Sony FE Images Thread
p.539 #1Sony FE Images Thread
cross post. A7, FD35mmTS, three stitched images
Oct 22, 2014 at 04:13 AM
p.539 #2Sony FE Images Thread
Iceland with A7 and C/Y 28mm/2.8:
Gullfoss waterfall by Helena Normark, on Flickr
Gullfoss waterfall by Helena Normark, on Flickr
Edited on Oct 24, 2014 at 04:12 AM · View previous versions
Gullfoss waterfall by Helena Normark, on Flickr
Gullfoss waterfall by Helena Normark, on Flickr
Edited on Oct 24, 2014 at 04:12 AM · View previous versions
Oct 22, 2014 at 05:49 AM
p.539 #3Sony FE Images Thread
charles.K wrote:
The one I used for the D610 does not look as good as it did on the a7s I now own.Thank you nampramos 
My workflow with the A7r/s is very similar to that I had with the M9/M240. I work in LR as it has an excellent cataloging system, and when needed for finer adjustment a quick export in CS6 and I then generally work in Lab colour space for contrast and colour. Once complete saved, and back in Lr automatically. For all B&W work, I use SEP II, and I really like the Film Noir 1 settings for toning and rich blacks. I turn off everything else in the Film Noir 1 settings, and adjust from there. I have...Show more →
Thanks for the answer!
I do all my B&W on SEPII and I have created a preset which makes the process extremelly quick. Less than a minute per photo.
I will have a look at that preset you mention.
Here's one I took just a few hours ago, grey morning here in Sweden.
Used my preset that I really enjoyed on the D610 and now not so much anymore with the a7s.
DSC00372-Edit.jpg by Nuno André Ramos, on Flickr
EDIT
Here's the same photo with the Noir 1. Pretty much all turned off as well. Just some pre process to flatten the image before SEPII and also some after process in LR for the blacks.
DSC00372-Edit-2.jpg by Nuno André Ramos, on Flickr
nampramos wrote
Nice photos Charles! I really enjoy your B&W processing. Care to share some details?The one I used for the D610 does not look as good as it did on the a7s I now own.
My workflow with the A7r/s is very similar to that I had with the M9/M240. I work in LR as it has an excellent cataloging system, and when needed for finer adjustment a quick export in CS6 and I then generally work in Lab colour space for contrast and colour. Once complete saved, and back in Lr automatically. For all B&W work, I use SEP II, and I really like the Film Noir 1 settings for toning and rich blacks. I turn off everything else in the Film Noir 1 settings, and adjust from there. I have...Show more →
Thanks for the answer!
I do all my B&W on SEPII and I have created a preset which makes the process extremelly quick. Less than a minute per photo.
I will have a look at that preset you mention.
Here's one I took just a few hours ago, grey morning here in Sweden.
Used my preset that I really enjoyed on the D610 and now not so much anymore with the a7s.
DSC00372-Edit.jpg by Nuno André Ramos, on FlickrEDIT
Here's the same photo with the Noir 1. Pretty much all turned off as well. Just some pre process to flatten the image before SEPII and also some after process in LR for the blacks.
DSC00372-Edit-2.jpg by Nuno André Ramos, on FlickrOct 22, 2014 at 06:17 AM
p.539 #4Sony FE Images Thread
Amazing shots everyone!!
Another street portrait,Tainan. Lr/CS6 then SEP II
Nampramos, I am really liking the B&W conversions with the A7s. The B&W conversions with the A7s require almost no PP'ing.
A7s and 50 Nocti f/1.0 @ f/1.0
Another street portrait,Tainan. Lr/CS6 then SEP II
Nampramos, I am really liking the B&W conversions with the A7s. The B&W conversions with the A7s require almost no PP'ing.
A7s and 50 Nocti f/1.0 @ f/1.0
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Oct 22, 2014 at 06:39 AM
p.539 #5Sony FE Images Thread
Really good Charles!
Is that Noir 1 again with everything off?
Is that Noir 1 again with everything off?
Oct 22, 2014 at 06:45 AM
p.539 #8Sony FE Images Thread
Charles, nampramoss - please excuse my ignorance, but what is SEPII (googling was no help) - I also ask b/c of your great images
Thanks in advance - David
Thanks in advance - David
Oct 22, 2014 at 10:25 AM
p.539 #9Sony FE Images Thread
One of the days during our short trip the light got very nice and interesting. Incredibly soft and "warm".
