GeorgeHuff Offline Upload & Sell: Off
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JohnE wrote:
George,
Thanks for the compliment.
About the side black curtains... ! they are stapled to the ceiling. :-) - Wow just regular heavy duty staples. How wide are these side curtains? How do you move them out of the way?
About lighting small to medium products on a white background and trying to keep the Photoshop work to a minimum...
You have almost the perfect setup. When I shoot products, I have a few sheets of 4' x 8' x 1/8" milky-white plexglas. I clamp one end to two metal stands (adjustable saw horses) What type of sawhorses do you use, and where can I get them? and run it back towards and bend it up in an arc up the wall (this results in a nice smooth curved transition with no seams to worry about cloning out. Then for lighting, put a small to medium softbox directly underneath the plexi to bring in a nice glow from below (when you need it.) I typically use the Photoflex 5' Octodome on a boom directly overhead for a soft flooding light and then I use a variety of side lights (spots, grids, gels, etc.) to provide the accent lighting.
Thanks for all of this info , I have a few more questions as I'm trying to refine my intial list of startup equipment.
- What size and type of umbrellas do you use for your 2 AB400 background lights?
- Do you think for my room size that 3 AB400 and 2 AB800 is the way to go?, Or would it make sense to maybe get a 1600, or something.
- I'm planing on using all 5 lights when I shoot clothing/full body manequins - 2-400 for BG lights, 1-400 for hairlight, 1-800 for fill, 1-800 for main. What other sizes, specific models of photoflex boxes should I get to compliment the 5' Octodome? Also, is there anyyhing else for this type of work, as this is the bulk of my business at this point, and should increase moving forward.
You can then grab a chair, roll your computer stand right up next to you, shoot tethered to the computer... everything at your fingertips. From your seat you can (1) adjust all of your light positions, adjust thier output (with the AB wired remote), adjust camera settings, shoot and view the results on the screen and know you got the shot.
I in fact do want to shoot tethered and I currently have a 17" powerbook that I will be using. I'm not quite sure how to setup properly to be able to fire the strobes and camera remotely. Intially what would be the most effecient way of doing this, based on indoor operations only? Here's my thoughts - just not sure?
Attach a PW Multimax or PW Plus transmitter to the camera
Attach the AB wired remote to one of the strobes.
Attach a PW Plus receiver into the AB wired remote.
At this point I get lost, I believe I could fire everything with the L-358 at this point, or get another PW Multimax or PW Plus transmitter and fire remotely with that?
I totally get the computer end of it - capture software/usb cable, etc.
I can't wait to get everything and start experimenting.
So don't forget...
1. A (portable) computer
2. Shoot tethered to the computer
3. A rolling cart for the computer
I still need a cart, I saw yours and may consider that approach.
Best regards,
John
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Edited on Dec 21, 2007 at 11:13 PM
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