Sony FE Images Thread
p.726 #1Sony FE Images Thread
I had to find out the answer... Commes de Fuckdown. That's just brilliant - http://www.laweekly.com/music/ssur-where-russian-culture-and-hip-hop-culture-collide-4814242. In short - Russian immigrant that grew up in Coney Island has bunch of streetwear labels and did this as a parody of some fashion brand (Commes de Garcon?). Then some rap guys wore it and it blew up.
Feb 24, 2015 at 12:14 AM
p.726 #2Sony FE Images Thread
quick test with an ebay helicoid adapter for leica M ... with voigtlander 40/1.4. I don't have experience with the real deal VM-E but this $50 one seems to work OK from few shots Ive tried. Anyone with experience with the ebay helicoid? anything I should be aware of? 
Feb 24, 2015 at 12:32 AM
p.726 #3Sony FE Images Thread
15/365 Light patterns by charlie617, on FlickrFeb 24, 2015 at 01:01 AM
p.726 #4Sony FE Images Thread
Some more shots later this evening with modified A7rM. Excuse the higher ISO's as it was becoming dark.
First shot at f/5.6 and the last three shots at f/1.4
My immediate observations is that the 50 Lux Asph behaves very differently than with the A7r stock. Personally I am thrilled that the 50 Lux Asph works so with well with the A7rMod. More testing is needed
A7rM and 50 Lux Asph
First shot at f/5.6 and the last three shots at f/1.4
My immediate observations is that the 50 Lux Asph behaves very differently than with the A7r stock. Personally I am thrilled that the 50 Lux Asph works so with well with the A7rMod. More testing is needed
A7rM and 50 Lux Asph
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Feb 24, 2015 at 03:42 AM
p.726 #6Sony FE Images Thread
charles.K wrote:
Some more shots later this evening with modified A7rM. Excuse the higher ISO's as it was becoming dark.
First shot at f/5.6 and the last three shots at f/1.4
My immediate observations is that the 50 Lux Asph behaves very differently than with the A7r stock. Personally I am thrilled that the 50 Lux Asph works so with well with the A7rMod. More testing is needed
A7rM and 50 Lux Asph
Very nice, these look very promising, thanks for sharing. Would love to see how it goes on the 35 FLE too.
Some more shots later this evening with modified A7rM. Excuse the higher ISO's as it was becoming dark.
First shot at f/5.6 and the last three shots at f/1.4
My immediate observations is that the 50 Lux Asph behaves very differently than with the A7r stock. Personally I am thrilled that the 50 Lux Asph works so with well with the A7rMod. More testing is needed
A7rM and 50 Lux Asph
Very nice, these look very promising, thanks for sharing. Would love to see how it goes on the 35 FLE too.
Feb 24, 2015 at 04:17 AM
p.726 #7Sony FE Images Thread
coogee wrote:
First shot at f/5.6 and the last three shots at f/1.4
My immediate observations is that the 50 Lux Asph behaves very differently than with the A7r stock. Personally I am thrilled that the 50 Lux Asph works so with well with the A7rMod. More testing is needed
A7rM and 50 Lux AsphVery nice, these look very promising, thanks for sharing. Would love to see how it goes on the 35 FLE too.
Thank you
I do have the 35 Lux FLE and will test this shortly.
charles.K wrote
Some more shots later this evening with modified A7rM. Excuse the higher ISO's as it was becoming dark.First shot at f/5.6 and the last three shots at f/1.4
My immediate observations is that the 50 Lux Asph behaves very differently than with the A7r stock. Personally I am thrilled that the 50 Lux Asph works so with well with the A7rMod. More testing is needed
A7rM and 50 Lux Asph
Thank you
I do have the 35 Lux FLE and will test this shortly.
Feb 24, 2015 at 04:52 AM
p.726 #8Sony FE Images Thread
Sony A7 + Mamiya 110/2.8 N by tomkoivu, on Flickr
Sony A7 + Mamiya 110/2.8 N by tomkoivu, on Flickr
Feb 24, 2015 at 06:09 AM
p.726 #10Sony FE Images Thread
Would like to share some pictures taken during my recent trip to Niseko , japan.
comments are welcome. not a professional, but would like to improve.
DSC08708 by jimmyleephotos, on Flickr
DSC08732 by jimmyleephotos, on Flickr
DSC07873 by jimmyleephotos, on Flickr
comments are welcome. not a professional, but would like to improve.
DSC08708 by jimmyleephotos, on FlickrDSC08732 by jimmyleephotos, on FlickrDSC07873 by jimmyleephotos, on FlickrFeb 24, 2015 at 07:56 AM
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p.726 #11Sony FE Images Thread
1 more
DSC07982 by jimmyleephotos, on Flickr
DSC07982 by jimmyleephotos, on FlickrFeb 24, 2015 at 08:19 AM
p.726 #12Sony FE Images Thread
Hey Guys,
a lot of very nice pictures in the thread since my last visit. I've shot some concert photos of Mark Lanegan, here is some of them.
