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Archive 2017 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)

  
 
Lee Saxon
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p.63 #1 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


freaklikeme wrote:
The GFX's 27+mm flange precludes the possibility of using the Actus and Fuji with any view camera lens below 50mm. My guess is that will actually end up being 60mm to get unrestricted movement. Cambo might be able to make a very thin mount design for the camera, but everything Rodenstock and Schneider make 50mm and below requires a minimum of 31mm between the end of the lens and the imaging plane.


Okay, I need help here. I'm not familiar with how view lenses work so I'm not understanding this. With other types of lenses, it's only when the distance needed to the imaging plane is less than the camera's flange depth that there's a problem. Here we're saying 4mm more is a problem. How does this work?




Feb 01, 2017 at 02:35 AM
Steve Spencer
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p.63 #2 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


Lee Saxon wrote:
Okay, I need help here. I'm not familiar with how view lenses work so I'm not understanding this. With other types of lenses, it's only when the distance needed to the imaging plane is less than the camera's flange depth that there's a problem. Here we're saying 4mm more is a problem. How does this work?



With these lenses there are two issues: 1) There is a back part to the lens that sticks out toward the camera, sometimes quite a ways, that can cause problems even if the flange distance is ok. For example the Rodenstock 35 f/4 HR Digaron-S has a flange distance of 53.5mm, but the back lenses sticks out 29.2mm toward the sensor putting the back of the lens inside the mount of the camera. Now the lens will fit (it has a 42mm diameter), if you can get it there (see the next point) but the movements will be pretty restricted with the back lens inside the mount. The 35mm f/4.5 Sironar digital would sit even further within the lens mount--aboiut 10mm inside the body of the camera--and the back lens has a 60mm diameter, so it will just barely fit in the 65mm throat of the GFX. It may not be impossible to get the lens to work with the camera, but it will be difficult. 2) You need to mount these lenses on a bellows system, and the bellows don't allow the lens to get all the way to the lens mount. Depending on the system and the size of the grip on the camera there will be a not insignificant distance between the flange and the mount of the camera. You can easily have to add 25 or even 30 or 40mm to the distance between the sensor and the mount because you just can't get the lens that close to the camera. We don't know exactly how close we will be able to get a lens mounted on a bellows to the camera mount but it will be at least 13mm (you can't get the lens on a bellows any closer than that to a flat digital back), but it is more likely to be at least 20mm. So wides will be challenging. We will have to see what Cambo (and perhaps others) come up with, but I am not optimistic that the Rodenstock or Schneider 35s or 40s will work. The 50s hopefully. I do expect Cambo will offer 24mm and 35mm lenses that will work, however.



Feb 01, 2017 at 03:04 AM
Lee Saxon
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p.63 #3 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


Steve, thanks for explaining that, I definitely misunderstood what Brad was saying. So if I'm understanding you and the stats on Rodenstock's website, "flange focal length at infinity" - "flange to lens end" has to be > GFX flange depth to work (at least with normal range of movement) at infinity?

You should still be able to use these lenses at closer distances though, shouldn't you? Brad's posting landscapes so I'm guessing that's not helpful to him, but it would be to me.



Feb 01, 2017 at 04:27 AM
Steve Spencer
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p.63 #4 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


Lee Saxon wrote:
Steve, thanks for explaining that, I definitely misunderstood what Brad was saying. So if I'm understanding you and the stats on Rodenstock's website, "flange focal length at infinity" - "flange to lens end" has to be > GFX flange depth to work (at least with normal range of movement) at infinity?

You should still be able to use these lenses at closer distances though, shouldn't you? Brad's posting landscapes so I'm guessing that's not helpful to him, but it would be to me.


Yes, Lee you should be able to use the lenses at closer distance but we don't know how close yet. For example, if you want to use the Rodenstock 35 f/4 HR Digaron-S you will need to move it 2mm forward from infinity focus to get it out of the camera body, but you probably still won't be able to get it that close with any bellows system (see point 2 above). We will have to wait until Cambo and perhaps others (Horseman has a deeply recessed lens board that might get there or close with their 4 X 5 view cameras) are able to do with their bellows systems. With the Cambo mini every system (except the MK I Sony's with the special AC310 bellows that Brad mentioned) needed between 10 and 15mm extra from the camera mount to where the back of the lens sat. So, for the 35 Digaron, you might well need 2mm to get it out of the body and another 12mm to make room for the bellows, and I don't know how close focus that would be with a 35mm lens, but I am guessing awfully close. I think Cambo might be able to bring that down a fair bit, but they might instead offer lenses that will work. They have their Actar series of lens and they have a 24, 60, 80, 90 and 120. The 24 only has a 60mm image circle, but that will cover the sensor even if it only has limited movement, and I suspect it wouldn't be too hard for them to do a 35mm to help with the wide angle need and if it cover 70mm it will serve very well (the Digaron-S lenses only cover 70mm). The bottom line is that lens wider than 60mm or so will be challenging, but in a year or maybe too I think we will have some great options. I know I have already ordered the Rodentstock 100 f/4 Digaron-S, which looks to be a fantastic lens, and I like will get the 60 f/4 Digaron-S as well. If I can get a good 30-35mm (I would be happy with the 35 f/4 Digaron-S and probably a Cambo 35mm Actar if they make one), then I would have what I want.



