Sony FE Images Thread
p.2450 #1Sony FE Images Thread
rji2goleez wrote:
Werner, Ronny and Joshua . . . you're making this page shine!
Thank you, Bob! Every single one of yours rocks.
philber wrote:
Ronnie, Joshua, Helbend, Jim H, KarlHeinz, Twoeye, Mike, Jim S, Werner, René, Bob, Ryan, Samuli, Dale, Helena, Jonathon... what a collection of talent! I am full of admiration! I hope that each of you doesn't feel less saluted because there are many of you...
Otus 28, then 2 with Otus 55
Thank you, Philippe! I love the images of the wall paintings!
___________________
Another image of Ari in Downtown LA
I believe I can fly....
Werner, Ronny and Joshua . . . you're making this page shine!
Thank you, Bob! Every single one of yours rocks.
philber wrote:
Ronnie, Joshua, Helbend, Jim H, KarlHeinz, Twoeye, Mike, Jim S, Werner, René, Bob, Ryan, Samuli, Dale, Helena, Jonathon... what a collection of talent! I am full of admiration! I hope that each of you doesn't feel less saluted because there are many of you...
Otus 28, then 2 with Otus 55
Thank you, Philippe! I love the images of the wall paintings!
___________________
Another image of Ari in Downtown LA
I believe I can fly....
Oct 01, 2017 at 05:07 PM
p.2450 #2Sony FE Images Thread
Joshua -- I swear I'm not stalking you and posting immediately after you. . . ;D
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Anyhow, following up on one more set of comparisons between the 12-24G and 17 TS-E lenses, how they overlap or differ in common use.
First up, 3 shots -- Number one is shot from 17 TS-E shot into sun with silhouetted subjects. Lens was shifted up to reduce foreground. The second and third shots show the same subject shot with 12-24G, leveled, then cropped up into similar subject area to match first shot -- notice the ghost flares going a slightly different angle from the more centered origin of flares in first shot with 17 TS-E. The third shot shows well how the two lenses compare and offer opportunity to crop the 12-24 for many architectural subjects without much penalty on high MP sensors.
Next, shots 4 & 5 show a 3-shot vertical pano (landscape format) fully shifted up, zero, and down, from 17 TS-E, vs. a straight single frame from the 12-24G. The difference in memory for the image information is 222MB for the .dng shift pano, vs. 41MB for the single shot RAW from 12-24G -- a saving in storage, vs. versatility in IQ and PP for the 3-shot pano.
I hope this provides options and a few graphic demos that readers will find interesting.
Personally, I think I'll be more confident using the 12-24G for an even broader range of quality work, and perhaps lessen my reliance on the 17 TS-E. It's really coming across as that good -- certainly not taking a back seat to any UWA lens I'm familiar with -- even many top primes. That's become my observation anyhow.
All shots hand held, including shifted pano, LRCC for PP and pano.
******************
Anyhow, following up on one more set of comparisons between the 12-24G and 17 TS-E lenses, how they overlap or differ in common use.
First up, 3 shots -- Number one is shot from 17 TS-E shot into sun with silhouetted subjects. Lens was shifted up to reduce foreground. The second and third shots show the same subject shot with 12-24G, leveled, then cropped up into similar subject area to match first shot -- notice the ghost flares going a slightly different angle from the more centered origin of flares in first shot with 17 TS-E. The third shot shows well how the two lenses compare and offer opportunity to crop the 12-24 for many architectural subjects without much penalty on high MP sensors.
Next, shots 4 & 5 show a 3-shot vertical pano (landscape format) fully shifted up, zero, and down, from 17 TS-E, vs. a straight single frame from the 12-24G. The difference in memory for the image information is 222MB for the .dng shift pano, vs. 41MB for the single shot RAW from 12-24G -- a saving in storage, vs. versatility in IQ and PP for the 3-shot pano.
I hope this provides options and a few graphic demos that readers will find interesting.
Personally, I think I'll be more confident using the 12-24G for an even broader range of quality work, and perhaps lessen my reliance on the 17 TS-E. It's really coming across as that good -- certainly not taking a back seat to any UWA lens I'm familiar with -- even many top primes. That's become my observation anyhow.
All shots hand held, including shifted pano, LRCC for PP and pano.
