Post your recent film shots!
p.1182 #1Post your recent film shots!
Santa Cruz Mountains in and near Pescadero.
Mamiya 645 Super, 80mm, FP4, XTOL
When in Pescadero, don't miss this place.
Mamiya 645 Super, 80mm, FP4, XTOL
When in Pescadero, don't miss this place.
Mar 23, 2024 at 12:19 PM
p.1182 #3Post your recent film shots!
Library New Orleans
Mamiya 7 80m, Kentmere 100, D76
Edited on Mar 23, 2024 at 09:40 PM · View previous versions
Mamiya 7 80m, Kentmere 100, D76
Edited on Mar 23, 2024 at 09:40 PM · View previous versions
Mar 23, 2024 at 09:25 PM
p.1182 #4Post your recent film shots!
How do you like the cinestill emulsions? Am interested in trying but no experience with daytime ones, only 800T
Mar 23, 2024 at 09:28 PM
p.1182 #5Post your recent film shots!
Pointing out the Grouse Ridge fire lookout, on a ridge above Island Lake:
https://www.calexplornia.com/grouse-ridge-lookout-one-californias-oldest-lookouts-amazing-views/
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.
2023.08.05 Roll #339-08231-positive.jpg by dourbalistar, on Flickr
https://www.calexplornia.com/grouse-ridge-lookout-one-californias-oldest-lookouts-amazing-views/
Nikon FM2n, AI Nikkor 50mm f/1.8S, Kentmere Pan 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes.
2023.08.05 Roll #339-08231-positive.jpg by dourbalistar, on Flickr
Mar 23, 2024 at 10:00 PM
p.1182 #6Post your recent film shots!
bestdayz wrote:
How do you like the cinestill emulsions? Am interested in trying but no experience with daytime ones, only 800T
That is the only roll I have shot. For no complaints for mid day but I think I would have been just as happy with Fuji 400.
How do you like the cinestill emulsions? Am interested in trying but no experience with daytime ones, only 800T
That is the only roll I have shot. For no complaints for mid day but I think I would have been just as happy with Fuji 400.
Mar 23, 2024 at 10:01 PM
p.1182 #7Post your recent film shots!
bestdayz wrote:
How do you like the cinestill emulsions? Am interested in trying but no experience with daytime ones, only 800T
I've shot both Cinestill 50 and 400 and really like them both. Here's a few examples of Cinestill 50D shot with the Samsung AF Slim Zoom. I have more examples scattered in the Film Images thread.
How do you like the cinestill emulsions? Am interested in trying but no experience with daytime ones, only 800T
I've shot both Cinestill 50 and 400 and really like them both. Here's a few examples of Cinestill 50D shot with the Samsung AF Slim Zoom. I have more examples scattered in the Film Images thread.
Mar 24, 2024 at 07:33 AM
p.1182 #8Post your recent film shots!
rji2goleez wrote:
I've shot both Cinestill 50 and 400 and really like them both. Here's a few examples of Cinestill 50D shot with the Samsung AF Slim Zoom. I have more examples scattered in the Film Images thread.
Very nice colors, and sharpness. Are these lab processed or home?
bestdayz wrote
How do you like the cinestill emulsions? Am interested in trying but no experience with daytime ones, only 800TVery nice colors, and sharpness. Are these lab processed or home?
Mar 24, 2024 at 11:29 AM
p.1182 #9Post your recent film shots!
Super Fujica-6 / CatLabs 100
Big City Gardening. by Henry Beckmeyer, on Flickr
Big City Gardening. by Henry Beckmeyer, on FlickrMar 24, 2024 at 12:04 PM
p.1182 #10Post your recent film shots!
On to the HP5+! This is from a slightly expired roll sent to me by grahmgibson as part of the one picture project. At first I thought it was a scratch but there are no marks on the negative and none of the other images on the roll have any markings like it.
It was taken late in the afternoon, as the sun was filtering through the trees. It was both unseasonably warm, the sun was quite bright and being just above the forty fifth parallel, low in the sky. I might be full of hooey but I'm going with it's a shaft of light. Or it caught it from Huss' M6.
M4-2, Voigtlander 35 1.4 Nokton Classic SC V2, Ilford HP5+, FPP-76 1+1:
It was taken late in the afternoon, as the sun was filtering through the trees. It was both unseasonably warm, the sun was quite bright and being just above the forty fifth parallel, low in the sky. I might be full of hooey but I'm going with it's a shaft of light. Or it caught it from Huss' M6.
