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Voigtlander 50mm f/1.2 Nokton Review

  
 
rscheffler
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p.11 #1 · Voigtlander 50mm f/1.2 Nokton Review


LBJ2 wrote:
Good idea Guy. I'll be looking for it. You know I like the Big Bronco gauntlet! I'll have the 50 1,2 tomorrow and will test it against the Lux 50 1,4 this weekend on both the M10 and A7r3. Curious to see these results as I really like the Lux 50 but its only a humble 1,4 .

The TAP as I commented before can be very thrilling when it works as intended. I really do hope they continue the product and are able to close in on some of the noted idiosyncrasies.


Looking forward to your results!

My experience with the 50 Lux ASPH on Leica M is that there is a considerable mid-zone dip/wavy plane of focus that is quite noticeable in certain situations in the f/2.8-4 range and is progressively masked by depth of field at f/5.6 and higher. Sometimes I have really poor results with off-center subject placement at wider apertures due to the RF necessity of focus and recompose (this would to some degree be mitigated with EVF focusing that allows non-central magnification, such as with the M10 and the Sony cameras). It's also my most needy lens for periodic tune ups at Leica to re-tighten focus resistance and bring it back into proper RF calibration (in fact it's currently at Leica for overhaul @ $455 this time around - DAG would have been a less expensive option...). But I love the rendering/bokeh, general level of sharpness, well controlled color fringing at wide apertures and compact size.

My interest in the 50/1.2 is whether or not it has any sign of mid-zone dip, which I haven't yet seen. If it's a gradual fall-off in sharpness from the center to the edges, for some applications I think it could be better than the Lux. I don't really care it's f/1.2 vs. f/1.4. I had the 50/1.5 for a while and thought much of its background rendering character was similar to the Lux ASPH, but it didn't hold up so well for across-frame sharpness. It also had some degree of wide aperture purple fringing not present in the Lux. My current fall-back 50 is the ZM50/2, which is a very good all-rounder, but it's always fun to try something new.

Way off tangent, but was just browsing DPR's Canon RF 50/1.2L image gallery and this looks to be a very promising fast 50, too, though probably not of interest to many here (either due to system or size). Impressive wide open performance across the frame with well controlled fringing...



Sep 19, 2018 at 10:42 AM
zhangyue
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p.11 #2 · Voigtlander 50mm f/1.2 Nokton Review


rscheffler wrote:
Looking forward to your results!

My experience with the 50 Lux ASPH on Leica M is that there is a considerable mid-zone dip/wavy plane of focus that is quite noticeable in certain situations in the f/2.8-4 range and is progressively masked by depth of field at f/5.6 and higher. Sometimes I have really poor results with off-center subject placement at wider apertures due to the RF necessity of focus and recompose (this would to some degree be mitigated with EVF focusing that allows non-central magnification, such as with the M10 and the Sony cameras). It's also my most needy lens for
...Show more

Ron, you really should have gone with DAG. He know everything about M glass. Even 35mm pre-ASPH with bug eye, one of very difficult lens to fine tune. My 50mm Lux perform better than new from factory after he did a fine tune for me at very reasonable price. I sold my 40mm f1.2 as I feel 50lux is the better lens for me on Leica M platform. I haven't see a better glass than 50lux ASPH at this focal TBH.

I saw that Canon 50mm f1.2 samples online, that is a high class glass, very very good, smooth and no funky stuff though like you said huge and require Canon R.



Sep 19, 2018 at 12:00 PM
LBJ2
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p.11 #3 · Voigtlander 50mm f/1.2 Nokton Review


Ron, thanks for the interesting description of the 50 Lux ASPH. Hopefully, I will not find the need to send my 50 in for adjustment any time soon !

