attached some first snapshots with the 135 GM. First impression (all at 1.8),
it is more than a replacement for my old Zeiss / Sony A mouth. great piece.
Happy Easter to you and your loved ones.
René
Indeed, welcome back, René! Congrats of the GM 135mm! You sold your A-mount Zeiss already, I hope?
kimknapp wrote:
Nice Joshua. Very difficult shot!
Thank you, Kim! I take luck over skill anytime of the day...
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The same Pacific Ocean but some 80 miles away from the falcon site - there is a significantly higher keeper rate here but yet every element has to fall into pieces to make it worthwhile...
thanks for the welcome and the congratulations to the 135 GM, love it since the first day, my pictures are not better, but at least sharper
. I sold the Zeiss to a friend months ago. and he is very happy about it.
best regards
René
René
Welcome back. Your absense has really been noted and your photos have been missed. I have to get out and take photos myself and to begin posting again myself.
Welcome back. Your absense has really been noted and your photos have been missed. I have to get out and take photos myself and to begin posting again myself.
Rich
thank you very much Rich.
it honors me very much. hard to believe. There are so many extremely talented photographers here. Hope to find more time to enjoy the great pictures and the people here. I'm looking forward to your pictures
Best regards René
Looking at a field of Muscari "Bluebells"
Tripod A7r Kolari V3 camera and Minolta CLE MC 28mm f2.8 M-Rokkor
ISO 100, f11?, 1/13 second
Late this afternoon, 2019
At Lock Ridge Park, Alburtis, PA
I took this image with the A7r Kolari V3 camera and took images with my stock A7r with Minolta CLE MC 40mm f2 M-Rokkor. I have calibrated the output for the Kolari modded camera but the color between both cameras and lenses look nothing alike. I was tearing my hair out, but this is what I decided for the posted image.
A pretty stretch of the SA Riverwalk captured at sunrise. This final image is a pano comprised of 3 sections shot with the my Canon 24mm TSE shifting vertically with the camera in the landscape orientation. For each section, I used 3 separate shots. 1 for the base exposure, another for highlight recovery, and another for a simulated long exposure for the river. It all merged pretty well in Photoshop CC.
