Archive 2014 · Through Walter Mandler Glass (on FF Only)
p.28 #1Through Walter Mandler Glass (on FF Only)
Still shoot the 35 Lux pre-asph and 50/1 Noct all the time. But I do miss my 75 and 80 Lux.
50 Noct
35 Lux pre-fle
50 Noct
35 Lux pre-fle
Dec 21, 2023 at 02:28 PM
p.28 #2Through Walter Mandler Glass (on FF Only)
Oh how I missed this thread…thank you for resurrecting it!!!
Jim
M 50 Cron v4 on Sony:
Medusa by Jim, on Flickr
Clapping at the sunset by Jim, on Flickr
Sky High by Jim, on Flickr
Passage of the day by Jim, on Flickr
Train ride by Jim, on Flickr
Jim
M 50 Cron v4 on Sony:
Medusa by Jim, on FlickrClapping at the sunset by Jim, on FlickrSky High by Jim, on FlickrPassage of the day by Jim, on FlickrTrain ride by Jim, on FlickrDec 24, 2023 at 12:11 PM
p.28 #3Through Walter Mandler Glass (on FF Only)
@Granache Nice set Jim. I love the first one especially though—I recall seeing it years back on here. And that’s a good compliment 
Edited on Dec 24, 2023 at 05:40 PM · View previous versions
Edited on Dec 24, 2023 at 05:40 PM · View previous versions
Dec 24, 2023 at 02:23 PM
p.28 #4Through Walter Mandler Glass (on FF Only)
nehemiahphoto wrote:
@Granache Nice set Jim. I love the first one day especially though—I recall seeing it years back on here. And that’s a good compliment
Thank you. That image represented the dreary/spooky day tromping through the woods well. It felt as though half of the trees might come to life and eat me. 🤣
@Granache Nice set Jim. I love the first one day especially though—I recall seeing it years back on here. And that’s a good compliment
Thank you. That image represented the dreary/spooky day tromping through the woods well. It felt as though half of the trees might come to life and eat me. 🤣
Dec 24, 2023 at 04:44 PM
p.28 #5Through Walter Mandler Glass (on FF Only)
Why only on FF? I have some nice photos using Mandler Glass on Mini MF as well as speed boosted on APS-C.
Dec 27, 2023 at 10:03 PM
p.28 #6Through Walter Mandler Glass (on FF Only)
cbass wrote:
Why only on FF? I have some nice photos using Mandler Glass on Mini MF as well as speed boosted on APS-C.
Your post made me curious, so, I looked at Page 1, and saw that this thread was started ‘way back in 2014, when so many shooters were using adapted M and R lenses on APS-C and other crops, rather than today’s norm of full-35mm-format. (I am just the messenger; not expressing an opinion. It would be presumptuous for me to speak for the author of the original post.)
An obvious solution would be to start a new thread, for images shot with Mandler images on cropped-frame cameras, but, I consider myself to be quite a junior member, here, with all of the creativity of a rock or a house plant, so will defer others’ wishes and opinions.
Why only on FF? I have some nice photos using Mandler Glass on Mini MF as well as speed boosted on APS-C.
Your post made me curious, so, I looked at Page 1, and saw that this thread was started ‘way back in 2014, when so many shooters were using adapted M and R lenses on APS-C and other crops, rather than today’s norm of full-35mm-format. (I am just the messenger; not expressing an opinion.
It would be presumptuous for me to speak for the author of the original post.)An obvious solution would be to start a new thread, for images shot with Mandler images on cropped-frame cameras, but, I consider myself to be quite a junior member, here, with all of the creativity of a rock or a house plant, so will defer others’ wishes and opinions.
Dec 28, 2023 at 07:52 AM
p.28 #7Through Walter Mandler Glass (on FF Only)
RexGig0 wrote:
Your post made me curious, so, I looked at Page 1, and saw that this thread was started ‘way back in 2014, when so many shooters were using adapted M and R lenses on APS-C and other crops, rather than today’s norm of full-35mm-format. (I am just the messenger; not expressing an opinion. It would be presumptuous for me to speak for the author of the original post.)
