Post your recent film shots!
p.1211 #1Post your recent film shots!
The Canyon, Gordon Huether, Salt Lake City International Airport:
https://gordonhuether.com/slc-the-canyon
Ricoh R1 (Panorama mode), Kodak Ultra Max 400 (expired 2019).
2022.04.20 Roll #307-0003.jpg by dourbalistar, on Flickr
https://gordonhuether.com/slc-the-canyon
Ricoh R1 (Panorama mode), Kodak Ultra Max 400 (expired 2019).
2022.04.20 Roll #307-0003.jpg by dourbalistar, on Flickr
Apr 30, 2024 at 07:00 PM
p.1211 #2Post your recent film shots!
bjhurley wrote:
Haha! I would love to start developing my own film again (it's been about 45 years since I developed my last roll, when I switched from Tri-X to Kodachrome and Agfachrome), but let's just say it would upset the state of domestic tranquility in my house.
I use Cinestill DF 96 Monobath. One little bottle that does everything, and you can reuse it 16 times. It takes up very little space and HP5 is excellent in it.
It sounds like your lab messed things up. Even sounds like the developer was expired or too cold.
madNbad wrote
At least I know who to blame when my film is screwed up.I use Cinestill DF 96 Monobath. One little bottle that does everything, and you can reuse it 16 times. It takes up very little space and HP5 is excellent in it.
It sounds like your lab messed things up. Even sounds like the developer was expired or too cold.
Apr 30, 2024 at 10:39 PM
p.1211 #3Post your recent film shots!
Leica M4P + Canon 50/1.4 LTM
Aurora 800
Aurora 800
May 01, 2024 at 05:01 AM
p.1211 #4Post your recent film shots!
Contax 645 + 80 + Portra 160.
Focus seems a little off. I sent the body and film backs to Nippon. They said the film backs were badly in need of a service for film flatness and lube. Should have them back soon.
Focus seems a little off. I sent the body and film backs to Nippon. They said the film backs were badly in need of a service for film flatness and lube. Should have them back soon.
May 01, 2024 at 05:48 AM
p.1211 #7Post your recent film shots!
zi464 wrote:
Canon F1 New + Kodak Ultramax 400
https://i.imgur.com/3QZ8dLU.jpg
Great colors for Ultramax!
Canon F1 New + Kodak Ultramax 400
https://i.imgur.com/3QZ8dLU.jpg
Great colors for Ultramax!
May 01, 2024 at 06:27 PM
p.1211 #8Post your recent film shots!
1963 Ford Ranchero.
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.
2023.07.07 Roll #336-08215-positive.jpg by dourbalistar, on Flickr
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.
2023.07.07 Roll #336-08215-positive.jpg by dourbalistar, on Flickr
May 01, 2024 at 09:00 PM
p.1211 #9Post your recent film shots!
Leica M4P + Canon 50/1.4 LTM
Aurora 800
Aurora 800
May 02, 2024 at 05:41 AM
p.1211 #10Post your recent film shots!
geekcop wrote:
https://i.imgur.com/3QZ8dLU.jpgGreat colors for Ultramax!
Yea, I really like how it turned out.
zi464 wrote
Canon F1 New + Kodak Ultramax 400https://i.imgur.com/3QZ8dLU.jpg
Yea, I really like how it turned out.
May 02, 2024 at 07:44 AM
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p.1211 #11Post your recent film shots!
Cinestill 50d with Leica M5 + Zeiss C-Sonnar 50/1.5 zm lens.
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May 02, 2024 at 08:52 AM
p.1211 #14Post your recent film shots!
ocean2059 wrote:
Cinestill 50d with Leica M5 + Zeiss C-Sonnar 50/1.5 zm lens.
Cool shot, love the color palette in this one.
Cinestill 50d with Leica M5 + Zeiss C-Sonnar 50/1.5 zm lens.
Cool shot, love the color palette in this one.
May 02, 2024 at 12:26 PM
p.1211 #15Post your recent film shots!
Ran 6 rolls through my Rollei 2.8F recently. Really enjoying that camera! But most of the rolls have at least one issue like only 10/11 images and starting late. The counter reset lever is also acting up. It's under warranty at KEH, but I think I'm just to send it to Harry Fleenor have it properly CLA'd.