A7II + CZ Planar CY 50 1.4
Untitled by Csaba Brindza, on Flickr
Untitled by Csaba Brindza, on Flickr
Untitled by Csaba Brindza, on Flickr
Untitled by Csaba Brindza, on Flickr
Untitled by Csaba Brindza, on Flickr
Untitled by Csaba Brindza, on Flickr
a lot of very nice pictures in the thread since my last visit. I've shot some concert photos of Mark Lanegan, here is some of them.
A7II + CZ Planar CY 50 1.4
Untitled by Csaba Brindza, on FlickrUntitled by Csaba Brindza, on FlickrUntitled by Csaba Brindza, on FlickrUntitled by Csaba Brindza, on FlickrUntitled by Csaba Brindza, on FlickrUntitled by Csaba Brindza, on FlickrFeb 24, 2015 at 10:08 AM
p.726 #13Sony FE Images Thread
coogee wrote:
Two tiny figures clambering across the 'Artist's Palette' at Death Valley.
There was a guy nearby getting quite worked up about these people walking out into the landscape of his shot whilst this was captured.
I've cursed and refrained from taking some of what would have been great shots myself because people wandered into frame when I'm in 'landscape mode'. lol. I try to be a bit more open to anything these days. If you're part of the picture, then hey you're part of the picture.
https://farm9.staticflickr.com/8615/16421767967_1b9e4b4b88_b.jpgCanvas WalkersI think figures in landscapes often make them more interesting and surprising. These ones, both in white, are pretty inoffensive and actually quite nice.
And if you look back at the traditions of landscape paintings (East Asian, especially Chinese, and European), you see that they very often include figures for scale, to dramatize the subject's majesty, and to provide a point of psychological entry for the viewer.I definitely agree, especially on scale and as a counterpoint to the landscape beyond/around.
I can also see there is a way of thinking when shooting landscape that is fighting for an empty vista and gets annoyed with anything that interferes with it, tunnel (view) vision!
I've been guilty of it myself in the past, of not seeing the bigger picture, of wanting to kind of own the scene.
It was just amusing to watch this guy getting worked up in front of this massive view. Made me realise how ridiculous that mindset is.
Truth is I rarely if ever...Show more →
sometimes, I prefer people to be in my scene and will look for them. Same with animals.
I havent posted this one, in this thread so here it is...... I purposely searched out for people
Viewing the Manhattan sunset by charlie617, on Flickr
IMO, scene is just not the same without the people. It's like you're part of the scene in this photo, everyone, including you, is viewing the sunset. Think street photographers, they often WAIT for people to enter the scene, for their interaction. Well I think landscapes can definitely benefit from such interactions.
aly324 wrote
coogee wrote
a7r, 90M AATwo tiny figures clambering across the 'Artist's Palette' at Death Valley.
There was a guy nearby getting quite worked up about these people walking out into the landscape of his shot whilst this was captured.
I've cursed and refrained from taking some of what would have been great shots myself because people wandered into frame when I'm in 'landscape mode'. lol. I try to be a bit more open to anything these days. If you're part of the picture, then hey you're part of the picture.
https://farm9.staticflickr.com/8615/16421767967_1b9e4b4b88_b.jpgCanvas Walkers
And if you look back at the traditions of landscape paintings (East Asian, especially Chinese, and European), you see that they very often include figures for scale, to dramatize the subject's majesty, and to provide a point of psychological entry for the viewer.
I can also see there is a way of thinking when shooting landscape that is fighting for an empty vista and gets annoyed with anything that interferes with it, tunnel (view) vision!
I've been guilty of it myself in the past, of not seeing the bigger picture, of wanting to kind of own the scene.
It was just amusing to watch this guy getting worked up in front of this massive view. Made me realise how ridiculous that mindset is.
Truth is I rarely if ever...Show more →
sometimes, I prefer people to be in my scene and will look for them. Same with animals.
I havent posted this one, in this thread so here it is...... I purposely searched out for people
Viewing the Manhattan sunset by charlie617, on FlickrIMO, scene is just not the same without the people. It's like you're part of the scene in this photo, everyone, including you, is viewing the sunset. Think street photographers, they often WAIT for people to enter the scene, for their interaction. Well I think landscapes can definitely benefit from such interactions.
Feb 24, 2015 at 11:54 AM
p.726 #14Sony FE Images Thread
Charlie N wrote:
Two tiny figures clambering across the 'Artist's Palette' at Death Valley.
There was a guy nearby getting quite worked up about these people walking out into the landscape of his shot whilst this was captured.
I've cursed and refrained from taking some of what would have been great shots myself because people wandered into frame when I'm in 'landscape mode'. lol. I try to be a bit more open to anything these days. If you're part of the picture, then hey you're part of the picture.
https://farm9.staticflickr.com/8615/16421767967_1b9e4b4b88_b.jpgCanvas WalkersI think figures in landscapes often make them more interesting and surprising. These ones, both in white, are pretty inoffensive and actually quite nice.
