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Archive 2019 · Sony A7R4 incredible high ISO

  
 
daniel.in.la
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p.5 #1 · Sony A7R4 incredible high ISO


ftllens wrote:
I'm pretty sure both sides are talking about two entirely separate things:

1. One side is talking about optimizing the potential IQ of what the sensor is capable of and using supplement (flash, or continuous light) anywhere over optimal ISO. This is true and necessary for many pro fields where high shutter speed is usually not priority and you have more control setting up and shaping light.

2. The other side is talking about how high ISO performance in certain situations and applications (pro wildlife, docu, sports etc.) makes certain shots otherwise not possible (restrictions on supplemental light to balance exposures etc.)
...Show more

I actually didn't argue much to begin with, but simply just answered to the patronizing tone of being of out touch with someone's personal philosophy on their preferred method of shooting. Once it gets to insults and verbal jabs, it turns a conversation about a camera most high ISO users won't bother getting to begin with into jackassery. My only thought was directed towards a poster who brought up (and thoughtfully and respectfully defended), the point of why the R IV may not be advantageous for high ISO use cases.



Sep 15, 2019 at 11:56 PM
daniel.in.la
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p.5 #2 · Sony A7R4 incredible high ISO


chrisgibbs wrote:
There's a great story from British Guardian photographer Eamon McCabe back in the 80's, he'd been shooting some world championship table tennis competition, and timed his film usage to last frame right through to the last game. Then, right after that, the organizers announced a final exhibition game, and in a panic he rummaged through his bag and found one roll of FP4 which was only 125 ASA, so he shot it at whatever setting he'd been rating the HP5 at, I think it was 1600 or 3200 ASA, and thought "there'll be little to no chance that'll yield anything."

Long
...Show more

That's because it's the way it was back then. Bringing this up will only resonate with those that have actually seen photos like these brought from obscurity into the world and made the most of the conditions and equipment. Impressive and just layers the point of working around low-light situations if needed WHEN you're limited by gear. Pushing ISO is fine and dandy and I never said it should never be done. Again, this all goes back to being out of touch and wondering just how often photographers are in a 12800 ISO workflow. I'm betting this isn't done with regularity, because if it is, then what on earth are you shooting that can't be supported by light?
What did people use in dark situations years ago? Try candlelight strategically placed near subjects, light sources that were pushed into subjects etc. But anyway this is all just jibber jabber...Looking forward to shooting 12800 on my R IV so I can take advantage of the inferior tech...



Sep 16, 2019 at 12:03 AM
daniel.in.la
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p.5 #3 · Sony A7R4 incredible high ISO


mudlake wrote:
Timing can be funny. After I had read most of this thread, my son picked up my camera and took a picture after fiddling with the controls. He accidentally changed the ISO on my A7R3 to...get this...80,000. The exif below says 65,535 but Lightroom reads it at 80,000. Then he took this picture in the dim house at f4 and 1/1000 sec. I was shocked how decent it turned out after a tiny bit of work in Lightroom. It's very usable. Anyway, funny how things happen.


I'd say it's usable on smaller screens such as a phone or tablet. Unlikely to be a print, but yes the sensor at very high ISO gives you something you can save to your HD. Great that you got a nice memory out of a random shot with your daughter!



Sep 16, 2019 at 12:05 AM
chrisgibbs
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p.5 #4 · Sony A7R4 incredible high ISO


daniel.in.la wrote:
That's because it's the way it was back then. Bringing this up will only resonate with those that have actually seen photos like these brought from obscurity into the world and made the most of the conditions and equipment. Impressive and just layers the point of working around low-light situations if needed WHEN you're limited by gear. Pushing ISO is fine and dandy and I never said it should never be done. Again, this all goes back to being out of touch and wondering just how often photographers are in a 12800 ISO workflow. I'm betting this isn't done with
...Show more

Looking at these early samples from the A7RlV, I'd say its actually better than my original A7R and not far off the original A7S (really), I'd routinely shoot at 6400-1280 ISO on a 4 year US civil war project (no lights allowed btw), often times the A7S could look pretty noisy up between 6400 & 12800 dependent on the type of ambient light (rarely taken into account by testers).

Here's something shot on the A7S @ 409,600 ISO, pushed a little in post too. No time for lights (not that they'd have been tolerated) and completely off the cuff, just enough time to stop the car, grab the A7S & 16-35 and a small seat:



Love these little Sony MILC's, so adaptable, I was offered the A7RlV last Tuesday, but decided to wait on the A9ll and hope its now 36MP with decent video functionality. Both great cameras, Sony are pumping out some cracking kit, to be honest, any one of these recent cameras are more than capable than anything we ever shot on film.



