rji2goleez wrote:
I actually found these bottles lined up on a park bench just like this. Quite the party and still able to see straight to line up the bottles . . .
Maybe you found evidence of the Bottle Boys and a previous performance
(Fast forward to 18 seconds in to get right to the music - these guys are good)
First is with Cron 90/2 at a shopping outlet (that's the real-deal colors - just my LR sunlight profile, sharpened and exported - nothing else - Credit to my father-in-law that pointed it out to me)
Second and third are with FD 20/2.8 at Santa Fe's Loretto Chapel and is absolutely amazing to see but very difficult to photograph.
Fourth is with Pentax SMC 50/1.4, building somewhere in Santa Fe near the chapel.
wfrank, love your shots with the contax 35/1.4. I couldn't take it any longer and just bought a late serial 35/1.4 MMJ from Japan. Hope to get it in a week. Can't wait.
Picture This! wrote:
wfrank, love your shots with the contax 35/1.4. I couldn't take it any longer and just bought a late serial 35/1.4 MMJ from Japan. Hope to get it in a week. Can't wait.
Ha ha ditto in loving Wilhelm's Contax 35/1.4 shots ... and putting the lens on my short-list. However having bought the wonderful FE55/1.8 and having a superb Cosina 55/1.2 back in the UK, that I will bring back over here, I really don't want to buy another '50' when there are still gaps in the line-up.
Found weird "feature" from Zeiss G-series Biogon; it makes background boke on some circumstances brighter and lower contrast than most lenses. For example in this photo, there was no fog and forest in background was normal contrast to my eye. (These are very small nuances differences on things like these are usually never multiple "stops")
Carl Zeiss Biogon 2.8/28 G @ f/11, 1/5s, Sony A7 @ ISO 100, B+W Kaesemann Circular Polarizer 46mm
Samuli Vahonen wrote:
Found weird "feature" from Zeiss G-series Biogon; it makes background boke on some circumstances brighter and lower contrast than most lenses. For example in this photo, there was no fog and forest in background was normal contrast to my eye. (These are very small nuances differences on things like these are usually never multiple "stops")
Carl Zeiss Biogon 2.8/28 G @ f/11, 1/5s, Sony A7 @ ISO 100, B+W Kaesemann Circular Polarizer 46mm
