ottokbre wrote:
Movies use all sorts of inter-negs and/or digital scans with color correction (not to even mention advanced lighting) but this still might give you an idea of it's potential.
This is true for color (lots can change in the intermediary process) however I view the real differentiator for Vision 3 (and I guess this new product) is the detail in the highlights and less muddy shadows that digital still can't seem to touch. It's kind of like TXP320 - I don't think you can see highlight detail there versus any other black and white film. That's my hope for Verita...and my other hope is somebody starts spooling the 65mm rolls into 120. Please!