How to amaze young children -- tell them to grab their finger LEDs, wave their arms around, then show them how cool long-exposures are with light sources
How to challenge yourself -- edit the photos into things completely different than how they originally turned out
cputeq wrote:
How to amaze young children -- tell them to grab their finger LEDs, wave their arms around, then show them how cool long-exposures are with light sources
How to challenge yourself -- edit the photos into things completely different than how they originally turned out
A7ii with 28/2
Awesome idea and fantastic results
My first crack at shooting the Milky Way last summer
Cheaha Mountain above the cloud line, taken with a7R II with Zeiss Otus 1.4/55mm ZE: Cheaha in Autumn by David Arbogast, on Flickr
Neighbor's house in my new home town (West Point, GA) taken at a very foggy 2 AM with a7R II with Canon EF 16-35mm f/4L IS USM: A Foggy Spooktacle by David Arbogast, on Flickr
Photo taken at 5:18 PM, June 26, 2015 from a high vantage point (used a portable step) of Otter Cove near high tide with roses in the foreground, Mount Desert Island, Acadia National Park, Maine. Image taken with my tripod mounted A7r and my Minolta CLE MC 40mm f2 M-Rokkor lens, ISO 100, lens set to probably f11 for 1/100 second. Processed in LR6.
cputeq wrote:
I've been really enjoying your 24-240 images and frankly you may have sold me on the lens, as I need a good all-in-one lens anyway for travel. Your results are very awesome and knowing this is a good crop on that image is even more impressive! I have to wonder how well it would play with a lower-resolution A7ii.
Thanks! I might just have an extraordinary copy of this lens. In part, the lens plays to my interest is post processing. I don't know what I would think about straight out-of-camera images. The single lens is like a bag of lenses. The PP adjustments vary with the focal length. I suspect you would have equal results on the A7ii with just a bit less real estate. More often than not, I carry the 24-240 and the Leica WATE as my whole kit. I think the danger of an all on one lens is laziness.
Thanks for all the likes for my photo of the glass of Stella Artois. No flash was used, just the lights from my bar and window light. This was a 10 second exposure.
Here's a closer look at the details in the droplets of water. I love my FE 90 macro lens.
BTW, that's salt on the rim of the glass. I like a pinch of salt in my beer, especially when it's hot.
