Sony FE Images Thread
p.2820 #1Sony FE Images Thread
I had to go out to shoot some pictures for work, for projects I designed (I'm an electrical engineer), but had to wait for night, and so I stopped by this little park and waterfall to kill time until lights came on:
A7 III + FE 90mm Macro
A7 III + FE 90mm Macro
A7 III + FE 16-35mm f/4
A7 III + FE 90mm Macro
A7 III + Voigtlander 35mm f/1.4
A7 III + FE 16-35mm f/4
And, one shot from my work shoot - A7 III with 16-35. BTW, I designed the lighting here...the high mast lighting for the highway, and underpass lighting and LED decorative lighting under the bridge.
A7 III + FE 90mm Macro
A7 III + FE 90mm Macro
A7 III + FE 90mm Macro
A7 III + FE 16-35mm f/4
A7 III + FE 90mm Macro
A7 III + Voigtlander 35mm f/1.4
A7 III + FE 16-35mm f/4
And, one shot from my work shoot - A7 III with 16-35. BTW, I designed the lighting here...the high mast lighting for the highway, and underpass lighting and LED decorative lighting under the bridge.
A7 III + FE 90mm Macro
May 11, 2018 at 07:55 AM
p.2820 #2Sony FE Images Thread
green lines by Daniel, on FlickrI enjoy the "zen" experience of Macro.
On another note; This thread is so inspiring and really makes me want to travel. Any time that I get bored with photography I just have to check out the images here and remember how there are endless possibilities out there to make images.
May 11, 2018 at 08:29 AM
p.2820 #3Sony FE Images Thread
Dale: Glad you tried out the Pixel shift ! It shows, though not on the web....
May 11, 2018 at 08:48 AM
p.2820 #4Sony FE Images Thread
High Ice by Werner Utsch, on Flickr
Iceland
A7 R II, FE 100-400 GM
May 11, 2018 at 08:49 AM
p.2820 #5Sony FE Images Thread
Jman13 wrote:
And, one shot from my work shoot - A7 III with 16-35. BTW, I designed the lighting here...the high mast lighting for the highway, and underpass lighting and LED decorative lighting under the bridge.
A7 III + FE 90mm Macro
http://www.jordansteele.com/2018/mot75.jpg
You'd absolutely love China!
And, one shot from my work shoot - A7 III with 16-35. BTW, I designed the lighting here...the high mast lighting for the highway, and underpass lighting and LED decorative lighting under the bridge.
A7 III + FE 90mm Macro
http://www.jordansteele.com/2018/mot75.jpg
You'd absolutely love China!
May 11, 2018 at 08:51 AM
p.2820 #6Sony FE Images Thread
HelenaN wrote:
We went to our cabin in Sweden last week and to make Samuli happy
I decided to bring CY 50/1.7 (and CY 28/2.8, which I didn't use this time).
Thank you! I love 50mm perspective - must take one of them with me next time going shooting.
Zeiss Loxia 2.4/25 FE @ f/9.0, 1/40s, A7r @ ISO 100
Zeiss Loxia 2.4/85 FE @ f/16.0, 1/8s, A7r mkII @ ISO 100 - need to start shooting this kind of scenes with focus bracketing and stack with software, the f/16 DOF is nowhere close enough to cover the scene, and requires deconvolution sharpening to eliminate diffraction
Zeiss Loxia 2.4/25 FE @ f/2.8, 1/320s, A7r @ ISO 100 (125cm / 50inch white reflector)
Zeiss Loxia 2.4/25 FE @ f/5.6, 1/200s, A7r @ ISO 100
Zeiss Loxia 2.4/25 FE @ f/9.0, 1/50s, A7r @ ISO 100
Samuli
We went to our cabin in Sweden last week and to make Samuli happy
I decided to bring CY 50/1.7 (and CY 28/2.8, which I didn't use this time).Thank you! I love 50mm perspective - must take one of them with me next time going shooting.
Zeiss Loxia 2.4/25 FE @ f/9.0, 1/40s, A7r @ ISO 100
Zeiss Loxia 2.4/85 FE @ f/16.0, 1/8s, A7r mkII @ ISO 100 - need to start shooting this kind of scenes with focus bracketing and stack with software, the f/16 DOF is nowhere close enough to cover the scene, and requires deconvolution sharpening to eliminate diffraction
Zeiss Loxia 2.4/25 FE @ f/2.8, 1/320s, A7r @ ISO 100 (125cm / 50inch white reflector)
Zeiss Loxia 2.4/25 FE @ f/5.6, 1/200s, A7r @ ISO 100
Zeiss Loxia 2.4/25 FE @ f/9.0, 1/50s, A7r @ ISO 100
Samuli
May 11, 2018 at 08:55 AM
p.2820 #7Sony FE Images Thread
I find few people appreciate the efforts though. Outside of this group I mean.
You gotta love it.
40Driggs wrote:
https://farm1.staticflickr.com/908/40223135360_521636f841_h.jpggreen lines by Daniel, on Flickr
I enjoy the "zen" experience of Macro.
On another note; This thread is so inspiring and really makes me want to travel. Any time that I get bored with photography I just have to check out the images here and remember how there are endless possibilities out there to make images.