Rollei 2.8F + Gold 200+1
Edited on May 02, 2024 at 12:43 PM · View previous versions
Rollei 2.8F + Gold 200+1
Edited on May 02, 2024 at 12:43 PM · View previous versions
May 02, 2024 at 12:28 PM
p.1211 #16Post your recent film shots!
I had Harry service my 2.8E. Sounds like your auto film load needs adjusting - as it works on sensing film thickness. Did you get that issue with all types of 120 film, or only a specific one?
It's actually why I prefer the simpler manual load systems, where it is up to you to line up the arrows etc as there is less to go wrong.
Harry refuses to work on the modern (!) Rolleiflexes like the GX and FX which is weird. For that I used Steve's Camera in Culver City, CA.
It's actually why I prefer the simpler manual load systems, where it is up to you to line up the arrows etc as there is less to go wrong.
Harry refuses to work on the modern (!) Rolleiflexes like the GX and FX which is weird. For that I used Steve's Camera in Culver City, CA.
May 02, 2024 at 12:42 PM
p.1211 #18Post your recent film shots!
Desmolicious wrote:
I had Harry service my 2.8E. Sounds like your auto film load needs adjusting - as it works on sensing film thickness. Did you get that issue with all types of 120 film, or only a specific one?
It's actually why I prefer the simpler manual load systems, where it is up to you to line up the arrows etc as there is less to go wrong.
Harry refuses to work on the modern (!) Rolleiflexes like the GX and FX which is weird. For that I used Steve's Camera in Culver City, CA.
Yes I think that's exactly what's happening. It happens most often with Gold 200.
I had Harry service my 2.8E. Sounds like your auto film load needs adjusting - as it works on sensing film thickness. Did you get that issue with all types of 120 film, or only a specific one?
It's actually why I prefer the simpler manual load systems, where it is up to you to line up the arrows etc as there is less to go wrong.
Harry refuses to work on the modern (!) Rolleiflexes like the GX and FX which is weird. For that I used Steve's Camera in Culver City, CA.
Yes I think that's exactly what's happening. It happens most often with Gold 200.
May 02, 2024 at 12:47 PM
p.1211 #19Post your recent film shots!
OregonSun wrote:
Cool shot, love the color palette in this one.
Thank you very much! This is the very first roll that I used and I still have a lot to learn about this film. I also like its color palette and will try more rolls for indoors.
Cinestill 50d with Leica M5 + Zeiss C-Sonnar 50/1.5 zm lens
ocean2059 wrote
Cinestill 50d with Leica M5 + Zeiss C-Sonnar 50/1.5 zm lens.Thank you very much! This is the very first roll that I used and I still have a lot to learn about this film. I also like its color palette and will try more rolls for indoors.
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Cinestill 50d with Leica M5 + Zeiss C-Sonnar 50/1.5 zm lens
May 02, 2024 at 01:04 PM
p.1211 #20Post your recent film shots!
lifeandmylens wrote:
It's actually why I prefer the simpler manual load systems, where it is up to you to line up the arrows etc as there is less to go wrong.
Harry refuses to work on the modern (!) Rolleiflexes like the GX and FX which is weird. For that I used Steve's Camera in Culver City, CA.Yes I think that's exactly what's happening. It happens most often with Gold 200.
If the rest of your camera is ok, I may look for another place to get the film transport serviced. Unless you don't mind waiting for Harry - not sure what his timeline is like at the moment, but I heard it could be a while.
Desmolicious wrote
I had Harry service my 2.8E. Sounds like your auto film load needs adjusting - as it works on sensing film thickness. Did you get that issue with all types of 120 film, or only a specific one?It's actually why I prefer the simpler manual load systems, where it is up to you to line up the arrows etc as there is less to go wrong.
Harry refuses to work on the modern (!) Rolleiflexes like the GX and FX which is weird. For that I used Steve's Camera in Culver City, CA.
If the rest of your camera is ok, I may look for another place to get the film transport serviced. Unless you don't mind waiting for Harry - not sure what his timeline is like at the moment, but I heard it could be a while.
May 02, 2024 at 01:11 PM