And if you look back at the traditions of landscape paintings (East Asian, especially Chinese, and European), you see that they very often include figures for scale, to dramatize the subject's majesty, and to provide a point of psychological entry for the viewer.I definitely agree, especially on scale and as a counterpoint to the landscape beyond/around.
I can also see there is a way of thinking when shooting landscape that is fighting for an empty vista and gets annoyed with anything that interferes with it, tunnel (view) vision!
I've been guilty of it myself in the past, of not seeing the bigger picture, of wanting to kind of own the scene.
It was just amusing to watch this guy getting worked up in front of this massive view. Made me realise how ridiculous that mindset is.
Truth is I rarely if ever see other togs at dawn, preferring to find isolated spots, so a bit of a mirror when I do encounter them.sometimes, I prefer people to be in my scene and will look for them. Same with animals.
I havent posted this one, in this thread so here it is...... I purposely searched out for people
https://farm4.staticflickr.com/3878/15152239076_2a45076991_b.jpgViewing the Manhattan sunset by charlie617, on Flickr
IMO, scene is just not the same without the people. It's like you're part of the scene in this photo, everyone, including you, is viewing the sunset. Think street photographers, they often WAIT for people to enter the scene, for their interaction. Well I think landscapes can definitely benefit from such interactions.
I know that 19th century water colour landscapes in the UK used to fetch more if they contained people and probably they still do. Sometimes a landscape without people that was by a well respected artist would have them added subsequently by unscrupulous dealers in order to enhance the value.
coogee wrote
aly324 wrote
coogee wrote
a7r, 90M AATwo tiny figures clambering across the 'Artist's Palette' at Death Valley.
There was a guy nearby getting quite worked up about these people walking out into the landscape of his shot whilst this was captured.
I've cursed and refrained from taking some of what would have been great shots myself because people wandered into frame when I'm in 'landscape mode'. lol. I try to be a bit more open to anything these days. If you're part of the picture, then hey you're part of the picture.
https://farm9.staticflickr.com/8615/16421767967_1b9e4b4b88_b.jpgCanvas Walkers
And if you look back at the traditions of landscape paintings (East Asian, especially Chinese, and European), you see that they very often include figures for scale, to dramatize the subject's majesty, and to provide a point of psychological entry for the viewer.
I can also see there is a way of thinking when shooting landscape that is fighting for an empty vista and gets annoyed with anything that interferes with it, tunnel (view) vision!
I've been guilty of it myself in the past, of not seeing the bigger picture, of wanting to kind of own the scene.
It was just amusing to watch this guy getting worked up in front of this massive view. Made me realise how ridiculous that mindset is.
Truth is I rarely if ever see other togs at dawn, preferring to find isolated spots, so a bit of a mirror when I do encounter them.
I havent posted this one, in this thread so here it is...... I purposely searched out for people
https://farm4.staticflickr.com/3878/15152239076_2a45076991_b.jpgViewing the Manhattan sunset by charlie617, on Flickr
IMO, scene is just not the same without the people. It's like you're part of the scene in this photo, everyone, including you, is viewing the sunset. Think street photographers, they often WAIT for people to enter the scene, for their interaction. Well I think landscapes can definitely benefit from such interactions.
I know that 19th century water colour landscapes in the UK used to fetch more if they contained people and probably they still do. Sometimes a landscape without people that was by a well respected artist would have them added subsequently by unscrupulous dealers in order to enhance the value.
Feb 24, 2015 at 12:19 PM
p.726 #16Sony FE Images Thread
flickr: 20150219-DSC03136 by diogenic
Feb 24, 2015 at 01:53 PM
p.726 #18Sony FE Images Thread
sculptormic wrote:
https://farm9.staticflickr.com/8631/16436409229_69e517427f_o.jpg
I have a new objective or aspiration, to be able to produce landscape shots like yours Michiel!
In the meantime here are some "frosty morning" shots with the C/Y 180 f2.8 plus 27mm extension tube on A7R:
Frosted Primrose ext by petergthomas, on Flickr
Frosted funghi 2 by petergthomas, on Flickr
Frosted funghi 1 by petergthomas, on Flickr
I have a new objective or aspiration, to be able to produce landscape shots like yours Michiel!
In the meantime here are some "frosty morning" shots with the C/Y 180 f2.8 plus 27mm extension tube on A7R:
Frosted Primrose ext by petergthomas, on FlickrFrosted funghi 2 by petergthomas, on FlickrFrosted funghi 1 by petergthomas, on FlickrFeb 24, 2015 at 02:45 PM
p.726 #19Sony FE Images Thread
Great frosty shots Peter.
I took my lunch hour away from the office today and found some countryside to wander around, I had previously scouted this location on lunch break last week.
Both A7r + FD 20
I took my lunch hour away from the office today and found some countryside to wander around, I had previously scouted this location on lunch break last week.
Both A7r + FD 20
Feb 24, 2015 at 03:31 PM
