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iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')

  
 
RomanMF
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p.3 #1 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')


I got my 17 Pro today, this camera control button is awkward AF.


Sep 19, 2025 at 11:39 PM
Fred Miranda
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p.3 #2 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')


RomanMF wrote:
I got my 17 Pro today, this camera control button is awkward AF.


You don't like the position of the button? Like pressing it accidentally?



Sep 20, 2025 at 08:44 AM
Jeff Kott
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p.3 #3 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')




Adobe's Project Indigo is really cool..


Just tried to take a photo with this on iPhone 17 PM and found out the iPhone 17 series is not yet supported.




Sep 20, 2025 at 10:35 AM
Fred Miranda
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p.3 #4 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')


Jeff Kott wrote:
Just tried to take a photo with this on iPhone 17 PM and found out the iPhone 17 series is not yet supported.


I tried it on my wife's iPhone 16 Pro and came away impressed. It is still early days at version 1.0.2 but support for the iPhone 17 should arrive soon.

Apple's "48MP" claim is technically correct (48 million photodiodes arranged in a quad-bayer filter), but in practice the tiny sensor(s) and lens limitations mean diffraction kills a lot of that resolution. You end up with bigger files but the true usable detail is closer to 15-24MP.

Adobe's Project Indigo avoids the 48MP API since that bakes in Apple's smart processing algorithms, heavy noise reduction, and other computational tweaks (smart HDR, Deep fusion, etc.). Instead it uses Adobe's own processing pipeline. It delivers a 16MP file with super resolution that in real-world images may not give up too much detail compared to Apple’s 48MP files (I have not tested this yet). By working at a lower base size it can also stack more frames which helps reduce noise even further.

The big bonus for me is editing a clean DNG through Adobe's color pipeline rather than Apple's ProRAW profile which often looks a bit muddy, especially in the colors and tones. Although for now, I still prefer Apple's skin tone colors.



Sep 20, 2025 at 10:54 AM
Jeff Kott
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p.3 #5 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')


Also, the Project Indigo Pi app doesn’t yet have a portrait mode similar to Apple’s camera portrait mode with blurred background.


Sep 20, 2025 at 11:25 AM
Fred Miranda
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p.3 #6 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')


Jeff Kott wrote:
Also, the Project Indigo Pi app doesn’t yet have a portrait mode similar to Apple's camera portrait mode with blurred background.


Yes, it does not use the 48MP API, so Apple's computational features like higher detail, better noise reduction, and portrait mode are not applied.

I just ran a side-by-side test comparing true resolution between Apple's ProRAW 48MP and Indigo's 12MP. The Apple 48MP API clearly delivers far more detail than Adobe's Indigo - it's not just hype!

Here is a side-by-side comparison showing Apple 48MP versus Indigo 48MP (upsized using Preserve Details 2.0). You can clearly see that Apple's 48MP API captures much finer detail.

On the right is Apple's 48MP, and on the left is Indigo 48MP, upscaled from 12MP using Adobe's Preserve Details 2.0. I even tried other interpolation methods, but none come close to the real detail in Apple's file.

So, if you want resolution, I don't recommend Indigo as it's presented currently.

















Sep 20, 2025 at 11:42 AM
tr4656
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p.3 #7 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')




Fred Miranda wrote:
Yes, it does not use the 48MP API, so Apple's computational features like higher detail, better noise reduction, and portrait mode are not applied.

I just ran a side-by-side test comparing true resolution between Apple's ProRAW 48MP and Indigo's 12MP. The Apple 48MP API clearly delivers far more detail than Adobe's Indigo - it's not just hype!

Here is a side-by-side comparison showing Apple 48MP versus Indigo 48MP (upsized using Preserve Details 2.0). You can clearly see that Apple's 48MP API captures much finer detail.

On the right is Apple's 48MP, and on the left is Indigo 48MP, upscaled from 12MP using
...Show more
You should also try with Halide, which can use the 48MP API



Sep 20, 2025 at 03:25 PM
Fred Miranda
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p.3 #8 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')


tr4656 wrote:
You should also try with Halide, which can use the 48MP API


But wouldn't Halide provide the same resolution as the native Apple RAW?



Sep 20, 2025 at 03:38 PM
Jeff Kott
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p.3 #9 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')


I just took a couple photos of moving sailboats and other things around my neighborhood with my iPhone 17PM “200mm” setting and the photos have more detail than I get with my Sony RX 100vii at 200mm. The iPhone image stabilization does an amazing job. The 200mm reach on my RX 100 was the last reason I had to carry it around.


Sep 20, 2025 at 06:49 PM
dystorsion
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p.3 #10 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')


I’m up for a mobile photography forum.

By the way, the comparison of the 17PM 4x tele portrait shot compared to the 16 Pro Max p5x tele portrait shot is bonkers in the PetaPixel video (look for the portrait headshot of the creators daughter). There is so much more detail in the 17PM image it’s comical. Some of it apparently has to do with the updated portrait mode pipeline but the larger sensor of the telephoto helps for sure. I think that would seal the deal for me.

