I took this picture of a novice monk this morning, this lens never fails to impress me with the results I get. This is an unedited, converted from RAW to JPEG pic.
p.11 #13 · Sony FE 24-105mm f/4 G OSS Image Thread
From a recent trip (January 2020) to Monument Valley. A heavy inversion layer along the San Juan River caused a thick hoar frost to coat the vegetation.
p.11 #18 · Sony FE 24-105mm f/4 G OSS Image Thread
Michael Everet wrote:
Spectacular shot. Amazing how you can not only get such beautiful quality out of anything, but how imaginative your shots can be.
Michael, I am very flattered that you like that image.Thank you very much!
p.11 #20 · Sony FE 24-105mm f/4 G OSS Image Thread
1bwana1 wrote:
Joshua,
Looks like the spot out on the point below the restaurant? Interesting take on details that are often missed in such picturesque locations.
Hi Steve, thank you very much. I had one camera taking some 36 or so frames that I stacked later on to get a fake “Smooth Reflection App” simulation using my Sigma 14-24mm. So, while waiting, I used my second camera with the 24-105 lens to capture the crashing waves just at the approximate same location. But I had only a single tripod that I used for the fake SRA camera. So, I used the railing there to get some support that way. That was not the only image I took. The first 2-3 were too blurry since I rested only the base of the camera on the railing. I realized that I could get a significantly steadier support by resting both the camera and lens on the railing. I could get a 2-second exposure that way but I didn’t want to push my luck by taking longer exposures though. So, to answer your question, the location was basically the same where iconic shots are normally taken.
f/7.1 @105mm
