Sony FE Images Thread
p.1750 #4Sony FE Images Thread
Sony A7R II + Zeiss Loxia 21mm f/2.8 by Ronny Olsson, on Flickr
Sony A7R II + Nikkor 16mm f3.5 AI fisheye by Ronny Olsson, on Flickr
Aug 01, 2016 at 03:11 AM
p.1750 #5Sony FE Images Thread
Oh my! First one is fantastic, second is GLORIOUS!!
Aug 01, 2016 at 04:50 AM
p.1750 #7Sony FE Images Thread
ISO 2500 looks pretty good on the little cropper. Good to see the 70-400gii used on it as well.
Aug 01, 2016 at 05:21 AM
p.1750 #8Sony FE Images Thread
It works well especially on the A6300 with 11fps! Thanks.
Aug 01, 2016 at 05:24 AM
p.1750 #9Sony FE Images Thread
Photo taken in Magic Hour about 37 minutes before Sunset.
Looking at Boats, Dock. and Harbor
Tripod mounted A7r and Minolta CLE MC 40mm f2 M-Rokkor lens
ISO 100, probably f11, 1/80 second
Exposure corrected by -0.12 Stops; processed in LR6
June 30, 2015
Northeast Harbor, Mount Desert Island, near Acadia National Park, Maine
Rich
Looking at Boats, Dock. and Harbor
Tripod mounted A7r and Minolta CLE MC 40mm f2 M-Rokkor lens
ISO 100, probably f11, 1/80 second
Exposure corrected by -0.12 Stops; processed in LR6
June 30, 2015
Northeast Harbor, Mount Desert Island, near Acadia National Park, Maine
Rich
Aug 01, 2016 at 06:36 AM
p.1750 #10Sony FE Images Thread
Thanks Robert 
Nikkor 16mm fisheye is a awesome lens I think
Sony A7R II + Nikkor 16mm f3.5 AI fisheye by Ronny Olsson, on Flickr
Nikkor 16mm fisheye is a awesome lens I think
Sony A7R II + Nikkor 16mm f3.5 AI fisheye by Ronny Olsson, on Flickr
Aug 01, 2016 at 07:15 AM
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p.1750 #11Sony FE Images Thread
Here are a few from Santa Fe using an A7R with the 16-35.
Harry
Harry
© Fleeting Light Photos
© Fleeting Light Photos
© Fleeting Light Photos
© Fleeting Light Photos
Aug 01, 2016 at 10:47 AM
p.1750 #12Sony FE Images Thread
Here are a few from Prague again with the A7R and 16-35.
Harry
Harry
© Fleeting Light Photos
© Fleeting Light Photos
© Fleeting Light Photos
© Fleeting Light Photos
Aug 01, 2016 at 10:54 AM
p.1750 #14Sony FE Images Thread
Free Spirit by Werner Utsch, on Flickr
Shot from the 'Balcone D'Italia' on the top of Sighinola mountain (1320 m).
The Milan (not Eagle, nice name for the bird that close to Milan...) flies 1000m over Melide and our house in the right corner at the lakefront...
From our terrace we can see the mountain top some 4 km away but it's a long way to go. It was a very hazy day with not the best sight and shooting conditions. My wife pointed me to the Milan,s sailing their circles using the upwinds.
This was shot with the LAEA3 adapter using AFC and wide area, worked pretty good because of the background and the birds not to fast.
Aug 01, 2016 at 12:25 PM
p.1750 #15Sony FE Images Thread
After a long spell with Otus 28, I was beginning to think this lens is so good that I can make do with "only" the 28 and my 85. That would save me 1kg and a few bucks...
With this in mind, I put my Otus 55 back on my camera, to see if I really "needed" it.
The sign of a truly superior lens is that you just can't do without it...
With this in mind, I put my Otus 55 back on my camera, to see if I really "needed" it.
The sign of a truly superior lens is that you just can't do without it...
Aug 01, 2016 at 12:48 PM
p.1750 #16Sony FE Images Thread
From a weekend at Fosen, a peninsula just outside of Trondheim.
A7 and CV 35/1.7 VM (#1, 2, 5, 6 & 7) and CV 50/1.5 VM (#3 & 4).
A7 and CV 35/1.7 VM (#1, 2, 5, 6 & 7) and CV 50/1.5 VM (#3 & 4).
Aug 01, 2016 at 01:04 PM
p.1750 #18Sony FE Images Thread
I wonder if this washed out road from last winter will be fixed when I go back to Aberdeen? I'll find out soon.
Aug 01, 2016 at 01:59 PM
p.1750 #19Sony FE Images Thread
philber wrote:
After a long spell with Otus 28, I was beginning to think this lens is so good that I can make do with "only" the 28 and my 85. That would save me 1kg and a few bucks...
With this in mind, I put my Otus 55 back on my camera, to see if I really "needed" it.
The sign of a truly superior lens is that you just can't do without it...
I would say you can't do without . . .
After a long spell with Otus 28, I was beginning to think this lens is so good that I can make do with "only" the 28 and my 85. That would save me 1kg and a few bucks...
With this in mind, I put my Otus 55 back on my camera, to see if I really "needed" it.
The sign of a truly superior lens is that you just can't do without it...
I would say you can't do without . . .
Aug 01, 2016 at 02:01 PM
p.1750 #20Sony FE Images Thread
I don't shoot weddings but when a family member or friend asks me to be a second shooter I am happy to do so. These are from my nephews wedding a couple weeks ago in Spokane, Washington. It was great to keep the G 85 on my A7Rii (all pics below with this combo) while I swapped other Canon lenses on my 5D3.
A7Rii w G 85 1.4
A7Rii w G 85 1.4
A7Rii w G 85 1.4
A7Rii w G 85 1.4
A7Rii w G 85 1.4
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A7Rii w G 85 1.4
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A7Rii w G 85 1.4
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A7Rii w G 85 1.4
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A7Rii w G 85 1.4
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A7Rii w G 85 1.4
Aug 01, 2016 at 02:03 PM