An obvious solution would be to start a new thread, for images shot with Mandler images on cropped-frame cameras, but, I consider myself to be quite a junior member, here, with all...Show more →
Indeed, the original idea was to present Walter Mandler lenses' rendering in their full capacity, including center to edges transitions, colour and details variations, etc. I felt that APS-C would be a limiting factor, especially considering cropped format's DoF and shortened transition.
That was then, and although I still feel that Mandler's designs fully shine on FF, any interesting promotion of his work on other formats can greatly contribute to show WM's outstanding talent.
https://www.kozera.ca/photos/images/_D8E2930_1780.jpg
https://www.kozera.ca/photos/images/_DSC0914_1920.jpg
cbass wrote
Why only on FF? I have some nice photos using Mandler Glass on Mini MF as well as speed boosted on APS-C. It would be presumptuous for me to speak for the author of the original post.)An obvious solution would be to start a new thread, for images shot with Mandler images on cropped-frame cameras, but, I consider myself to be quite a junior member, here, with all...Show more →
Indeed, the original idea was to present Walter Mandler lenses' rendering in their full capacity, including center to edges transitions, colour and details variations, etc. I felt that APS-C would be a limiting factor, especially considering cropped format's DoF and shortened transition.
That was then, and although I still feel that Mandler's designs fully shine on FF, any interesting promotion of his work on other formats can greatly contribute to show WM's outstanding talent.
https://www.kozera.ca/photos/images/_D8E2930_1780.jpg
https://www.kozera.ca/photos/images/_DSC0914_1920.jpg
Dec 29, 2023 at 07:40 PM
p.28 #8Through Walter Mandler Glass (on FF Only)
I will bite then.
Summicron-R 90 pre-Asph.
On Fuji GFX, bigger than FF. Covers the larger sensor well.
The rendering of this lens is IMO the same even on APS-C. This is on a 16MP APS-C sensor on a speed booster, however, with the same framing it renders pretty much identical on a GFX sensor.
The lens has smooth bokeh, fast focus falloff, and stopped down the lens is capable of incredible clarity and detail. These characteristics are the same regardless of sensor size: APS-C, FF, or Mini MF.
People tell me the Summilux 80 is better, but I have a hard time seeing what can get better. However, I hesitate to try as the Summilux is much more expensive and so far, I have managed to avoid temptation.
I also have a Elmarit-R 90 version 2 and indeed technically it is superior in any controlled test. However, I do not have the same love for the lens especially when it comes to using it to photograph people.
EDIT: Decided to swap the B&W picture with a color one as I believe the color rendering of this lens is unique and contributes to its rendering charm.
Summicron-R 90 pre-Asph.
On Fuji GFX, bigger than FF. Covers the larger sensor well.
 |
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| https://live.staticflickr.com/65535/53430291998_136b55cbec_b.jpg | ||
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The rendering of this lens is IMO the same even on APS-C. This is on a 16MP APS-C sensor on a speed booster, however, with the same framing it renders pretty much identical on a GFX sensor.
|
||
| https://live.staticflickr.com/65535/52094764088_cb58e06dc0_b.jpg | ||
|
The lens has smooth bokeh, fast focus falloff, and stopped down the lens is capable of incredible clarity and detail. These characteristics are the same regardless of sensor size: APS-C, FF, or Mini MF.
People tell me the Summilux 80 is better, but I have a hard time seeing what can get better. However, I hesitate to try as the Summilux is much more expensive and so far, I have managed to avoid temptation.
I also have a Elmarit-R 90 version 2 and indeed technically it is superior in any controlled test. However, I do not have the same love for the lens especially when it comes to using it to photograph people.
EDIT: Decided to swap the B&W picture with a color one as I believe the color rendering of this lens is unique and contributes to its rendering charm.
Dec 29, 2023 at 11:19 PM
p.28 #11Through Walter Mandler Glass (on FF Only)
Thatspeck wrote:
The 180 F3.4 wide open on the M240 from about 5 miles, 1:1 crop. Feliz ano nuevo a todos
https://live.staticflickr.com/65535/53433564046_95cf0bc817_b.jpg
Thanks. Great lens and image. Happy new year.
K-H.