M4-2, Voigtlander 35 1.4 Nokton Classic SC V2, Ilford HP5+, FPP-76 1+1:
Mar 24, 2024 at 06:33 PM
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p.1182 #12Post your recent film shots!
Desmolicious wrote:
The R9 is akshully the light weight version. The R8 was made of solid something really heavy, so on the 9 they made the top plate out of magnesium. I can tell the difference. I really can. Fer realz. I mean if I put both of them on a scale.Erwin said it was a whole 100 grams lighter! And not only that (because it's Leica) it's amazing-er because it's made out of magnesium alloy and aluminum (not like those other camera manufacturers that hate us completely and prove it by using magnesium alloy and aluminum).The R9 has such few changes over the 8, it really should have been called the 8.2, or 8S.
It is an incredibly well designed camera apart from one bizarre flaw. It should have had a dedicated on/off switch. Instead it is incorporated into the exposure mode setting dial, so say you like Aperture Priory most, everytime you turn it off and turn it back on you have to spin the dial going passed a bunch of modes until u get to Aperture Priority. Really annoying.That sounds incredibly silly. How is it that Leica struggles with on/off switches? Why does my M7 (which, at least has the switch in the right spot) take time to boot up? The location of the on/off button on the new SL3 makes no sense to me.I don't use that on/off switch (and DAG said not to because Leica's awesome design apparently causes wear on the shutter plunger which can make taking pics balky). But it is weird there is a boot up time - what other camera of that era or before needs time to boot up? My F3 is instantly on. My Minolta XK - two decades older! - is instantly on.
I just leave the power switch on and it is only activated if the shutter is cocked - then a tap springs the meter to life. Like a camera decades older...
Huss, are you saying you don't use the on/off switch on the R9 or the M7? I've owned an R9 for a few months now and was wondering if your were suggesting leaving the camera an any other mode other than "off" when not using the camera.
_jim_ wrote
Desmolicious wrote
_jim_ wrote
Desmolicious wrote
madNbad wrote
Ready to back to the P&S after carrying the R9 around?It is an incredibly well designed camera apart from one bizarre flaw. It should have had a dedicated on/off switch. Instead it is incorporated into the exposure mode setting dial, so say you like Aperture Priory most, everytime you turn it off and turn it back on you have to spin the dial going passed a bunch of modes until u get to Aperture Priority. Really annoying.
I just leave the power switch on and it is only activated if the shutter is cocked - then a tap springs the meter to life. Like a camera decades older...
Huss, are you saying you don't use the on/off switch on the R9 or the M7? I've owned an R9 for a few months now and was wondering if your were suggesting leaving the camera an any other mode other than "off" when not using the camera.
Mar 24, 2024 at 06:49 PM
p.1182 #14Post your recent film shots!
A few from my recent B&W pursuit. I'm fresh out of C-41 chemicals (expired, see the third shot below) and I've been trying out more B&W films that have been collecting some space in the fridge. I've been using the Cinestill Df96 B&W monobath for the development. Makes it real easy to develop and doesn't take much room under the sink where I keep my other film chems. 
Nikon F2AS & Voigtländer Ultron 40mm f/2 SL II-S (Light Red Filter) - HP5+
Rainbow Bridge by Senior_Frog, on Flickr
Pentax Super A & smc Pentax-A 50mm f/1.2 - Neopan 100 Acros II
Sit Back, Relax and Enjoy Your Flight by Senior_Frog, on Flickr
Toss in some expired Porta 400 with a dash of exhausted C-41 chemicals and a sprinkle of film loading in direct sunlight, and you get...
Pentax 645NII & smc PENTAX-FA645 75mm F2.8 by Senior_Frog, on Flickr
Nikon F2AS & Voigtländer Ultron 40mm f/2 SL II-S (Light Red Filter) - HP5+
Rainbow Bridge by Senior_Frog, on Flickr
Pentax Super A & smc Pentax-A 50mm f/1.2 - Neopan 100 Acros II
Sit Back, Relax and Enjoy Your Flight by Senior_Frog, on Flickr
Toss in some expired Porta 400 with a dash of exhausted C-41 chemicals and a sprinkle of film loading in direct sunlight, and you get...