Also, and before I forget, can someone explain me how Fred is able to export a single Select and Candidate image out of LR CC e.g. here: https://www.fredmiranda.com/forum/topic/1561782/0#14595580

I like this side by side presentation when comparing images but haven't figured out how to export the LR Compare image ( Select and Candidate) as one image out of LR CC so I can post as one image on this forum. Best I could come up with so far is to take a screen shot of the Compare ? Thanks in advance



Sep 19, 2018 at 12:11 PM
sebboh
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p.11 #4 · Voigtlander 50mm f/1.2 Nokton Review


rscheffler wrote:
My experience with the 50 Lux ASPH on Leica M is that there is a considerable mid-zone dip/wavy plane of focus that is quite noticeable in certain situations in the f/2.8-4 range and is progressively masked by depth of field at f/5.6 and higher. Sometimes I have really poor results with off-center subject placement at wider apertures due to the RF necessity of focus and recompose (this would to some degree be mitigated with EVF focusing that allows non-central magnification, such as with the M10 and the Sony cameras). It's also my most needy lens for periodic tune ups at
...Show more

for what it's worth, i did not find the mid zone dip to be troublesome on the lux asph using my UT even wide open, where i could focus in the mid zone.



Sep 19, 2018 at 01:25 PM
zhangyue
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p.11 #5 · Voigtlander 50mm f/1.2 Nokton Review


Same here, but I didn’t point it out that maybe I don’t use it enough for the past few years. However, I didn’t notice it bother me at all even for recomposed rangefinder images. There might be mid zone minor drop, but not noticeable so.

Derek, In your case, you focus at focus point ragion. Maybe I should do a test for myself to confirm this, but My feeling usually was correct on this. I feel for Ron’s case, if his focusing have problem, especially different between MFD and infinity, with floating design, this could be extra variable to play. The MTF indeed show deep though but those are from infinity results.

And I never shoot f2-f4 region. This is the quirk I don’t like 50lux ASPH. It becomes high contrast in OF region and bokeh highlight is not rounded at all after f1.4. I use it either f1.4 or after f5.6.

sebboh wrote:
for what it's worth, i did not find the mid zone dip to be troublesome on the lux asph using my UT even wide open, where i could focus in the mid zone.




Sep 19, 2018 at 01:35 PM
sebboh
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p.11 #6 · Voigtlander 50mm f/1.2 Nokton Review


zhangyue wrote:
Same here, but I didn’t point it out that maybe I don’t use it enough for the past few years. However, I didn’t notice it bother me at all for recomposed images. There might be mid zone minor drop, but not noticeable so.

And I never shoot f2-f4 region. This is the quirk I don’t like 50lux ASPH. It becomes high contrast in OF region and bokeh highlight is not rounded at all after f1.4. I use it either f1.4 or after f5.6.



yeah, the ninja star bokeh at f/2.8-f/4 really bugs me. i guess it helps minimize focus shift, but as evf user i could care less about focus shift.




Sep 19, 2018 at 01:40 PM
snappu
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p.11 #7 · Voigtlander 50mm f/1.2 Nokton Review


From the images I've seen (and I read through the entire 40/1.2 thread) these CV 1.2's render nothing like the Summilux ASPH. Nothing does really. (save for the 0.95 Noctilux at 1.4)


Sep 19, 2018 at 01:53 PM
nehemiahphoto
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p.11 #8 · Voigtlander 50mm f/1.2 Nokton Review


snappu wrote:
From the images I've seen (and I read through the entire 40/1.2 thread) these CV 1.2's render nothing like the Summilux ASPH. Nothing does really. (save for the 0.95 Noctilux at 1.4)


Very true—distinct but both lovely.



Sep 19, 2018 at 03:32 PM
NRKStudio
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p.11 #9 · Voigtlander 50mm f/1.2 Nokton Review


I can’t help but reference in my mind the lensrentals test comparing among others the 50 Lux vs the Otus 55 and Sigma 50. The 50 Lux held its own and surpassed the competition in sharpness, i.e. on center frame and mid frame, wide open. It beats the Otus center and midframe at f2 as well. I love It on an MP240, but on an A7r3, the Lux shines at center frame, resolving an amazing amount of detail. The bokeh is very distracting though wide open, and edges smeared a little, but that “ Leica look” still somewhat remains.