You gotta love it.
40Driggs wrote:
I enjoy the "zen" experience of Macro.
On another note; This thread is so inspiring and really makes me want to travel. Any time that I get bored with photography I just have to check out the images here and remember how there are endless possibilities out there to make images.
May 11, 2018 at 08:56 AM
p.2820 #9Sony FE Images Thread
Here is another image from Bromo, - it is a vertical and somewhat compressed image of the ridge overlooking the lowland to the right that's covered by thick fog that morning. The village there is where the majority of visitors stay, including myself. It extends more to the left actually. The image of the two farmers I posted earlier is in the middle of that section some place. The ledge got eroded more in a few places and the barely visible sun, rising on the left penetrated the lower areas of the ledge and was illuminating the fog with its warm rays. What a view!
The edge of the ridge, showing the limit of the thick fog covering the entire lowland on the right
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The edge of the ridge, showing the limit of the thick fog covering the entire lowland on the right
May 11, 2018 at 09:14 AM
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p.2820 #11Sony FE Images Thread
Dramatic skies along the Ring Road in Iceland. Zeiss 16-35/4
May 11, 2018 at 10:09 AM
p.2820 #12Sony FE Images Thread
A shot of the new Frost Tower going up. I caught this reflection shot from the San Pedro Creek Culture Park with the Zeiss 35mm f2 ZE.
Edited on May 11, 2018 at 08:56 PM · View previous versions
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Edited on May 11, 2018 at 08:56 PM · View previous versions
May 11, 2018 at 10:30 AM
p.2820 #13Sony FE Images Thread
Spring thistles by Graham Gibson, on Flickr
May 11, 2018 at 10:47 AM
p.2820 #14Sony FE Images Thread
KarmaKramer wrote:
I find few people appreciate the efforts though. Outside of this group I mean.
You gotta love it.
That's probably true. It takes a lot of patience and trial and error.
I find few people appreciate the efforts though. Outside of this group I mean.
You gotta love it.
That's probably true. It takes a lot of patience and trial and error.
May 11, 2018 at 11:11 AM
p.2820 #16Sony FE Images Thread
Gunzorro wrote:
Yes, Chris, we need the electronic connection to activate the Nikon PC-E and the Commlite provides that. Otherwise, your earlier comment was correct -- there is a way to disengage the lens from a Nikon camera body to "freeze" the last used aperture. Very awkward and troublesome!
I'm having problems with the Commlite on most lenses with the Nikon mount. First of all, my copy has the wrong headspace -- too long -- making it a "macro" adapter unable to achieve infinity focus with the majority of lenses. This includes Nikon AIS and Zeiss ZF, where also the aperture does...Show more →
I see. There is a solution. But it could be better than it is actually. I see the problem with the headspace. That's a manufacturer intolerance problem in my opinion - something shouldn't happen in this years of ultra-accurate industries...
Any way...
Yes with my GF i can do a lot in terms of photography. She shoots as well.
A perfect model to learn to coach.
I wish you a nice time
Yes, Chris, we need the electronic connection to activate the Nikon PC-E and the Commlite provides that. Otherwise, your earlier comment was correct -- there is a way to disengage the lens from a Nikon camera body to "freeze" the last used aperture. Very awkward and troublesome!
I'm having problems with the Commlite on most lenses with the Nikon mount. First of all, my copy has the wrong headspace -- too long -- making it a "macro" adapter unable to achieve infinity focus with the majority of lenses. This includes Nikon AIS and Zeiss ZF, where also the aperture does...Show more →
But it does run the PC-E at least. I've got to find a way to send it back for replacement, but being soooo far off of infinity AF, I'm not holding my breath they have this problem solved. Unfortunately, it's the only game in town for Nikon. I'm spoiled by how awesome and inexpensive the Sigma MC-11 is for using Canon lenses on the Sony. 
I see. There is a solution. But it could be better than it is actually. I see the problem with the headspace. That's a manufacturer intolerance problem in my opinion - something shouldn't happen in this years of ultra-accurate industries...
Any way...
Yes with my GF i can do a lot in terms of photography. She shoots as well.
A perfect model to learn to coach.
I wish you a nice time
May 11, 2018 at 11:56 AM
p.2820 #18Sony FE Images Thread
A stitch from the Technikmuseum in Speyer with A7 and Samyang 85mm f1.4.
Inside AN-22 by Olaf Gnau, auf Flickr
Inside AN-22 by Olaf Gnau, auf FlickrMay 11, 2018 at 01:49 PM
p.2820 #19Sony FE Images Thread
First time actually using (rather than just testing) the Laowa 15/4 macro. It's quite a unique lens that can get compositions not possible otherwise. This is from Trillium Ravine nature preserve in Niles, Michigan; A7RIII; 5 frames focus stacked.
Trillium Ravine, Niles, Michigan by Danny Burk, on Flickr
Trillium Ravine, Niles, Michigan by Danny Burk, on FlickrMay 11, 2018 at 03:00 PM
p.2820 #20Sony FE Images Thread
Couple from today.
CV 40/1.2, F2.8:
GM 100/1.8 STF:
CV 40/1.2, F2.8:
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GM 100/1.8 STF:
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May 11, 2018 at 03:41 PM