Oct 01, 2017 at 05:46 PM
p.2450 #4Sony FE Images Thread
Last mason of the year, was 42F (5.5c) last night, so macro'ing is almost over-
Sony ILCE-9
FE 90mm F2.8 Macro G OSS
ƒ/9.0 90.0 mm 1/250 1250 Flash (off, did not fire)
Last mason of the year by MedicineMan4040, on Flickr
Sony ILCE-9
FE 90mm F2.8 Macro G OSS
ƒ/9.0 90.0 mm 1/250 1250 Flash (off, did not fire)
Last mason of the year by MedicineMan4040, on FlickrOct 01, 2017 at 06:41 PM
p.2450 #5Sony FE Images Thread
Putting the new (for me) a7r II through its paces on a hike and landscape shooting today - really enjoyed the lighter weight of this compared to my last canon kit on the hike. Tested out the smooth reflection app for noise control and shadow recovery too. Need to remind myself to make sure to get some clean/fast exposures for wind just in case though for the trees in that shot. These were all shot on the Batis 18mm and 85mm, some with the Firecrest Polarizer.
C&C Welcome. Thanks!
C&C Welcome. Thanks!
Oct 01, 2017 at 06:59 PM
p.2450 #7Sony FE Images Thread
Sony A7 II + Sony Zeiss Vario-Tessar T* FE 16-35mm f/4 ZA OSS by Ronny Olsson, on Flickr
Oct 01, 2017 at 10:15 PM
p.2450 #10Sony FE Images Thread
GMPhotography wrote:
Laowa 15mm
Guy really impressive work with that lens.
Laowa 15mm
Guy really impressive work with that lens.
Oct 01, 2017 at 10:52 PM
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p.2450 #11Sony FE Images Thread
TTS (typical tourist shot) Tetons
Sony ILCE-7RM2
EF24-70mm f/4L IS USM
ƒ/8.0 24.0 mm 1/320 100 Flash (off, did not fire)
Good morning Grand Tetons by MedicineMan4040, on Flickr
Sony ILCE-7RM2
EF24-70mm f/4L IS USM
ƒ/8.0 24.0 mm 1/320 100 Flash (off, did not fire)
Good morning Grand Tetons by MedicineMan4040, on FlickrOct 01, 2017 at 10:54 PM
p.2450 #12Sony FE Images Thread
With the fall, Rokkors are mounted to camera. This time 100mm f/2.
Ateş çalısı
Güz
Listera Ovata
Ateş çalısı
Güz
Listera Ovata
Oct 02, 2017 at 12:52 AM
p.2450 #13Sony FE Images Thread
Out moose hunting, about 10-15 miles north of RMNP near Cameron pass approx 11K feet up.
Pocket of gold by MedicineMan4040, on Flickr
Pocket of gold by MedicineMan4040, on FlickrOct 02, 2017 at 01:36 AM
p.2450 #14Sony FE Images Thread
A7, Mitakon 50/0.95 and CY 35-70/3.4
Sorry for the varying sizes. My main monitor is 1080 and secondary a 1440.
-Micko
Sorry for the varying sizes. My main monitor is 1080 and secondary a 1440.
-Micko
Oct 02, 2017 at 02:38 AM
p.2450 #15Sony FE Images Thread
A few more from the Cathedral in Palma de Mallorca. In the last, the sun was casting colors of the stained glass onto the pews. All with the Sony 12-24G
Oct 02, 2017 at 04:49 AM
p.2450 #16Sony FE Images Thread
Bob, your set from this cathedral is exceptional. Awesome.
Oct 02, 2017 at 06:38 AM
p.2450 #17Sony FE Images Thread
philber wrote:
Bob, your set from this cathedral is exceptional. Awesome.
+1
Bob, your set from this cathedral is exceptional. Awesome.
+1
Oct 02, 2017 at 06:45 AM
p.2450 #19Sony FE Images Thread
Had a visit from this Ruby Throated Hummingbird in my garden yesterday. He seemed to really enjoy the Mystic Spires Blue Salvia. My wife plants that plant for the first time this spring and the bees, butterflies and hummingbirds like it a lot, now so do I 
Chuck
FE 100-400 GM and A6500
FE 100-400 GM and A6500
FE 100-400 GM and A6500
FE 100-400 GM and A6500
Chuck
FE 100-400 GM and A6500
FE 100-400 GM and A6500
FE 100-400 GM and A6500
FE 100-400 GM and A6500
Oct 02, 2017 at 07:04 AM
p.2450 #20Sony FE Images Thread
Back to Katie.... on balance beam, this time around
Katie - a 10 on the balance beam and a 10 even for the dismount LOL
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Katie - a 10 on the balance beam and a 10 even for the dismount LOL
Oct 02, 2017 at 07:08 AM