. With the rangefinder + film, hard to predict when it'll cause trouble like that.
ottokbre wrote:
Yup. Literally the last roll of Cinestill in my possession and what a way to go out. It's the same pattern on the entire roll of film. Magenta on the top. Cyan spotted throughout. I wish Alaris would just make Kodak 50 or something because I really enjoy this film. Ektar has too much contrast for me.
The 28mm Summilux-M has a tendency to flare with bright sunlight close by, as you can see in the third photo. I've gotten out of the habit of using the hood after getting the finishing ring from Leica, but maybe it's time to start using it again, particularly in bright sunshine like that. With the rangefinder + film, hard to predict when it'll cause trouble like that....Show more →
Love seeing pictures from Zürich, lived there for 5 years
How do you convert your images and is the look on purpose? Just wondering because your images from that roll seem to have a blue / cyan cast with almost no yellows and highlights are almost blown. Both not characteristics I associate with Portra 400, so was wondering if that was intentional