Sep 16, 2019 at 01:17 AM
alundeb
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p.5 #5 · Sony A7R4 incredible high ISO


Having read all posts, but maybe not every post thoroughly, I think there is one piece of information missing. It is partially covered by output size normalization, but not completely.

The crops shown in the original post are from an area with very little fine detail. If we look at other parts, it becomes obvious that the acuity, in either the sensors or the processing, is not equal. The A7R4 samples are quite a bit sharper. That is even at native size, where the effect is normally the opposite everything else being equal. This must be taken into account when comparing these images, as there is always a balance between acuity and noise. Even in Jordan's post with normalized images in more detailed areas, I see more acuity in the A7r IV image. One must be careful here, as more noise may also give a false impression of acuity, but I don't think that is the cause of it here. If we process the images for equal detail and acuity, The A7r IV might look better.

My humble opinion is that the judges are still out regarding which camera is the best ISO 6400 - 12800 camera, the A7r III or A7r IV. In any case, there is very little difference in quantum efficiency per sensor area between any modern FF sensors, and what you lose by not using the 'optimal' camera, is not much.

Screenshot from DPR saved as PNG, no additional jpg degrading:








Sep 16, 2019 at 02:03 AM
sebbe
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p.5 #6 · Sony A7R4 incredible high ISO


There is a minimal amount of light (the eye of) the beholder still accept as comfortable. Within the 90s I ran a bar with a good friend in our town. Once a week we had DJs or unplugged bands and light the bar with just candles. As both of us where passionate photographer we tried to catch those moments with our ff-bodies (I had a minolta, he had a canon) and failed gloriously.

Since the a7RII I can catch that moment with acceptable IQ at ISO12800_f1.4_1/125s. For me this still is one of the most amazing tech developments of the last years.

Looking at the high ISO results I will not hesitate to use the a7RIV for that too.

For the record: I'm often using up to three strobes with different lightformers to simulate light or support ambient light. For me it's just a creative desicion to go either way.



Sep 16, 2019 at 03:17 AM
fadeslayer
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p.5 #7 · Sony A7R4 incredible high ISO


Referring to use of flash as "faking" situations, as I said earlier, I still defend this sentence, not feeling bad for any un-mastery in flash usage. I am pretty sure I never mastered flash light usage, even though I have used it here and there in some situations, but I think that, if you CAN control EVERYTHING in the scene and you are allowed to do so, the usage of flashes ALMOST ALWAYS would get better images than without, and I never dismissed this, BUT in my experience I incurred in situations in which the alternative to available light was no images because flash was banned (theater), even worse, I couldn't move around either, fortunately we were 2 photographers (we substituted the official photographer at last second, so no way to control light and situation even if possible), so every shot was made at 6400 ISO and f/1.2-2.8. If I were 80% of the time shooting at 6400+ ISO I am pretty sure I wouldn't use A7RIV if something better available. Now owning an A9 I would surely use that better.

If it looked like I was bashing some pros here or there, just sorry, it wasn't my intention by any means.



Sep 16, 2019 at 03:58 AM
InFocus2014
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p.5 #8 · Sony A7R4 incredible high ISO


I shot 5DSR’s for several years alongside A7RII’s and A7RIII’s. At higher ISO’s, the 5DSR’s were always MUCH worse than the Sony’s (RAW). DXO and others seem to confirm this fact.

Even when I normalize the studio scene images by selecting Print, the Canon image appears to be the best image, with regard to noise. For me, this is illogical, so I consider those results to be suspect.

In the several days I have had to play with my new A7RIV, it does appear to exhibit slightly more noise, over ISO 500, than my A7RIII, however.

Of course, the higher acuity of the IV will accommodate more aggressive noise reduction in PP, which may effectively make the whole point moot (for me). I’ll be playing with this .

Jeff
www.gr8photography.com



Sep 16, 2019 at 04:44 AM
scott f
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p.5 #9 · Sony A7R4 incredible high ISO


I’d be interested to see how the noise characteristic is in Capture One. C1 usually impresses me with its raw conversions.


Sep 16, 2019 at 05:54 AM
Chris VenHaus
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p.5 #10 · Sony A7R4 incredible high ISO


alundeb wrote:
Having read all posts, but maybe not every post thoroughly, I think there is one piece of information missing. It is partially covered by output size normalization, but not completely.

The crops shown in the original post are from an area with very little fine detail. If we look at other parts, it becomes obvious that the acuity, in either the sensors or the processing, is not equal. The A7R4 samples are quite a bit sharper. That is even at native size, where the effect is normally the opposite everything else being equal. This must be taken into account when
...Show more

Totally agree here. I routinely shoot at 3200 and 6400 with my 5dsr (and D850) with excellent results for Astro-scapes. The 5DsR was supposed to be 'noisy', and terrible for astro, when it came out... with naysayers saying similar things about it vs what I'm hearing now about the A7r IV.