Horses with A7 and C/Y 28mm/2.8:
Icelandic horses by Helena Normark, on Flickr
Icelandic horses by Helena Normark, on Flickr
Horses with A7 and C/Y 28mm/2.8:
Icelandic horses by Helena Normark, on Flickr
Icelandic horses by Helena Normark, on Flickr
Oct 22, 2014 at 10:25 AM
p.539 #10Sony FE Images Thread
shac wrote:
Charles, nampramoss - please excuse my ignorance, but what is SEPII (googling was no help) - I also ask b/c of your great images
Thanks in advance - David
SEPII = Silver Efex Pro 2 (B&W software)
https://www.google.com/nikcollection/products/silver-efex-pro/
Charles, nampramoss - please excuse my ignorance, but what is SEPII (googling was no help) - I also ask b/c of your great images
Thanks in advance - David
SEPII = Silver Efex Pro 2 (B&W software)
https://www.google.com/nikcollection/products/silver-efex-pro/
Oct 22, 2014 at 10:45 AM
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p.539 #12Sony FE Images Thread
I took delivery of my A7 kit today. I have a few lenses. cv 15 cv 20 oly 135mm and kit lens
Oct 22, 2014 at 12:35 PM
p.539 #13Sony FE Images Thread
Hi all,
Just back from another two weeks on Washington State's Olympic Peninsula/Olympic National Park, and find almost 20! new pages to catch up on. It's a labor of love for sure! Thanks to every photographer who shared his/her work here.
Here are a pair of road landscapes (roadscapes?) from the Queets rainforest. Both with A7 & Leica WATE.
#1 Queets campground as the road passes an old growth spruce.
#2 Main road. Even at 21mm a two frame focus stack was needed to keep the fern sharp + infinity DOF.
Just back from another two weeks on Washington State's Olympic Peninsula/Olympic National Park, and find almost 20! new pages to catch up on. It's a labor of love for sure! Thanks to every photographer who shared his/her work here.
Here are a pair of road landscapes (roadscapes?) from the Queets rainforest. Both with A7 & Leica WATE.
#1 Queets campground as the road passes an old growth spruce.
#2 Main road. Even at 21mm a two frame focus stack was needed to keep the fern sharp + infinity DOF.
Oct 22, 2014 at 12:48 PM
p.539 #14Sony FE Images Thread
Cause you had a bad hair day by phuviano, on Flickr
Olympic park bridge by phuviano, on FlickrOct 22, 2014 at 01:03 PM
p.539 #15Sony FE Images Thread
Leica 60:
monolith by alwang, on Flickr
white field by alwang, on Flickr
monolith by alwang, on Flickr
white field by alwang, on Flickr
Oct 22, 2014 at 01:38 PM
p.539 #16Sony FE Images Thread
Took my latest purchase to town tonight.
I am always amazed with DR of the A7.
Less so with the sensor flare and the six aperture blades of the lens...
Both pictures with A7 and Canon FDn 20mm @f11.
#1
#2
Edited on Nov 16, 2014 at 04:47 AM · View previous versions
I am always amazed with DR of the A7.
Less so with the sensor flare and the six aperture blades of the lens...
Both pictures with A7 and Canon FDn 20mm @f11.
© Olaf G 2014
#1
© Olaf G 2014
#2
Edited on Nov 16, 2014 at 04:47 AM · View previous versions
Oct 22, 2014 at 01:59 PM
p.539 #17Sony FE Images Thread
The 60 elmarit and the a7 produces lovely colors alwang.
some more here with the 28 distagon
http://sonyalphanex.blogspot.com/2014/10/jeff-koons-at-whitney-museum-with-a7r.html
some more here with the 28 distagon
http://sonyalphanex.blogspot.com/2014/10/jeff-koons-at-whitney-museum-with-a7r.html
Oct 22, 2014 at 02:03 PM
p.539 #19Sony FE Images Thread
Three from the Kestner homestead (early 1900s) in the Quinalt rainforest of Olympic National Park. All with the A7. 1&2 Lux 50 ASPH, 3 WATE.
1. The approach to the Kestner homestead
2. Relic truck
3. Relic truck, detail
1. The approach to the Kestner homestead
2. Relic truck
3. Relic truck, detail
Oct 22, 2014 at 03:40 PM
p.539 #20Sony FE Images Thread
A7R and ZE 35f1.4 @ f5.6
Bourcefranc le Chapus ( France )
Bourcefranc le Chapus ( France )
Oct 22, 2014 at 04:06 PM