Feb 01, 2017 at 08:03 AM
naturephoto1
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p.63 #5 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


The Leica R 28mm f2.8 Super Angulon PC lens (Schneider PC lens) will cover the format of the new Fujifilm camera but will only cover about 5mm of rise and 4mm of shift in the landscape orientation with the lens at f11. The lens will require that Cambo modify the Leica R lens adapter however they now now what is required for such modification Cambo in the Netherlands modified my Adapter at no charge).

Steve Spencer wrote:
Yes, Lee you should be able to use the lenses at closer distance but we don't know how close yet. For example, if you want to use the Rodenstock 35 f/4 HR Digaron-S you will need to move it 2mm forward from infinity focus to get it out of the camera body, but you probably still won't be able to get it that close with any bellows system (see point 2 above). We will have to wait until Cambo and perhaps others (Horseman has a deeply recessed lens board that might get there or close with their 4 X
...Show more

Hi Steve,

What appears to be disappointing regarding the Cambo Actar lenses is I believe that they have all be designed with a 5 iris aperture blade Iris unless I am mistaken. If I cam correct from what I have seen then we are at the mercy of the 5 blade apertures creating 5 sided openings and also 10 pointed Sunstars.

Also, I was shocked when I recently received my Sinar Sinaron digital 150mm f5.6 (Rodenstock 150mm f5.6 Apo Sironar digitar lens) mounted in an older 5 Iris Aperture Blade Copal 0 shutter. I had previously purchased lenses that I had including my SK 120mm f5.6 Makro Symmar lens (and other SK lenses) that I purchased about 23 years ago that had the later 7 Iris Aperture Blade Copal 0 shuter, It is shocking that Sinar and Rodenstock were using the older 5 Iris Aperture blade shitters so much longer than SK. I solved this problem by purchasing an SK 150mm f5.6 Xenar lens and both the Sinaron and the Xenar lenses to SK Grimes in RI and they switched the shutters and my Sinaron lens is now in the much preferred 7 Iris Aperture Blade Shutter.

Rich



Edited on Feb 01, 2017 at 08:48 AM · View previous versions



Feb 01, 2017 at 08:29 AM
Lee Saxon
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p.63 #6 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


I'm glad you brought up the coverage of these lenses, that was going to be my next question. I thought the point of $3-6k f/5.6 lenses was that they covered 4x5", giving tons of movement on a little 33x44 sensor. I was shocked that the Digaron-S are only 645 and the Digaron-W only 6x7. There are very good (and much faster) (edit: and have more than 5 aperture blades!!) medium format lenses that cost *thousands* less and might solve the infinity focus issue since they wouldn't project behind the Cambo adapter. Are these lenses really *that* much better?

Also, wow, seeing the prices of these lenses you guys are talking about buying several of, you are *lots* richer than me :P



Feb 01, 2017 at 08:41 AM
naturephoto1
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p.63 #7 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


Lee Saxon wrote:
I'm glad you brought up the coverage of these lenses, that was going to be my next question. I thought the point of $3-6k f/5.6 lenses was that they covered 4x5", giving tons of movement on a little 33x44 sensor. I was shocked that the Digaron-S are only 645 and the Digaron-W only 6x7. There are very good (and much faster) (edit: and have more than 5 aperture blades!!) medium format lenses that cost *thousands* less and might solve the infinity focus issue since they wouldn't project behind the Cambo adapter. Are these lenses really *that* much better?

Also, wow,
...Show more

Hi Lee,

Many of the lenses that I and even Steve have mentioned are available used on eBay as an example. Many of the LF lenses however since they lack a helicoid are substantially smaller and lighter than MF lenses, offer much greater image coverage and may well be sharper than many of the MF counterparts. Additionally, I belive that many of the Haselblad MF lenses and quite possibly Mamyia amongst others only have 5 aperture blades.