It’s perfect on an MP240 though, and it’s the lens that really got me hooked on rangefinders. Maybe the 50/1.2 will give it a run for its money, but I’m sure the 50 Lux will go down swinging.



Sep 19, 2018 at 06:43 PM
Fred Miranda
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p.11 #10 · Voigtlander 50mm f/1.2 Nokton Review


Using the CV 50/1.2's dedicated LH-8 hood seems to almost completely remove the 'ring reflection' demonstrated in previous samples that happens when using the lens bare without a hood.
Here is a sample: https://www.fredmiranda.com/forum/topic/1561782/6#14598704

I tested this further and the silver front ring seems to be the source of the reflection and it only happens when the sun is located towards either side of the lens. With the 40/1.2 E-mount's black front ring, there is rarely some ghosting flare but I don't see this type of reflection.

I also tested using a simple and cheap 52-43mm step down filter (black metal) and it DOES minimize the reflection as well. (Not as much as the hood though). There is almost zero vignetting using the filter so perhaps a 52-46mm will be a better choice.

Tomorrow I will receive the new LH-10 hood which Voigtlander says perform better with this lens. I will compare it to the LH-8 and let you know.



Sep 19, 2018 at 07:52 PM
 


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GMPhotography
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p.11 #11 · Voigtlander 50mm f/1.2 Nokton Review


Fred Miranda wrote:
Using the CV 50/1.2's dedicated LH-8 hood seems to almost completely remove the 'ring reflection' demonstrated in previous samples that happens when using lens bare without a hood.
Here is a sample: https://www.fredmiranda.com/forum/topic/1561782/6#14598704

I tested this further and the silver front ring seems to be the source of the reflection and it only happens when the sun is located towards either side of the lens. With the 40/1.2 E-mount's black front ring, there is rarely some ghosting flare but I don't see this type of reflection.

I also tested using a simple and cheap 52-43mm step down filter (black metal) and it
...Show more

Had a feeling it was the metal ring. I have not seen it yet with my metal 52mm screw in but maybe I should look at there hoods. I don’t like vented ones.



Sep 19, 2018 at 08:02 PM
Fred Miranda
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p.11 #12 · Voigtlander 50mm f/1.2 Nokton Review


GMPhotography wrote:
Had a feeling it was the metal ring. I have not seen it yet with my metal 52mm screw in but maybe I should look at there hoods. I don’t like vented ones.


I think you were right Guy. Perhaps any generic 52mm metal hood would also do the trick. I will test it out tomorrow.



Sep 19, 2018 at 11:43 PM
hanay78
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p.11 #13 · Voigtlander 50mm f/1.2 Nokton Review


By the way,

how this lens would compare with the Mitakon?

Regards



Sep 20, 2018 at 04:46 AM
rscheffler
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p.11 #14 · Voigtlander 50mm f/1.2 Nokton Review


zhangyue wrote:
Ron, you really should have gone with DAG. He know everything about M glass. Even 35mm pre-ASPH with bug eye, one of very difficult lens to fine tune. My 50mm Lux perform better than new from factory after he did a fine tune for me at very reasonable price. I sold my 40mm f1.2 as I feel 50lux is the better lens for me on Leica M platform. I haven't see a better glass than 50lux ASPH at this focal TBH.


Thanks, probably next time. I was in NYC for a few days and the M240's shutter blew. I also had a relatively minor problem with the 28 Lux festering for some time, so decided to make the trip to nearby Leica NJ and drop off all three. The camera and 28 are being covered under warrantee even though they were both outside warrantee coverage, so the cost of the 50 Lux repair is a compromise for some convenience.

---------------------------------------------

sebboh wrote:
for what it's worth, i did not find the mid zone dip to be troublesome on the lux asph using my UT even wide open, where i could focus in the mid zone.