Still, I’m on the fence for upgrading with my 15PM.

I tried it out in my hands today at the store and indeed the 4X telephoto portrait mode is quite stunning… tested on my own daughter.

I’ll always keep my rangefinder on me when traveling but a phone with all 48 megapixel sensors wouldn’t hurt as a complement.



Sep 20, 2025 at 07:47 PM
 


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Jeff Kott
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p.3 #11 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')


dystorsion wrote:
There is so much more detail in the 17PM image it’s comical.


The only reason I upgrade my iPhones is because of the updated cameras, which they materially improve every year.




Sep 20, 2025 at 08:10 PM
tr4656
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p.3 #12 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')


Fred Miranda wrote:
But wouldn't Halide provide the same resolution as the native Apple RAW?


I was thinking the "Process Zero" works on 48MP, but no you're right, it is similar to Indigo where it only outputs 12MP, at least on the 15 Pro that I'm using. The only benefit with Halide over the native Apple RAW is that there is a toggle for "Enable Smartest Processing" which I'm guessing will change things in the processing pipeline.



Sep 20, 2025 at 11:58 PM
Fred Miranda
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p.3 #13 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')


tr4656 wrote:
I was thinking the "Process Zero" works on 48MP, but no you're right, it is similar to Indigo where it only outputs 12MP, at least on the 15 Pro that I'm using. The only benefit with Halide over the native Apple RAW is that there is a toggle for "Enable Smartest Processing" which I'm guessing will change things in the processing pipeline.


Exactly, you've got it. Process Zero doesn't work at 48MP, so Halide is limited to 12MP RAW for truly unprocessed captures, just like Indigo. At 48MP, Halide still goes through Apple’s ProRAW pipeline, so noise reduction, Smart HDR, and sharpening are applied. The main advantage is the "Enable Smartest Processing" toggle, which can tweak Apple's pipeline slightly and give you a bit more control over how the image is processed, but you're still working with a processed 48MP file rather than a fully raw one.



Sep 21, 2025 at 09:16 AM
Tarekith
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p.3 #14 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')


Jeff Kott wrote:
I just took a couple photos of moving sailboats and other things around my neighborhood with my iPhone 17PM “200mm” setting and the photos have more detail than I get with my Sony RX 100vii at 200mm. The iPhone image stabilization does an amazing job. The 200mm reach on my RX 100 was the last reason I had to carry it around.


The only thing I'm struggling with is at 8x zoom the camera screen seems to lag behind any movements I make, like they are trying to smooth out any motion. Otherwise nice improvement over the 16 Pro on the telephoto end.



Sep 21, 2025 at 01:56 PM
Fred Miranda
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p.3 #15 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')


Steve Spencer wrote:
All three cameras have 48MP sensors, but do keep in mind that the three sensors are not the same size.

The main camera has a Type 1/1.28 sensor. It has a sensor that is 10mm by 7.5mm with a diagonal of 12.5mm. That makes it about a 3.5 crop of a FF 35mm sensor so when they say the main camera that uses this sensor is a 24mm equivalent it really is a 6.8mm lens and that 1.78 aperture will have the depth of field of about an f/6.3 lens. So think of this main camera as a fixed aperture
...Show more

This is such a great post. Thanks Steve!

Photographers used to thinking in depth of field equivalence can think of the iPhone 17 Pro's cameras like this in full-frame terms:

There are only 3 real lenses:

13mm f/13 (48MP): Ultra-wide
24mm f/6.3 (48MP): Main
100mm f/16 (48MP): Telephoto

The app also provides these crop options: (with updated Remaining MP)

28mm f/7.3 (35.3MP): Apple outputs a 24MP ProRAW file, despite the higher resolution sensor area.
35mm f/9.2 (22.6MP): Apple outputs a 24MP ProRAW file, even though the crop yields a lower raw pixel count.
48mm f/12.6 (12MP): Apple outputs a 12MP ProRAW file, matching the cropped sensor resolution.
200mm f/32 (12MP): Apple outputs a 12MP ProRAW file, consistent with the heavily cropped sensor data.


Note: These are depth of field equivalences only. Exposure is unaffected. An f/1.78 smartphone lens gathers light the same as f/1.78 on any system. "Remaining MP" refers to raw pixel count after a simple crop. Real world usable resolution will be further reduced by diffraction, noise, demosaicing, and computational processing.

So, that's the real depth of field you're dealing with, no matter what the marketing says about fast apertures. The small sensors force those equivalent DOF numbers, which also means diffraction kicks in earlier than on a larger sensor system.