Also, don't forget what you have paid for such lenses as your Leica R very fast 90mm lens as well as othes.

The newest digital lenses are only designed to cover up to the newest digital formats available with movements though some that do not resolve quite as much as those that will cover digital scanning backs like the Betterlight. The older film lenses however were designed to cover 4" X 5" and even larger.

Rich



Feb 01, 2017 at 08:52 AM
Steve Spencer
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p.63 #8 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


Lee Saxon wrote:
I'm glad you brought up the coverage of these lenses, that was going to be my next question. I thought the point of $3-6k f/5.6 lenses was that they covered 4x5", giving tons of movement on a little 33x44 sensor. I was shocked that the Digaron-S are only 645 and the Digaron-W only 6x7. There are very good (and much faster) (edit: and have more than 5 aperture blades!!) medium format lenses that cost *thousands* less and might solve the infinity focus issue since they wouldn't project behind the Cambo adapter. Are these lenses really *that* much better?

Also, wow,
...Show more

Lee,

The Digaron-S lenses are made for a 44 X 33 sensor and they have about the same tilt and shift capabilities as the Canon TS lenses have on full frame. That still provides quite a bit of movement. The advantage of the Digaron-S lenses is that they are very high resolving lenses. If you look at the MTF graphs for example of the 100 f/4 that I just ordered you might be deceived at first. Those graphs are at 10, 20, 40 and 80 lp/mm, instead of the 10, 20, 40 and 5, 10, 20, 40 lp/mm we are used to seeing at Zeiss and Leica. The Rodenstock 100 f/4 Digaron has above 80% contrast at f/8 and 40 lp/mm across the whole 70mm image circle and between 65 and 55% at 80 lp/mm. This is better than any full frame lens I have seen and does it with a 70mm image circle, zero distortion, basically zero CA, and very low vignetting--again across the whole 70mm image circle. Oh, and it weighs 370g. You can see those MTF, distortion, CA, and vignetting graphs here:

http://www.arca-swiss-magasin.com/contents/fr/e_rodenstock_digital_lenses.pdf

The 60mm f/4 Digaron-S is almost as good and weighs just 240g. I would like to see the medium format lenses that match this performance. The Leica S 125 f/2.5 APO Macro comes somewhat close but it performance drops off from about a 40mm image circle and even the centre never matches the Rodenstock. So the Rodenstock covers much larger image circle at a higher level of performance and is a lot smaller. If there are other MF lenses that match this performance I would love to know about them.

Let's talk price. As Rich mentioned you can get the Rodenstock lenses used for considerably less money than the list price. You can even get the 100 f/4 Digaron-S brand new for just under $2,600 from Badger Graphics. Used you can find this lens for $1,500. So, I don't find the prices that unreasonable for what you are getting.

Let's talk image circle. If you want to cover 4 X 5, then you should get the Rodenstock APO Grandagons (they come in 35, 45, and 55 varieties all at f/4.5) or the Grandagons (they come in 65, 75, 90, 115, 155, and 200 varieties with 65, 75, & 90 at f/4.5 and 75, 90, 115, 155, & 200 at f/6.8). These are all good lenses, but they are made for film and have resolution for that medium (i.e., a lot less than I would want for digital). Note their MTFs are shown for 2.5, 5, 10, & 20 lp/mm and fade considerably as the image circle moves out. Again these are great for film, but for something like the Fuji camera, I don't think the quality of resolution is really there. They are relatively cheap used ($300-$1,200 or so depending on the lens and your patience).

In between are the Rodenstock APO Sironar Digital lenses and the APO Sironar-S lenses for analog. These have much bigger image circles and although they don't have the top level performance of the Digaron-S series, they likely will be quite good with big image circles.

So, there are lots of options. You won't get the nice 10 blade apertures that you get from Zeiss (although you can get nearly round apertures with an electronic shutter but this is requires a lot of hardware) but everything else is there in a very small package and keep in mind even the 5 blade apertures should make pretty nice 10 point sunstars they will just be challenged with out of focus highlights, and the seven bladed apertures are not bad compromises with ok out of focus highlights and fairly nice 14 pointed sunstars.



Feb 01, 2017 at 09:58 AM
Steve Spencer
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p.63 #9 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


naturephoto1 wrote:
The Leica R 28mm f2.8 Super Angulon PC lens (Schneider PC lens) will cover the format of the new Fujifilm camera but will only cover about 5mm of rise and 4mm of shift in the landscape orientation with the lens at f11. The lens will require that Cambo modify the Leica R lens adapter however they now now what is required for such modification Cambo in the Netherlands modified my Adapter at no charge).

