p.33 #9 · Voigtlander 21mm f/3.5 Color Skopar Review
How well does this lens perform in DX crop mode? Could you guys please post some samples?
That mid range dip that is described in the review could hurt it quite a bit with cropping.
p.33 #10 · Voigtlander 21mm f/3.5 Color Skopar Review
You'd keep the color/contrast goodness along with the micro-contrast, but to some extent would lose that excellent stretched content into the corners that this one does as its party piece. Like these two hopefully show. If it has a midfield dip, the designer intended it as part of the package, and I am A-OK with that for a deep image lens.
p.33 #12 · Voigtlander 21mm f/3.5 Color Skopar Review
philip_pj wrote:
You'd keep the color/contrast goodness along with the micro-contrast, but to some extent would lose that excellent stretched content into the corners that this one does as its party piece. Like these two hopefully show. If it has a midfield dip, the designer intended it as part of the package, and I am A-OK with that for a deep image lens.
Thanks. The fact that this lens produces pretty sunstars, while shooting at F4, like a normal human being seems extremely attractive to me.
p.33 #13 · Voigtlander 21mm f/3.5 Color Skopar Review
This 1930's building is the former Gaumont/Odeon cinema and sits at the eastern end of Union Street in Plymouth. It hasn't been a cinema for a number of decades (usually a nightclub of some sort) and recently escaped becoming the headquarters of God TV. There's no certainty as to its future as is the case with many grand old buildings in this part of Plymouth.
p.33 #14 · Voigtlander 21mm f/3.5 Color Skopar Review
ITT are some stunning photos and you have convinced me that this is a special lens I need now
Although I don't know if I can justify the CV if I already have the Laowa 15mm f2.
For those of you owning an ultra wide angle (in this case 15 or 16mm) and a 21mm prime, do you still use them both regularly?
