mklass wrote:
I don't know what happened to teh designers of Nikon's legendary lenses, but this isn't even close to one of them. Like the 16-25,, f/3.5-6.3, it is unambitious.
F/7.1? (I wonder at what FL that kicks in.) So much for the Z mounts ability to capture more light.
I realize that this is relatively cheap and light, but I doubt many people were asking for this. With so many holes in the Z mount lens lineup, and few third party options, this seems like a lens in search of a market.
Nikon lets us down, again!
Alas, many people do not understand the meaning of the maximum aperture and choose the lens based on range and price. Canon also sells these very small-apertured lenses.
On the other hand, there may be some photographers who might be specializing in something else (such as wildlife photography) and just need a generic zoom lens for the stuff that can't be covered by their main lens. For example, if you have enough light to shoot birds or other wildlife with a 180-600/5.6-6.3, you also have enough light to use this 24-105 mm lens on tripod for a landscape or close-up (it goes to 1:2). Many wildlife photographers seem to de-prioritize every other subject and want to minimize weight required for those other subjects.
Personally my main subject is people and f/2.8 is as slow as I'm willing to go in this focal range. I wouldn't even buy the 24-120/4 as in many cases it would limit my ability to photograph people in the winter, indoors, or at night. I also use the 24-70/2.8 for landscape photography a lot, and wouldn't want to use a slower lens since they tend to be less well corrected optically. However, I know a lot of people who have different priorities or who photograph in brighter lighting conditions for the most part. I do believe many people will be severely limited by the possibilities that the 24-105 offers and may be discouraged from investing further time or money into photography as a result of bad experiences with a slow lens.