The 180 F3.4 wide open on the M240 from about 5 miles, 1:1 crop. Feliz ano nuevo a todos
https://live.staticflickr.com/65535/53433564046_95cf0bc817_b.jpg
Thanks. Great lens and image. Happy new year.
K-H.
Dec 31, 2023 at 01:05 PM
p.28 #12Through Walter Mandler Glass (on FF Only)
Cross posted in Sony forum.
Camogli, Italy. A7RII + Cron 50 IV + Tripod + Polarizer + Grey filter +1000
Very good year to everybody!
Olas en Camogli by Jorge_78, en Flickr
Camogli, Italy. A7RII + Cron 50 IV + Tripod + Polarizer + Grey filter +1000
Very good year to everybody!
Olas en Camogli by Jorge_78, en FlickrJan 02, 2024 at 02:25 PM
p.28 #13Through Walter Mandler Glass (on FF Only)
Camogli, Italy.
A7RII, Tele-Elmar 135, Black filter +1000, Polarizer, Tripod
Camogli du Kuhlm by Jorge_78, en Flickr
A7RII, Tele-Elmar 135, Black filter +1000, Polarizer, Tripod
Camogli du Kuhlm by Jorge_78, en FlickrJan 03, 2024 at 03:09 PM
p.28 #14Through Walter Mandler Glass (on FF Only)
External part of the port of Camogli, Italy.
A7RII, Elmarit 28 III, Tripod, Grey filter + 1000, Polarizer, Graduated filter
I am kind of unsatisfied with my post processing
Stay all well.
Desde el puerto by Jorge_78, en Flickr
A7RII, Elmarit 28 III, Tripod, Grey filter + 1000, Polarizer, Graduated filter
I am kind of unsatisfied with my post processing
Stay all well.
Desde el puerto by Jorge_78, en FlickrJan 04, 2024 at 04:25 PM
p.28 #16Through Walter Mandler Glass (on FF Only)
New pristine, free acquisition: Elmarit-R 135
https://www.kozera.ca/photos/images/20240204_0006_1350.jpg
https://www.kozera.ca/photos/images/20240204_0006_1350.jpg
Feb 04, 2024 at 02:27 PM
p.28 #17Through Walter Mandler Glass (on FF Only)
The older lenses are far more photographic and artistically satisfying, and it's not close. They did not have to deal with computing in the design and development process, but relied on decades of accumulated wisdom, mentoring and gifted optical engineers. Michelangelo and Lysippos never had to use a digital chisel.
Feb 04, 2024 at 03:11 PM
p.28 #18Through Walter Mandler Glass (on FF Only)
Cross posted in Sony forum. Church of San Michele, Ruta, Italia. View from San Rocco.
A7RII+Tele-Elmar 135. Polarizer, Handheld. I adore the area in winter.
San Michele. Ruta by Jorge_78, en Flickr
A7RII+Tele-Elmar 135. Polarizer, Handheld. I adore the area in winter.
San Michele. Ruta by Jorge_78, en FlickrFeb 13, 2024 at 02:21 PM
p.28 #19Through Walter Mandler Glass (on FF Only)
philip_pj wrote:
The older lenses are far more photographic and artistically satisfying, and it's not close. They did not have to deal with computing in the design and development process, but relied on decades of accumulated wisdom, mentoring and gifted optical engineers. Michelangelo and Lysippos never had to use a digital chisel.
Isn't it great to have options! Old or New!
K-H.
The older lenses are far more photographic and artistically satisfying, and it's not close. They did not have to deal with computing in the design and development process, but relied on decades of accumulated wisdom, mentoring and gifted optical engineers. Michelangelo and Lysippos never had to use a digital chisel.
Isn't it great to have options! Old or New!
K-H.
Feb 13, 2024 at 02:33 PM
p.28 #20Through Walter Mandler Glass (on FF Only)
All Noct 50/1 or 35 Lux pre-asph
Portra400…film got stretched, hence the green bands :(
35 Lux pre-asph w/Potra 400
Noct 50/1 v2
Noct 50/1
Portra400…film got stretched, hence the green bands :(
35 Lux pre-asph w/Potra 400
Noct 50/1 v2
Noct 50/1
Feb 13, 2024 at 02:45 PM