I find it less of a problem wide open or well stopped down. It's in the 2.8-4 range where it gets 'funky' IMO. Also sometimes planar type subjects where I might want good across-frame sharpness show the mid-zone dip if f/2.8-4 is necessary for the ambient light levels while maintaining a reasonable shutter speed and ISO. Otherwise, if I have the option, I will stop down to f/5.6 or more. Like Michael, I typically use the Lux either wide open in the f/1.4-2.0 range (considerable central sharpness/contrast boost af f/2) or stopped down past f/5.6. Sometimes this is to avoid the mentioned ninja star bokeh. Other times to avoid the mid-zone dip.

Being able to EVF focus off-center definitely helps with the dip, unfortunately for me it's not an option with the M240.

---------------------------------------------

snappu wrote:
From the images I've seen (and I read through the entire 40/1.2 thread) these CV 1.2's render nothing like the Summilux ASPH. Nothing does really. (save for the 0.95 Noctilux at 1.4)


Yes, while the Lux rendering is great, these Voigtlanders are good in their own right. They're not the same, but I don't think they need to be.
---------------------------------------------

Newtographer504 wrote:
I can’t help but reference in my mind the lensrentals test comparing among others the 50 Lux vs the Otus 55 and Sigma 50. The 50 Lux held its own and surpassed the competition in sharpness, i.e. on center frame and mid frame, wide open. It beats the Otus center and midframe at f2 as well. I love It on an MP240, but on an A7r3, the Lux shines at center frame, resolving an amazing amount of detail. The bokeh is very distracting though wide open, and edges smeared a little, but that “ Leica look” still somewhat remains.

It’s
...Show more

One thing with Roger's test: he admitted to cherry picking the best mid-zone values for each lens, from either their tangential or sagittal plane, whichever was higher. He did not average those values. Therefore the Lux ASPH MTF numbers look amazing. But he hinted at the differences in the two planes in the 'Astig' column, where you'll note the Lux ASPH has the highest value. If you look at Leica's MTFs, at f/1.4 tangential and sagittal values track fairly closely together. As the lens is stopped down, they separate a fair amount in the mid-zone area. For me at least, it mirrors what I see in use and a reason I tend to use the lens either wide open or well stopped down.

The Lux ASPH is great for what it is, but in the past ~10 or so years, it seems everyone else has really ramped up their lens design and manufacturing capabilities. In this respect IMO, technically, the Lux ASPH, could benefit from a refresh. The question is whether Leica can do this while maintaining its relatively compact size. They seemed to be able to do it with the 50AA, but at a considerable cost.

Link to the Lens Rentals 50mm comparison.

Would be interesting to see where the Voigtlander 50/1.2 lands in comparison. However, IIRC, they keep a small inventory of Voigtlander lenses due to low popularity and service/repair considerations and therefore don't have the numbers to generate reliable MTF values (I have asked before if they would test these lenses since Cosina does not provide MTFs).



Sep 20, 2018 at 10:21 AM
Fred Miranda
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p.11 #15 · Voigtlander 50mm f/1.2 Nokton Review


hanay78 wrote:
By the way,

how this lens would compare with the Mitakon?

Regards


From the Mitakon images I've seen, the CV 501.2 seems to be much sharper at f/1.2. Perhaps someone how owns both could post a comparison.



Sep 20, 2018 at 10:36 AM
Fred Miranda
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p.11 #16 · Voigtlander 50mm f/1.2 Nokton Review


Fred Miranda wrote:
Using the CV 50/1.2's dedicated LH-8 hood seems to almost completely remove the 'ring reflection' demonstrated in previous samples that happens when using the lens bare without a hood.
Here is a sample: https://www.fredmiranda.com/forum/topic/1561782/6#14598704

I tested this further and the silver front ring seems to be the source of the reflection and it only happens when the sun is located towards either side of the lens. With the 40/1.2 E-mount's black front ring, there is rarely some ghosting flare but I don't see this type of reflection.

I also tested using a simple and cheap 52-43mm step down filter (black metal) and
...Show more

...Continuing from the above post...

