Steve Perry wrote:
GoranPhoto wrote
I never really understood what people meant by the "Zeiss Look" even though I have owned about half a dozen different Zeiss lenses myself for the simple reason that I enjoy good manual focus from time to time. Maybe I'd care and pay more attention if I shot JPEGs and Photoshop wasn't around. Yup, I went down the Zeiss road myself, never saw any magic that wasn't already there in the scene to begin with. In fact, I ended up selling my Zeiss and sticking with Nikon - I actually like the way Nikon renders better (not that there's really much of a difference).
I have to disagree. Back in my film camera days, I shot with a Nikon camera and good quality Nikon prime lenses. Then, on a whim, I purchased a Contax G2 rangefinder with several Zeiss-Contax G lenses. When I got the first set of prints back from the lab, my jaw practically dropped to the floor. The images were so much more lifelike and 3D with richer colors than anything that I had ever gotten from my Nikon gear. That was all that it took to convince me that Zeiss was doing something different. At the time, I knew nothing about a so-called "Zeiss look." I just liked what I was seeing.
I subsequently moved on to Pentax digital cameras for about 6 years using FA Limited lenses (the three amigos), which I loved. But now, I am shooting Sony FF mirrorless, and I have rediscovered the beauty of Zeiss glass, including vintage C/Y lenses. They remind me of the fabulous Contax G lenses that I adored in the past. I truly prefer my C/Y glass to the more modern Batis lenses. Pictures just look better overall.
Rob