bobbytan wrote:
Nice capture, Joshua! The positioning of the 2 Sandies is just right with really nice separation from the background. Well done!
Thank you very much, Bobby!
Picture This! wrote:
Beautiful shot Joshua. I like the experiment randomguy.
Another one from Palau de la Música. A vertorama made with 7 shots. Sorry for the big size, but this one has to be viewed big.
A7r3 + Voigtlander 12. I really like this lens !
Manu, thank you very much! Another superb image you posted there!
Chuck Coyne wrote:
Joshua,
You really nailed the timing of these BIF! Beautifully composed and executed and I agree the upcoming AF improvements to the A9 and the A73/A7R3 are so exciting!
I really appreciate your kind words, Chuck!
kdrk888 wrote:
Amazing shots of the cranes, Joshua and Robert!
Playing around with a couple shots from last week in B&W. I am quite new to B&W so please bear with me
Douglas, thank you very much! A great set of B&W winterscape images!
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The first image from today session that was scheduled right after my Bosque trip. I am still tired but... oh, well . I love the Sony FE 50mm f/1.4 lens even at wide open aperture...
AGeoJO wrote:
Another image from Bosque del Apache, a frame from sequential shots that are in critical focus. This trip makes me even more realize how good the AF of the A9 is and how well it could handle the adapted Canon 600mm f/4, with and without TC. The way it is, I would not hesitate taking this combo on a safari to Africa scheduled for next year. Can you imagine the performance of this setup will be after the major firmware update in March? Just thinking about it makes me excited....
AGeoJO wrote:
Another image from Bosque del Apache, a frame from sequential shots that are in critical focus. This trip makes me even more realize how good the AF of the A9 is and how well it could handle the adapted Canon 600mm f/4, with and without TC. The way it is, I would not hesitate taking this combo on a safari to Africa scheduled for next year. Can you imagine the performance of this setup will be after the major firmware update in March? Just thinking about it makes me excited....
Amazing shot, Joshua. What support do you use for that big gun? I suppose you aren't handholding that brick, right?
Btw, many thanks for the praise on my humble sunrise panorama from last week and sorry for only getting to respond now.
Picture This! wrote:
Beautiful shot Joshua. I like the experiment randomguy.
Another one from Palau de la Música. A vertorama made with 7 shots.
Fantastic image Manu! A stunningly beautiful venue. Very well done. I have never thought to do a stitched image of an interior like this. Will have to try it.
MedicineMan404 wrote:
Awesome Joshua. Mine pale in comparison.
You are too kind, Robert, thank you! I saw your images and they are great!
Chris_88 wrote:
Amazing shot, Joshua. What support do you use for that big gun? I suppose you aren't handholding that brick, right?
Btw, many thanks for the praise on my humble sunrise panorama from last week and sorry for only getting to respond now.
Thank you very much, Chris! No, I wasn't, not even in my dream... . I am using a Wimberley WH-200 now. BTW, I replied to your thread, as well and gave more info there.
Peterk78 wrote:
Fantastic image Manu! A stunningly beautiful venue. Very well done. I have never thought to do a stitched image of an interior like this. Will have to try it.
Manu, thank you very much! Another superb image you posted there!
I really appreciate your kind words, Chuck!
Douglas, thank you very much! A great set of B&W winterscape images!
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The first image from today session that was scheduled right after my Bosque trip. I am still tired but... oh, well . I love the Sony FE 50mm f/1.4 lens even at wide open aperture...
Just returned from a trip to Death Valley with some photographer friends. Here is the first one from Zabriskie Point on our first sunset shoot. I was blown away by the rock formations in this place. Truly looks like another planet. I used my FE 100-400 which I had rented to frame these hikers in the canyon with the incredible rock walls surrounding them.
Thank you very much, Jim! It was a two-light setup - the main light is a Godox 600 inside a 36-inch soft box to my left and it was close to her, basically no shadow to speak of that way. The fill is from available light from above me in the form of sky light. The second light is a kicker in the form of a bare flash that I hid behind her on the left from me. I forgot my collapsible snoot; so, I had to hide it further away. The main light is about 1-stop more than the available light, hence the darkish background. Jim, please feel free to ask any more questions.
AGeoJO wrote:
Thank you very much, Jim! It was a two-light setup - the main light is a Godox 600 inside a 36-inch soft box to my left and it was close to her, basically no shadow to speak of that way. The fill is from available light from above me in the form of sky light. The second light is a kicker in the form of a bare flash that I hid behind her on the left from me. I forgot my collapsible snoot; so, I had to hide it further away. The main light is about 1-stop more than the available light, hence the darkish background. Jim, please feel free to ask any more questions....Show more →
Thanks so much for your generous sharing of technique and gear choices.
. I am using a Wimberley WH-200 now. BTW, I replied to your thread, as well and gave more info there.