I received the CV 50/1.2 Nokton's dedicated hood today (LH-10) and although bigger than the LH-8, it seems to offer slight better protection against flare.

In regarding to the 'ring reflection', there is a great improvement by only adding a 52mm filter (with glass removed) in front of the lens. I used this one:
https://www.amazon.com/AmazonBasics-UV-Protection-Lens-Filter/dp/B00XNMWCF8

With the 52mm filter, the reflection is almost gone. It would also work with a 52-46mm step down ring or generic 52mm screw-in metal hood.

The LH-8 hood improves things further and with the LH-10, the image has slightly more contrast and pretty much no flare.

It's not easy to see the differences but it's there. If you download these images to your computer and toggle between them, it may be easier to compare them.

In comparison, the CV 40/1.2 E-mount image, showed better flare performance even bare. (without any filter of hood)





CV 50/1.2 bare (without any filter or hood)







CV 50/1.2 with a 52mm empty filter (black metal)







CV 50/1.2 with the LH-8 hood







CV 50/1.2 with the LH-10 hood







CV 40/1.2 bare (without any filter or hood)




Sep 20, 2018 at 07:03 PM
GMPhotography
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p.11 #17 · Voigtlander 50mm f/1.2 Nokton Review


Thanks Fred I’ll stay with my 52mm Black metal screw in hood


Sep 20, 2018 at 07:11 PM
Fred Miranda
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p.11 #18 · Voigtlander 50mm f/1.2 Nokton Review


Image showing both hoods attached:

LH-10 top

LH-8 bottom







Sep 20, 2018 at 07:31 PM
NRKStudio
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p.11 #19 · Voigtlander 50mm f/1.2 Nokton Review




One thing with Roger's test: he admitted to cherry picking the best mid-zone values for each lens, from either their tangential or sagittal plane, whichever was higher. He did not average those values. Therefore the Lux ASPH MTF numbers look amazing. But he hinted at the differences in the two planes in the 'Astig' column, where you'll note the Lux ASPH has the highest value. If you look at Leica's MTFs, at f/1.4 tangential and sagittal values track fairly closely together. As the lens is stopped down, they separate a fair amount in the mid-zone area. For me at least, it
...Show more

That is true, the astigmatism could relate to less resolution in practice midzone. Roger does note such in the article as well. Do you think it’s your specific copy though that’s particularly weak midzone?

My real interest though: would you recommend selling the 50 Lux and buying the 50/1.2? I am relatively new to photography, and purchased the MP240, 28 Lux and 50 Lux but would like to try a non-Leica lens to go between the MP240 and a A7r3. My options are trading the Lux for the 50/1.2 or adding a 40/1.2 to my set (I only use the Tamron and an 85 GM for Sony lenses). Also it seems that the 40/1.2 and other Voigtlanders (35/1.7) are better on Sonys than adapting the 50 Lux, so maybe the 50/1.2 will adapt better too. I only photograph family and events, with occasional architecture shots.





Sep 21, 2018 at 07:38 AM
rscheffler
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p.11 #20 · Voigtlander 50mm f/1.2 Nokton Review


I would need to test other copies to determine whether or not mine is worse in the mid-zone area.

I would not trade the 50 Lux for the Voigtlander 50/1.2 primarily for the reason of size. Image quality difference seems to be minimal between the two, in respect to overall sharpness. The Lux will have some advantage in respect to lack of purple fringing at wider apertures in high contrast transition areas. The 50/1.2 will have nicer bokeh rendering of specular OOF highlights in the f/2.5-5.6 range (where the Lux has a 'ninja star' shape to the aperture opening).

But my reasoning above is as a Leica user, not a Leica and Sony user. It could be that the 50/1.2 transitions between the two systems somewhat better than the 50 Lux ASPH, in respect to image degradation caused by the Sony sensor stack. That, however, also depends on what you primarily shoot and how critical across-frame performance is for you.



Sep 22, 2018 at 11:22 AM
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