Taking 4 to 8 images at a reduced ISO (800 to 1600) and stacking with median filter can yield 2-3 stops of noise reduction... AND I have the benefit of large files for display/printing. For non-starry skies, there is usually little fine detail so noise reduction techniques can be used aggressively here... with little downside. Color noise easier to remove than chroma (without affecting detail much). For stars... stacking at 3200 or 6400 ISO, along with noise reduction techniques & masks can yield VERY impressive results... and that's with software NOW- without the benefit that will likely occur in future software and techniques. Simply put, I have images from many years ago that can be processed with newer software, with better results for noise than I could get back then. I bet these advancements continue to move forward with images I take today...

So... with high-rez sensors, you can easily get useful images with proper technique, and wind up with excellent resolution that EXCEEDS 'less noisy' camera with lower rez, and that would need to be up-rezzed to same print/display size as the higher-rez camera. All else being equal, the advantage goes to the higher rez sensor, IMO when noting field techniques to overcome the limitations of the sensor, i.e. multiple exposure stacks, or ISO exposure blends w/ lower ISO for blue hour.

Normalizing the DP Review test shots to same size, using low-light toggle, shows the A7R IV to be very similar to the best low light DSLR's and mirrorless on the market... and that was with using early version software to process. I have little doubt that when I take my A7r IV out for astro work, it will be at least as good as my D850, and even better than my 5DsR, which I was already happy with at high ISO for astroscapes/aurora.

PS- I only shoot landscapes & astroscapes. NO sports, action, wildlife, portraits etc... So the ISO noise I've seen thus far can be largely overcome with field and PP techniques for excellent end results.


Edited on Sep 16, 2019 at 10:06 AM · View previous versions



Sep 16, 2019 at 09:18 AM
GMPhotography
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p.5 #11 · Sony A7R4 incredible high ISO


Chris VenHaus wrote:
Totally agree here. I routinely shoot at 3200 and 6400 with my 5dsr (and D850) with excellent results for Astro-scapes. The 5DsR was supposed to be 'noisy', and terrible for astro, when it came out... with naysayers saying similar things about it vs what I'm hearing now about the A7r IV.

Taking 4 to 8 images at a reduced ISO (800 to 1600) and stacking with median filter can yield 2-3 stops of noise reduction... AND I have the benefit of large files for display/printing. For non-starry skies, there is usually little fine detail so noise reduction techniques can be
...Show more

I honestly dont trust the samples. I intend doing it myself and make the raws available for all. Honestly I only trust myself shooting these things. Thats just me



Sep 16, 2019 at 09:25 AM
Steve Spencer
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p.5 #12 · Sony A7R4 incredible high ISO


Another interesting comparison is the A7r IV vs. the Fuji GFX 100 (especially in FF 35mm crop mode). The GFX is the one camera that is available that seems to be able to shoot ISO 12,800 with still pretty good quality (at least at moderate file sizes), but perhaps more interestingly we can compare the A7r IV with the FF 35mm crop of the Fuji GFX 100 which is also a 61 MP image. Here is a chart comparing the photographic DR DR comparison

Bill Claff also rates what he calls Low Light ISO (or the highest ISO with good quality). The A7r IV is rated at 4744, whereas the FF 35mm crop of the Fuji GFX 100 is 6307. As you can see in the graph the Aptina adjustment comes in with the Fuji at ISO 500 sort of half way between the A7r IV and A7r III.

All of this suggests to me that in addition to making the Aptina correction kick in at a lower ISO, Sony may well have made the full well capacity a little deeper helping to maintain the DR with the smaller pixels, but that is just a guess on my part.

Oh and if we take a step back and consider the big issues we also really need to consider the size of output when considering noise. Some are saying I would never shoot above ISO 3200 and others are saying I think ISO 12800 is something I use all the time. Both of those positions are of course perfectly reasonable if we are talking different output sizes. If I regularly print at 16 X 20 and use ISO 3200 as my highest ISO, then keep in mind that is pretty much exactly the same as saying I regularly print at 4 X 6 or only post my images on the web with 1500 pixels on the longest side and use ISO 12,800. If you print at 300 dpi, then reducing the size of the file to 1500 pixels will dramatically improve the noise and in my experience will get you about 2 more stops of performance. So, in this way I think people are talking past each other. They might be tolerating exactly the same noise just some people are using files that are a lot bigger than other people and when you magnify the noise it is less tolerable to everyone, and when you shrink an image the noise is a lot more tolerable to everyone.