Hi Steve,

What appears to be disappointing regarding the Cambo Actar lenses is I believe that they have all be designed with a 5 iris aperture blade Iris
...Show more

Rich,
I agree the shutters are not the best feature for these lenses and neither options (5 or 7 blades) is without problems. The good news about the 5 bladed aperture is they should make a nice 10 pointed sunstar, but the bad news is that the pentagons in out of focus highlights will be pretty ugly. The 7 blades aperture will have a not quite as nice, but still pretty good 14 pointed sunstar, and somewhat better out of focus highlights--although heptagons are still likely to be noticeable. My favorite aperture blade setup is 10 and they are very nice in the Loxia, ZM, and some Leica lenses handling both sunstars and out of focus highlights well, but most aperture setups have their issues. An 8 bladed aperture has pretty decent sunstars, but Octagons in out of focus highlights still can be noticeable at times. Sure you can round the blades, but then the sunstars suffer. A 9 or 11 bladed aperture (especially with curved blades) will get you nice shapes in the out of focus highlights, but the sunstars won't be much to write home about. A six bladed aperture is probably my least favorite. You get ugly hexagons in the out of focus highlights and the sunstars are definitely nothing to write home about either. So for me, if a lens is going to be mostly used for portraits I want a 9 or 11 bladed aperture, but if it is going to be used primarily for landscapes I want a 10 or 12 bladed aperture. Still if the lens is going to be used primarily for landscapes a 5 blade or 7 blade aperture won't be so bad, for closer in work with shallow depth of field especially as one uses tilt and shift I think care with the out of focus highlights will be important.



Feb 01, 2017 at 11:55 AM
Lee Saxon
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p.63 #10 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


Thanks for all the info, guys! These lenses are pretty darn interesting. I think because of the size of the format I always thought these lenses that I'd only seen in pictures were pretty massive. Being so svelte makes them very interesting.

But for pretty expensive lenses which are definitely not for amateurs, the mediocre diaphragms are a surprise. I would've thought somebody would be making a 14-rounded-blade monster you could put on these things.



Feb 01, 2017 at 01:00 PM
Steve Spencer
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p.63 #11 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


Lee Saxon wrote:
Thanks for all the info, guys! These lenses are pretty darn interesting. I think because of the size of the format I always thought these lenses that I'd only seen in pictures were pretty massive. Being so svelte makes them very interesting.

But for pretty expensive lenses which are definitely not for amateurs, the mediocre diaphragms are a surprise. I would've thought somebody would be making a 14-rounded-blade monster you could put on these things.


Lee you can get completely round apertures if you switch to the new e-shutters for the lenses, but these requires external hardware and connection to a computer. They would be very nice for studio work and possible for field work with a laptop. They do have a serious limit of 1/125th being the fastest shutter speed. The development went to those types of shutters and there really has been no development (or almost no development) of the mechanical shutters for decades. Maybe in the future we will get not a shutter but just a mechanical iris with a nice set of 10 blades. This wouldn't be expensive and would work just fine with these cameras that have a focal plane shutter.



Feb 01, 2017 at 03:55 PM
tunisia
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p.63 #12 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


I know this is off the current topic, but, would any of you think it'd be possible to use the 85mm Otus on the GFX? If so, what would be its limitations/issues? Thanks to one and all for this discussion.


Hope this pans out:

http://www.fujirumors.com/first-images-fujifilm-gfx-adapters-leica-m-zeiss-otus-mamiya-schneider-kreuznach-focal-plane-shutter-advantage/




Feb 01, 2017 at 11:06 PM
Lee Saxon
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p.63 #13 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


I could believe that the 85 Otus would cover but I'm beyond skeptical of a 50Lux covering (particularly if a 55 Otus doesn't).

Also doesn't that Nikon-mount 85 Otus look way too close to the body considering the 19mm difference in flange depth?



Feb 02, 2017 at 08:10 AM
Lee Saxon
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p.63 #14 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


According to Amazon one of the built-in aspect ratios you can select is 65:24. Why would that be a thing??

https://images-na.ssl-images-amazon.com/images/G/01/aplusautomation/vendorimages/f0a7eef2-a22c-4c0e-b943-8d64183872a6.jpg._CB520995682_.jpg



Feb 02, 2017 at 08:15 AM
naturephoto1
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p.63 #15 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


Lee Saxon wrote:
According to Amazon one of the built-in aspect ratios you can select is 65:24. Why would that be a thing??

https://images-na.ssl-images-amazon.com/images/G/01/aplusautomation/vendorimages/f0a7eef2-a22c-4c0e-b943-8d64183872a6.jpg._CB520995682_.jpg


Hi Lee,

I would presume that that ratio was included to be close to the proportions of Fujifilm 6 X 17 Panorama and Hasselblad Xpan film cameras that they manufactued for many years.

