p.45 #2 · Fuji GFX Image Thread - all cameras and lenses
^^^
Beautiful early morning light of those east coast sunrises, Geoff, I like the mix of artificial light especially your first scene. Super sharp if handheld, and I really like the quiet, almost Atget dawn vibe
p.45 #3 · Fuji GFX Image Thread - all cameras and lenses
Still life with onion (just a fun snapshot of a "saved" sprouting onion now turning and reaching for sunlight this morning) | Anchorage, Alaska | 100, 80, f/1.7, 1/4000, iso 100 (my least-used gf lens wide open, not only razor thin and difficult DOF, but green fringe on the contrasty onion, minimized at f/2.2 and gone stopped further)
p.45 #5 · Fuji GFX Image Thread - all cameras and lenses
kalani_kane wrote:
^^^
Beautiful early morning light of those east coast sunrises, Geoff, I like the mix of artificial light especially your first scene. Super sharp if handheld, and I really like the quiet, almost Atget dawn vibe
Thanks. They were all handheld at 1/100 and f1.4 I love the results. The rendering is really interesting with this lens.
Also to head off another question asked when adapting, these were not corrected for vignetting at all.
p.45 #6 · Fuji GFX Image Thread - all cameras and lenses
Creative Edge wrote:
Preparing some images for an upcoming exhibit. These will be printed on Acrylic, no frames, floating one inch from the wall.
Taken with the 100s and Canon EF 16-28 III
WOW MIchael! Just beautiful photography! Great tones, tack sharp, great detail and texture. Hope your exhibit is a hit!
Good luck!
Well done!
Dan
PS Might I ask what adapter you used GFX-EF-Canon? Fringer? I bought this but yet to use it.
p.45 #10 · Fuji GFX Image Thread - all cameras and lenses
Question for those of you that are more experienced at shooting Fuji or more specifically the GFX system. Tonight, I was shooting sunset and wanted to see what the camera/lens would produce for sunstars. I was surprised at the amount of reflections in the resulting images. I'm curious to hear what others have experienced. It seems that the GF 23/4 was a little more tame versus the 32-64/4. Thoughts? Is this what to expect with the GFX cameras and lenses? I'm used to shooting Leica and Sony with Voigtlander lenses that end up being much cleaner than what we see below.
GFX100S IIGF23mmF4 R LM WR lens23mmf/16.01/60s2000 ISO-1.7 EV
GFX100S IIGF32-64mmF4 R LM WR lens33mmf/11.01/60s640 ISO-1.7 EV
GFX100S IIGF32-64mmF4 R LM WR lens52mmf/11.01/60s400 ISO-1.7 EV
p.45 #11 · Fuji GFX Image Thread - all cameras and lenses
Danpbphoto wrote:
WOW MIchael! Just beautiful photography! Great tones, tack sharp, great detail and texture. Hope your exhibit is a hit!
Good luck!
Well done!
Dan
PS Might I ask what adapter you used GFX-EF-Canon? Fringer? I bought this but yet to use it.
Dan, thank you and yes, I use the same adapter you bought.
p.45 #12 · Fuji GFX Image Thread - all cameras and lenses
rji2goleez wrote:
Question for those of you that are more experienced at shooting Fuji or more specifically the GFX system. Tonight, I was shooting sunset and wanted to see what the camera/lens would produce for sunstars. I was surprised at the amount of reflections in the resulting images. I'm curious to hear what others have experienced. It seems that the GF 23/4 was a little more tame versus the 32-64/4. Thoughts? Is this what to expect with the GFX cameras and lenses? I'm used to shooting Leica and Sony with Voigtlander lenses that end up being much cleaner than what we see below....Show more →
My experience with the GFX100S was similar – shooting into the sun resulted in a lot of uncontrolled reflections. It was one of the reasons why I ultimately switched back to a full frame system.
p.45 #13 · Fuji GFX Image Thread - all cameras and lenses
rji2goleez wrote:
Question for those of you that are more experienced at shooting Fuji or more specifically the GFX system. Tonight, I was shooting sunset and wanted to see what the camera/lens would produce for sunstars. I was surprised at the amount of reflections in the resulting images. I'm curious to hear what others have experienced. It seems that the GF 23/4 was a little more tame versus the 32-64/4. Thoughts? Is this what to expect with the GFX cameras and lenses? I'm used to shooting Leica and Sony with Voigtlander lenses that end up being much cleaner than what we see below....Show more →
I'd agree, Bob, every once in awhile a sunstar flares up unexpectedly. Here are morning shots as the sun aligns over the ridge line as I'm hiking through the transition point. Both with the GFX100, GF 80, f/11, 1/15s iso 100. I don't try for sunstars specifically or know if it's a medium format thing, nor do I stop down past f/11 which may reduce glare and I noticed your last two shots use the same f/11, but if these are helpful as another data point here you go:
p.45 #14 · Fuji GFX Image Thread - all cameras and lenses
kalani_kane wrote:
I'd agree, Bob, every once in awhile a sunstar flares up unexpectedly. Here are morning shots as the sun aligns over the ridge line as I'm hiking through the transition point. Both with the GFX100, GF 80, f/11, 1/15s iso 100. I don't try for sunstars specifically or know if it's a medium format thing, nor do I stop down past f/11 which may reduce glare and I noticed your last two shots use the same f/11, but if these are helpful as another data point here you go:
p.45 #15 · Fuji GFX Image Thread - all cameras and lenses
rji2goleez wrote:
Thanks for the response and examples. It seems that the GF 23/4 is less problematic but I need to do more testing. Meanwhile . . .
Beautiful and such an intricate sunset pattern on the clouds, your patience paid off, Bob! Here's a 100, 45 in winter, Kincaid Park, Anchorage, Alaska. I'm also realizing I don't have many sunrise or sunset shots because 1) I don't hike in the dark *ever* because moose will hear you, watch you, then absolutely destroy you when you come close since they're not afraid of anything, so much scarier than bears, and 2) I rarely drive in the dark, especially in the winter, and summer it's always light! Interesting self-reflection, but I do love the colors, especially in your panos.