Sep 16, 2019 at 10:31 AM
GabrielPhoto
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p.5 #13 · Sony A7R4 incredible high ISO


InFocus2014 wrote:
I shot 5DSR’s for several years alongside A7RII’s and A7RIII’s. At higher ISO’s, the 5DSR’s were always MUCH worse than the Sony’s (RAW). DXO and others seem to confirm this fact.

Even when I normalize the studio scene images by selecting Print, the Canon image appears to be the best image, with regard to noise. For me, this is illogical, so I consider those results to be suspect.

In the several days I have had to play with my new A7RIV, it does appear to exhibit slightly more noise, over ISO 500, than my A7RIII, however.

Of course, the higher acuity of the
...Show more

The Studio Scene have always been very strange with results all over the place and not making sense. I even pointed that out a long time ago and they asked me for evidence which I provided but then they ghosted me so I just completely ignore that test and consider it useless and just confusing to people trying to get an idea between products.



Sep 16, 2019 at 10:47 AM
trstahly
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p.5 #14 · Sony A7R4 incredible high ISO


stonebird wrote:
Sony A7R4 incredible ISO


I posted high res comparisons from iso 100 thru iso 6400 and I could care less about iso 12,800 I do not even shoot at iso 6400 and only very rarely even iso 3200.

I am quite satisfied with the noise on my IV and am I am not that good in pp.

At iso 3200 they are the same when I used my normal noise reduction so all is good with me.

https://www.dpreview.com/forums/post/63102728



Sep 16, 2019 at 10:53 AM
liftedspirit
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p.5 #15 · Sony A7R4 incredible high ISO


I don't understand how all these hobbyists and working pros don't understand that not everyone photographs the same things as them...some people shoot lower light and don't have the availability of flash - let them. Others shoot in studios or other locations where they have the option of speed lights or flash. Others still take photographs outdoors at 1 PM. *gasp*

Just because someone doesn't photograph what you photograph and how you photograph doesn't make him or her wrong.

Sometimes these forums are very tiring...



Sep 16, 2019 at 11:56 AM
Imagemaster
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p.5 #16 · Sony A7R4 incredible high ISO


It is just that certain pros have such big ego issues that they feel the need to educate hobbyists by telling them that they are doing things wrong. They can't comprehend that the hobbyist has different objectives and gear, and des not care one whit about those pros' ponitificating opinions.




Sep 16, 2019 at 12:39 PM
sandycrane
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p.5 #17 · Sony A7R4 incredible high ISO


I don't think it has anything to do with their occupation. Some people are just very intolerant of opinions differing from their own and do their best to discourage people from voicing contrary opinions.


Sep 16, 2019 at 07:49 PM
GMPhotography
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p.5 #18 · Sony A7R4 incredible high ISO


Imagemaster wrote:
It is just that certain pros have such big ego issues that they feel the need to educate hobbyists by telling them that they are doing things wrong. They can't comprehend that the hobbyist has different objectives and gear, and des not care one whit about those pros' ponitificating opinions.



Obviously your reading skills are horrendous and learning skills are nil. You obviously can’t comprehend what I said, not a think was directed at you. You got issues. I'd be very careful how far you go here



Sep 16, 2019 at 08:00 PM
chez
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p.5 #19 · Sony A7R4 incredible high ISO


Imagemaster wrote:
It is just that certain pros have such big ego issues that they feel the need to educate hobbyists by telling them that they are doing things wrong. They can't comprehend that the hobbyist has different objectives and gear, and des not care one whit about those pros' ponitificating opinions.



Not only that...these pro's have no experience in photographing BIF in their natural habitats like you have nor do they have experience photographing the alley ways and religious events and culture like I do...but they sure think they know better than you and me in these scenarios. Somehow they feel being a pro somehow makes them better. I've seen so many great images from hobbiest that tell me a pro only makes money from his photography...not better results than the hobbiest.



Sep 16, 2019 at 08:19 PM
AmbientMike
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p.5 #20 · Sony A7R4 incredible high ISO


Alex W wrote:
What is a "fan boy?" Someone that doesn't look for every fault or short coming of their new camera. Then I must be one. I have been out shooting this morning and finding all the new things I like about my R4. "But why buy one to shoot at 25-30mp?" Because not everything is going to be shot at high ISO. Matters of fact everything I shot this morning was sub ISO 400 and at full 60mp! Awesome camera. Maybe the fans boys are out in full force but I guess the haters are too. By the way the
...Show more

I just can't say I have a problem with you enjoying your new camera. Maybe a bit hard to find a camera that is, actually bad anymore.

Congratulations on your purchase and I hope it works out well for you. (not being sarcastic.)

My main issue is with Sony users running down Canon, which I shoot. So, definitely going to point out that the Canon is, in fact, a great camera



Edited on Sep 16, 2019 at 08:27 PM · View previous versions



Sep 16, 2019 at 08:24 PM
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