Pentax 645NII & smc PENTAX-FA645 75mm F2.8 by Senior_Frog, on Flickr
Mar 24, 2024 at 07:08 PM
p.1182 #15Post your recent film shots!
Beautiful ! I need to try it/when these prices drop
rji2goleez wrote:
I've shot both Cinestill 50 and 400 and really like them both. Here's a few examples of Cinestill 50D shot with the Samsung AF Slim Zoom. I have more examples scattered in the Film Images thread.
rji2goleez wrote:
bestdayz wrote
How do you like the cinestill emulsions? Am interested in trying but no experience with daytime ones, only 800TMar 24, 2024 at 08:02 PM
p.1182 #16Post your recent film shots!
Abandoned shack
Mamiya 7 80mm, FP4, D76
Mamiya 7 80mm, FP4, D76
Mar 24, 2024 at 08:30 PM
p.1182 #17Post your recent film shots!
Alpha_Geist wrote:
Erwin said it was a whole 100 grams lighter! And not only that (because it's Leica) it's amazing-er because it's made out of magnesium alloy and aluminum (not like those other camera manufacturers that hate us completely and prove it by using magnesium alloy and aluminum).The R9 has such few changes over the 8, it really should have been called the 8.2, or 8S.
It is an incredibly well designed camera apart from one bizarre flaw. It should have had a dedicated on/off switch. Instead it is incorporated into the exposure mode setting dial, so say you like Aperture Priory most, everytime you turn it off and turn it back on you have to spin the dial going passed a bunch of modes until u get to Aperture Priority. Really annoying.That sounds incredibly silly. How is it that Leica struggles with on/off switches? Why does my M7 (which, at least has the switch in the right spot) take time to boot up? The location of the on/off button on the new SL3 makes no sense to me.I don't use that on/off switch (and DAG said not to because Leica's awesome design apparently causes wear on the shutter plunger which can make taking pics balky). But it is weird there is a boot up time - what other camera of that era or before needs time to boot up? My F3 is instantly on. My Minolta XK - two decades older! - is instantly on.
I just leave the power switch on and it is only activated if the shutter is cocked - then a tap springs the meter to life. Like a camera decades older...Huss, are you saying you don't use the on/off switch on the R9 or the M7? I've owned an R9 for a few months now and was wondering if your were suggesting leaving the camera an any other mode other than "off" when not using the camera.
The M7.
Desmolicious wrote
_jim_ wrote
Desmolicious wrote
_jim_ wrote
Desmolicious wrote
The R9 is akshully the light weight version. The R8 was made of solid something really heavy, so on the 9 they made the top plate out of magnesium. I can tell the difference. I really can. Fer realz. I mean if I put both of them on a scale.It is an incredibly well designed camera apart from one bizarre flaw. It should have had a dedicated on/off switch. Instead it is incorporated into the exposure mode setting dial, so say you like Aperture Priory most, everytime you turn it off and turn it back on you have to spin the dial going passed a bunch of modes until u get to Aperture Priority. Really annoying.
I just leave the power switch on and it is only activated if the shutter is cocked - then a tap springs the meter to life. Like a camera decades older...
The M7.
Mar 24, 2024 at 09:38 PM
p.1182 #18Post your recent film shots!
M7, Summicron 50 v5, TMAX 400 @ 800 in DF96 Monobath
Cropped to not offend more than I normally do.
Of note... IMO the Cron 50 v5 is wildly unappreciated nowadays. I shoot with it much more than my Lux 50 because the handling is perfect - focus throw and weighting is perfect, it always seems to nail focus, size is great, sharpness and boo-kay are just lovely.
Cropped to not offend more than I normally do.
Of note... IMO the Cron 50 v5 is wildly unappreciated nowadays. I shoot with it much more than my Lux 50 because the handling is perfect - focus throw and weighting is perfect, it always seems to nail focus, size is great, sharpness and boo-kay are just lovely.
Mar 24, 2024 at 09:48 PM
p.1182 #20Post your recent film shots!
rji2goleez wrote:
I've shot both Cinestill 50 and 400 and really like them both. Here's a few examples of Cinestill 50D shot with the Samsung AF Slim Zoom. I have more examples scattered in the Film Images thread.
@rji2goleez, I think you might have GAS.
bestdayz wrote
How do you like the cinestill emulsions? Am interested in trying but no experience with daytime ones, only 800T@rji2goleez, I think you might have GAS.
Mar 24, 2024 at 11:00 PM