Rich



Feb 02, 2017 at 08:23 AM
joakim
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p.63 #16 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


Or close to 64:27


Feb 02, 2017 at 08:30 AM
Steve Spencer
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p.63 #17 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


Lee Saxon wrote:
I could believe that the 85 Otus would cover but I'm beyond skeptical of a 50Lux covering (particularly if a 55 Otus doesn't).

Also doesn't that Nikon-mount 85 Otus look way too close to the body considering the 19mm difference in flange depth?


Lee, I think the adapter looks right, it is just the angle. I actually think none of the three Otuses will work very well. They all have a lot of vignetting even on FF 35mm, so it will be very heavy vignetting on the Fuji and unfortunately that Otus 28 shot even in a crappy web shot looks awful in the corner. And I think you are totally right about the 50 lux (and this is one of the Pre-Asph lenses they have on the camera). I am sure you get quite dark corners. Longer lenses should work better. The Zeiss lens I want to see is the Milvus/ZF.2 135 f/2 APO. I really hope that lens works. I also think the 100 MP is quite likely to work as well and for macro the 50 MP might work too. Beyond that I wouldn't hold out much hope for the modern Zeiss 35mm FF lenses. Some of the older MF lenses will provide some very interesting options, however. I hope a Leica R adapter comes before too long too. The Leica R 100 APO Macro should work and I think all the 180mm APO lenses and everything longer will work as well.



Feb 02, 2017 at 08:43 AM
Steve Spencer
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p.63 #18 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


Lee Saxon wrote:
According to Amazon one of the built-in aspect ratios you can select is 65:24. Why would that be a thing??

https://images-na.ssl-images-amazon.com/images/G/01/aplusautomation/vendorimages/f0a7eef2-a22c-4c0e-b943-8d64183872a6.jpg._CB520995682_.jpg


Looks like a good range of options. I know I will use 5:4 quite often.



Feb 02, 2017 at 08:44 AM
pauldng
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p.63 #19 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


"The world just does not fit conveniently into the format of a 35mm camera." - W. Eugene Smith

Fuji quoted the above in their announcement and it was like they were talking directly to me, I've never been entirely happy composing on a 3:2 sensor, it always feels either too wide or not wide enough for the way I see the world and invariably I crop squarer (4:3, 4:5 or 1:1), or crop/stitch wider (16:9, 12:6), a native 4:3 sensor is all the reason I need to want this camera.

In the past I considered a Pentax 645Z but I like to use tilt/shift for landscape so that was ruled out, I considered a digital back on a view camera (too expensive), then this, a mirror-less 4:3 camera with potential for tilt/shift in the future.

My finger is hovering over the pre-order button, one little push will do it

Paul.



Feb 02, 2017 at 09:15 AM
freaklikeme
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p.63 #20 · Pre-order: Fujifilm GFX 50S Medium Format body ($6,499)


For me, it's partly falling prices on digital backs that has me less convinced the GFX is the answer. Before the announcement, I had set my sights on an IQ1/Credo/HD 60, a FF CCD sensor, with a target price of $8k for a well-cared for unit. Thanks to a number of talented photographers at GetDPI and LL, I know how all of my lenses will perform with that sensor and I've picked up tips I think will help me avoid some of the pitfalls of using a DB on the Actus. I even picked up three Rollei electronic shutters and an X-ACT2 controller at a local swap meet to make panos easier, and I've got a clear upgrade path for the Actus that's available now. Watching the prices on the 60's makes me think I might actually see that $8k or lower this summer.

Then there's also the question of how much I'd use it as a camera versus just a digital back. Before the a7rII, my answer would've been different, but now, I'm not sure I'd ever choose to take it out (sans Actus) over the Sony. I'm very pleased with both that camera and the lenses I have for it. Having a bigger sensor that takes advantage of the large IC's on a few of my lenses really only excites the gearhead in me.

The more I obsess over it, the more I'm thinking the GFX would be high in short-term excitement before the gearhead loses interest and moves on to the next thing, where a DB 60 would be fussier to work with initially, but more satisfying over the long-term.



Feb 04, 2017 at 04:15 PM
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