Fred Miranda Offline Admin Upload & Sell: On
|
Jack Thompson wrote:
I've really been wondering about this. Thanks Fred. All decisions for my TAP'd A7RII travel kit have been decided (loxia 21, 50 Summicron R, ZM 35 1.4) except the 90, and only last night (after being pretty settled on the 2.5) did I start to wonder if the extra cost and weight of the 90/2 AA would be worth it. Reading Thorsten Overgaard wax somewhat poetic about the Leica APO affect, I started to wonder if beside sharpness, the APO rendered in a way that just put it in another class. I laugh at myself as I think this, because I did this dance with the ZM 35D vs the Sony 35 2.8. If asked to describe the difference between the Sony and the ZM, I'd say the Sony is a fine lens. Capable of producing really lovely images. But the ZM lenses just makes me stop and say, "Wow. Totally different league." And all things considered, the 35ZM is still small, still compact, still light. Way more expensive, but for the "Wow" factor, worth it to not reach for another 35.
Is my 35 comparison at all analogous to the 90/2.5 vs 90/AA 2? ...Show more →
I'd say it depends on distance. The 90/2.5 is a very fine lens at close/mid distances (portraits, street). It's actually lovely and incredibly sharp.
Its Achilles' heel is LoCA and astigmatism. The latter does not affect our portraits but it's surely degrades IQ mid and edges making it not the best choice for landscapes...
I will sell my 90/2.5 but feel bad about it because it's slightly smaller (thinner) and noticeably lighter. However, with the optional hood it's longer than the 90/2 AA even when its built-in hood is at the expanded position.
The 90/2 AA is a well-rounded lens. Excellent at all distances just like the 85/1.4GM, except that it's much more compact.
I had the 85ZM for landscapes and 90/2.5 for travel portraits and they are great choices for these applications. The 90/2 AA will replace both since it does well in both areas. It's actually better which it's hard to believe. I'm surprised.
|