Everything beyond that is Apple's API computational work:

• Cropping in is just using fewer pixels, then letting AI try to preserve as much sharpness as possible and suppress noise.
• Extra megapixels on the ultra-wide and tele don't create new optical detail, they just give the software more room to denoise, warp, and upscale.
• The real improvement comes not from pixel density but from multi-frame stacking, sharpening, and noise reduction - basically clever processing that hides the limits of small sensors.



Sep 21, 2025 at 02:44 PM
Fred Miranda
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p.3 #16 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')


For those looking to get the regular iPhone 17, here are the cameras and crops specs:

iPhone 17 (2 cameras):

• Main: 26mm f/6.5 (48MP)
• Ultra-wide: 13mm f/13 (48MP)

Crop options from the 26mm main (approximate):

• 28mm f/7 (42MP) - Apple outputs 24MP
• 35mm f/8.8 (27MP) - Apple outputs 24MP
• 52mm f/13 (12MP) - Apple outputs 12MP

Depth of field equivalence is a bit different between 17 and 17 Pro:
26mm f/1.6 (iPhone 17) behaves like ~f/6.5 in FF terms, while 24mm f/1.78 (iPhone 17 Pro) behaves like ~f/6.3.



Sep 22, 2025 at 06:32 PM
Fred Miranda
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p.3 #17 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')


It looks like the iPhone 17 series has a digital "Macro" mode that uses the 13mm ultra-wide lens. I'm not sure whether it activates automatically when focusing very close (within ~2–4 cm), or exactly how much it crops, what the final resolution is, and what the equivalent depth of field would be. If anyone knows, please let me know. I don't think the other cameras (24mm and 100mm) have a macro mode since they can’t focus that close for macro, but I could be wrong.

I'm still using my wife's iPhone 16 to test so I'm unsure of this.

I believe these are the numbers for the "macro" mode:

Crop Factor~1.1x (minor, due to distortion correction)
Magnification~0.12x (1:8.3)
Final Resolution: Up to 48MP (Perhaps 40MP because of a slightly crop, but could drop lower automatically depends on lighting)
Equivalent DoF (Full-Frame)~f/15 (physical DoF ~1.7mm at 2 cm)
MFD: 2 cm



Sep 23, 2025 at 01:11 PM
Fred Miranda
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p.3 #18 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')


I have been testing the iPhone 17 Pro with several camera apps, and here's what I've found:

1. To capture 48MP, third-party apps must use Apple's API with full auto settings. The moment you adjust ISO or shutter speed in apps like Halide Mark II, CameraPro, or others, the output drops to 12MP. That's a deal-breaker for me since I want tripod use with long exposures and low ISO, but it always reverts to 12MP.

2. Adobe's Project Indigo (PI) still isn't compatible with the iPhone 17 series. No ETA on the update, so if you rely on PI, don’t upgrade yet. For now, it only outputs 12MP because it doesn't use Apple’s 48MP auto API...but compared to other apps that also fall back to 12MP, PI still delivers the best results. It's free, just not available yet. Maybe next month.

So with the iPhone Pro series, you can't really get 48MP at ultra-low ISO (like ISO 15) and do a long exposure on a tripod. That would be ideal, but no app makes it possible. Given that, I'll probably stick with Apple's default camera app to capture 48MP for detailed landscapes, even though it still bumps up the ISO on a tripod (and third-party apps behave the same way). Adobe's PI might be worth using instead (even at 12MP) since its stacking delivers cleaner, noise-free files with minimal processing.



Sep 30, 2025 at 02:27 PM
fotografur
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p.3 #19 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')


Fred Miranda wrote:
I have been testing the iPhone 17 Pro with several camera apps, and here's what I've found:

1. To capture 48MP, third-party apps must use Apple's API with full auto settings. The moment you adjust ISO or shutter speed in apps like Halide Mark II, CameraPro, or others, the output drops to 12MP. That's a deal-breaker for me since I want tripod use with long exposures and low ISO, but it always reverts to 12MP.

2. Adobe's Project Indigo (PI) still isn't compatible with the iPhone 17 series. No ETA on the update, so if you rely on PI, don’t upgrade yet. For
...Show more

Have you looked into the Moment's Pro Camera app? It also lets you shoot RAW and JPG because the camera phone app can't.



Sep 30, 2025 at 07:14 PM
Fred Miranda
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p.3 #20 · iPhone 17 Pro cameras include a new Telephoto ('100mm f2.8')


fotografur wrote:
Have you looked into the Moment's Pro Camera app? It also lets you shoot RAW and JPG because the camera phone app can't.


Most good third-party camera apps allow raw+jpg, but unfortunately the Moment Pro Camera app can't do exactly what I'm describing. No app can. What I want is to tweak exposure...set a low ISO for long exposures on a tripod --- and still get full 48MP. This limitation comes from Apple's API. Because of that, in my view, third-party camera apps are basically useless for my specific needs. That said, they're still solid apps if you don't mind 12MP output or if you prefer their interface.



Sep 30, 2025 at 07:17 PM
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